Ezra Pound's Cantos: A Casebook
This casebook provides a selection of key criticism, including an article newly translated into English, on the Cantos of Ezra Pound. The introduction positions the poem within Pound's corpus, contextualizes the contributions included and outlines their arguments, and concludes with suggestions for how the student may best approach this troubled and fascinating artifact. The selected articles maintain a high level of immediate contact with the Cantos, with the intention of preparing students for reading individual cantos on their own. Contributors discuss the nature of many of the successive major blocks of work, allowing the Pound newcomer to experience the poem as an irregular progression, varying greatly in its qualities. The first selection discusses "Canto I"; subsequent selections discuss, successively, major elements from "Canto II", the Draft of XXX, the China Cantos, the Pisan Cantos, and Drafts and Fragments. As a whole, the collection elucidates the personal and historical shifts that profoundly impacted Pound and consequentially produced the changing fusions of technique and matter in the Cantos. It also shows some of the huge variation in critics conceptions of the poem, or poetry itself, and of what it meant to be a poet and citizen of the West during the half-century in which the Cantos were written.
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Ezra Pound's Cantos: A Casebook
This casebook provides a selection of key criticism, including an article newly translated into English, on the Cantos of Ezra Pound. The introduction positions the poem within Pound's corpus, contextualizes the contributions included and outlines their arguments, and concludes with suggestions for how the student may best approach this troubled and fascinating artifact. The selected articles maintain a high level of immediate contact with the Cantos, with the intention of preparing students for reading individual cantos on their own. Contributors discuss the nature of many of the successive major blocks of work, allowing the Pound newcomer to experience the poem as an irregular progression, varying greatly in its qualities. The first selection discusses "Canto I"; subsequent selections discuss, successively, major elements from "Canto II", the Draft of XXX, the China Cantos, the Pisan Cantos, and Drafts and Fragments. As a whole, the collection elucidates the personal and historical shifts that profoundly impacted Pound and consequentially produced the changing fusions of technique and matter in the Cantos. It also shows some of the huge variation in critics conceptions of the poem, or poetry itself, and of what it meant to be a poet and citizen of the West during the half-century in which the Cantos were written.
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Ezra Pound's Cantos: A Casebook

Ezra Pound's Cantos: A Casebook

Ezra Pound's Cantos: A Casebook

Ezra Pound's Cantos: A Casebook

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Overview

This casebook provides a selection of key criticism, including an article newly translated into English, on the Cantos of Ezra Pound. The introduction positions the poem within Pound's corpus, contextualizes the contributions included and outlines their arguments, and concludes with suggestions for how the student may best approach this troubled and fascinating artifact. The selected articles maintain a high level of immediate contact with the Cantos, with the intention of preparing students for reading individual cantos on their own. Contributors discuss the nature of many of the successive major blocks of work, allowing the Pound newcomer to experience the poem as an irregular progression, varying greatly in its qualities. The first selection discusses "Canto I"; subsequent selections discuss, successively, major elements from "Canto II", the Draft of XXX, the China Cantos, the Pisan Cantos, and Drafts and Fragments. As a whole, the collection elucidates the personal and historical shifts that profoundly impacted Pound and consequentially produced the changing fusions of technique and matter in the Cantos. It also shows some of the huge variation in critics conceptions of the poem, or poetry itself, and of what it meant to be a poet and citizen of the West during the half-century in which the Cantos were written.

Product Details

ISBN-13: 9780195175295
Publisher: Oxford University Press
Publication date: 10/12/2006
Series: Casebooks in Criticism
Edition description: New Edition
Pages: 288
Product dimensions: 8.20(w) x 5.40(h) x 0.70(d)

About the Author

Peter Makin is Professor of English at Kansai University in Osaka, Japan.

Table of Contents

Introduction, PETER MAKIN
Ezra Pound, HUGH KENNER
Persephone's Ezra, GUY DAVENPORT
The Ideogrammic Method in The Cantos, GIROLAMO MANCUSO
Why the Commedia is Not the Model for The Cantos and What Is, REED WAY DASENBROCK
History and Money, Fact and Hysteria, PETER MAKIN
"Safe with My Lynxes": Pound's Figure in the Carpet?, MASSIMO BACIGALUPO
Extracts from Ezra Pound and the Erotic Medium, KEVIN ODERMAN
A Metaphysics of the State, PETER NICHOLLS
Inventing Confucius, HUGH KENNER
The Music of a Lost Dynasty: Pound in the Classroom, D. S. CARNE-ROSS
Res and Verba in Rock-Drill and After, DONALD DAVIE
"Unstill, Ever Turning": The Composition of Ezra's Pound's Drafts & Fragments, RONALD BUSH
An Interview with Ezra Pound, D. G. BRIDSON
Ezra Pound: An Interview, DONALD HALL
Selected Further Readings
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