Fact and Fiction in Contemporary Narratives

This book explores the complex interrelationship between fact and fiction in narratives of the twenty-first century.

Current cultural theory observes a cultural shift away from postmodernism to new forms of expression. Rather than a radical break from the postmodern, however, postmodernist techniques are repurposed to express a new sincerity, a purposeful self-reflexivity, a contemporary sense of togetherness and an associated commitment to reality. In what the editors consider to be one manifestation of this general tendency, this book explores the ways in which contemporary texts across different media play with the boundary between fact and fiction. This includes the examination of novels, autobiography, autofiction, film, television, mockumentary, digital fiction, advertising campaigns and media hoaxes. The chapters engage with theories of what comes after postmodernism and analyse the narratological, stylistic and/or semiotic devices on which such texts rely.

The chapters in this book were originally published as a special issue of the European Journal of English Studies.

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Fact and Fiction in Contemporary Narratives

This book explores the complex interrelationship between fact and fiction in narratives of the twenty-first century.

Current cultural theory observes a cultural shift away from postmodernism to new forms of expression. Rather than a radical break from the postmodern, however, postmodernist techniques are repurposed to express a new sincerity, a purposeful self-reflexivity, a contemporary sense of togetherness and an associated commitment to reality. In what the editors consider to be one manifestation of this general tendency, this book explores the ways in which contemporary texts across different media play with the boundary between fact and fiction. This includes the examination of novels, autobiography, autofiction, film, television, mockumentary, digital fiction, advertising campaigns and media hoaxes. The chapters engage with theories of what comes after postmodernism and analyse the narratological, stylistic and/or semiotic devices on which such texts rely.

The chapters in this book were originally published as a special issue of the European Journal of English Studies.

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Fact and Fiction in Contemporary Narratives

Fact and Fiction in Contemporary Narratives

Fact and Fiction in Contemporary Narratives

Fact and Fiction in Contemporary Narratives

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Overview

This book explores the complex interrelationship between fact and fiction in narratives of the twenty-first century.

Current cultural theory observes a cultural shift away from postmodernism to new forms of expression. Rather than a radical break from the postmodern, however, postmodernist techniques are repurposed to express a new sincerity, a purposeful self-reflexivity, a contemporary sense of togetherness and an associated commitment to reality. In what the editors consider to be one manifestation of this general tendency, this book explores the ways in which contemporary texts across different media play with the boundary between fact and fiction. This includes the examination of novels, autobiography, autofiction, film, television, mockumentary, digital fiction, advertising campaigns and media hoaxes. The chapters engage with theories of what comes after postmodernism and analyse the narratological, stylistic and/or semiotic devices on which such texts rely.

The chapters in this book were originally published as a special issue of the European Journal of English Studies.


Product Details

ISBN-13: 9781000388503
Publisher: Taylor & Francis
Publication date: 05/10/2021
Sold by: Barnes & Noble
Format: eBook
Pages: 132
File size: 1 MB

About the Author

Jan Alber is Professor of English Literature and Cognition at RWTH Aachen University, Germany.

Alice Bell is Professor of English Language and Literature at Sheffield Hallam University, UK.

Table of Contents

Introduction – The importance of being earnest again: fact and fiction in contemporary narratives across media 1. The return of the ‘real’ in Ali Smith’s Artful (2012) and How to Be Both (2014) 2. Realism for the post-truth era: politics and storytelling in recent fiction and autobiography by Salman Rushdie 3. Reality beckons: metamodernist depthiness beyond panfictionality 4. ‘Just because it isn’t happening here, doesn’t mean it isn’t happening’: narrative, fictionality and reflexivity in humanitarian rhetoric 5. Fictional characters in a real world: unruly fictionalised encounters in Borat, The Ambassador, and the Yes Men’s media hoaxes 6. Changing dominants, changing features? The fiction/nonfiction distinction in contemporary literary and Instagram narratives

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