Swanson specializes in writing mesmerizing thrillers that subvert readers’ expectations. The author works his particular magic once again with Every Vow You Break … Swanson’s shape-shifting saga is reminiscent, by turns, of such foreboding films as Vertigo [and] Fatal Attraction .” — Wall Street Journal
“Just when we think we have an idea of what Abigail is up against, Swanson pulls the rug away from under us. Strange events give way to sinister revelations... The last act cranks up tension to the breaking point. Sit back, suspend all disbelief, and watch those pages fly by." — Minneapolis Star Tribune
“Will give you major Fatal Attraction vibes…. A tantalizing plot, steamy scenes, and passionate relationships…” — PopSugar
“If you love… curling up with an atmospheric murder mystery—or binging a Hitchcock marathon on TMC—Every Vow You Break delivers on all counts. But as did the master filmmaker, Swanson imbeds unpleasant truths about marriage and money, and whether or not we can truly know another person. Do all our relationships follow the same patterns, again and again? Are we merely bit players in someone else’s drama? Perhaps those are unsolvable mysteries.” — Oprah Daily
“Hitchcockian chills and thrills abound in Swanson's latest mystery, a twisty tale of survival and deception. " — O, the Oprah Magazine
“Lots of thriller writers know how to set a hook, but Swanson isn't satisfied with just one; the further we go into his devilishly twisty tales, the more hooks he sets… This time we start out on what seems like familiar ground: then-bride-to-be Abigail had a booze-fueled one-night stand… and is now being stalked by the man with whom she dallied. Fatal Attraction , right? Well, maybe, but we quickly see there's more to it than that.” — Booklist
”If you’re looking for the suspense techniques of Alfred Hitchcock translated to the page, Swanson’s your man… References to Hitchcock’s Vertigo give an index to the murderous fun here.” — Financial Times
"The author peels away layers of treachery leaving the reader, and unwitting newlywed Abigail, unsure of who to trust. Swanson taps into a survival instinct particularly resonant with the female experience, and makes Every Vow You Break glamorous, dark and terrifying." — Independent (UK)
"An enjoyable thriller with a pleasingly acidic streak of social satire." — Daily Mail (UK)
"Should come with a warning to prepare for a single-sitting, reading marathon as Swanson plunges us head-first into an addictive and deftly executed mystery which positively crackles with menace and suspense." — Lancashire Evening Post
"You'll struggle not to read Every Vow You Break in one sitting. Peter Swanson's subtle hints that all is not what it seems build to a thrilling and gripping crescendo... glamorous, dark and terrifying." — Irish News
"Another top-notch thriller from Swanson. I picked this up intending to take a quick look and was still pinned to my sofa two hours later . . . An addictive thriller that rather proves the adage: marry for money and you'll earn every penny." — Alice O'Keeffe, The Bookseller, editor's pick
“Incredibly difficult to put down, Peter Swanson’s newest thriller, Every Vow You Break , is full of twists and surprises, but also constantly conveys that pit-of-your-stomach dread that suspense lovers are addicted to.” — The Nerd Daily
“An unabashed page-turner that I dare you not to read all in one go.” — Air Mail
“The plot twists come at a furious pace. When Abigail seeks help in dealing with Scott, she gradually discovers that she has no one she can count on. Almost no one around her is who they pretend to be.” — Associated Press
“If you’re familiar with Peter Swanson’s super creepy previous novel, Eight Perfect Murders , you’ll understand that the new book is neither simple nor merely a matter of stalking… This one takes more perverse plot turns than Eight Perfect Murders even contemplated. For creepiness, this is the real goods.” — Toronto Star
“[A] pulse-pounding not-so-happily-ever-after thriller.” — The Big Thrill
“Luckily for readers, [Swanson] keeps the story grounded by making Abigail an average person who refuses to be a victim. It's this simplicity that makes the character appealing and her triumphs magnificent.” — Shelf Awareness
“Every Vow You Break takes the typical domestic thriller and puts a new spin on it — one that’s darker and more twisted than readers will suspect. However, that will just increase your desire to figure out what’s really going on… It’s sure to keep you on edge.” — Culturess
“Swanson puts his own unique spin on the idea of marital bliss taking a dark and sinister turn in his newest release, which focuses not on a wedding itself, but on what comes after… [The novel] begs to be read in a couple of sittings...” — Crime By the Book
“Swanson’s new novel is a good match with Lucy Foley’s psychological wedding thriller, The Guest List . Readers will bask in the creepiness of being stranded on a remote island, considering how far some might go to punish those who break sacred promises.” — Library Journal
Fasten your seatbelt — nothing that happens in the last 250 pages of Peter Swanson’s latest is anything you’d expect. Abigail is going down the rabbit hole in an absolute gobsmackingly great mystery… Every Vow You Break is utterly enthralling. — Winnipeg Free Press
“The further we go into [Swanson’s] devilishly twisty tales, the more hooks he sets… Bride-to-be Abigail had a booze-fueled one-night stand… and is now being stalked by the man with whom she dallied. Fatal Attraction , right? Well, maybe, but we quickly see there's more to it than that.” — Booklist
“Peter Swanson delivers another stellar thriller full of adrenaline inducing surprises and a plot that turns on a dime.” — BookBub
“Fiendish good fun.” — Anthony Horowitz on Eight Perfect Murders
“Fiendishly clever catnip for any lover of classic crime fiction.” — Seattle Times on Eight Perfect Murders
Will give you major Fatal Attraction vibes…. A tantalizing plot, steamy scenes, and passionate relationships…
"The author peels away layers of treachery leaving the reader, and unwitting newlywed Abigail, unsure of who to trust. Swanson taps into a survival instinct particularly resonant with the female experience, and makes Every Vow You Break glamorous, dark and terrifying."
”If you’re looking for the suspense techniques of Alfred Hitchcock translated to the page, Swanson’s your man… References to Hitchcock’s Vertigo give an index to the murderous fun here.
Lots of thriller writers know how to set a hook, but Swanson isn't satisfied with just one; the further we go into his devilishly twisty tales, the more hooks he sets… This time we start out on what seems like familiar ground: then-bride-to-be Abigail had a booze-fueled one-night stand… and is now being stalked by the man with whom she dallied. Fatal Attraction , right? Well, maybe, but we quickly see there's more to it than that.”
"Should come with a warning to prepare for a single-sitting, reading marathon as Swanson plunges us head-first into an addictive and deftly executed mystery which positively crackles with menace and suspense."
Hitchcockian chills and thrills abound in Swanson's latest mystery, a twisty tale of survival and deception. "
Swanson specializes in writing mesmerizing thrillers that subvert readers’ expectations. The author works his particular magic once again with Every Vow You Break … Swanson’s shape-shifting saga is reminiscent, by turns, of such foreboding films as Vertigo [and] Fatal Attraction .
If you love… curling up with an atmospheric murder mystery—or binging a Hitchcock marathon on TMC—Every Vow You Break delivers on all counts. But as did the master filmmaker, Swanson imbeds unpleasant truths about marriage and money, and whether or not we can truly know another person. Do all our relationships follow the same patterns, again and again? Are we merely bit players in someone else’s drama? Perhaps those are unsolvable mysteries.
Just when we think we have an idea of what Abigail is up against, Swanson pulls the rug away from under us. Strange events give way to sinister revelations... The last act cranks up tension to the breaking point. Sit back, suspend all disbelief, and watch those pages fly by."
"An enjoyable thriller with a pleasingly acidic streak of social satire."
"You'll struggle not to read Every Vow You Break in one sitting. Peter Swanson's subtle hints that all is not what it seems build to a thrilling and gripping crescendo... glamorous, dark and terrifying."
Peter Swanson delivers another stellar thriller full of adrenaline inducing surprises and a plot that turns on a dime.
Luckily for readers, [Swanson] keeps the story grounded by making Abigail an average person who refuses to be a victim. It's this simplicity that makes the character appealing and her triumphs magnificent.
The plot twists come at a furious pace. When Abigail seeks help in dealing with Scott, she gradually discovers that she has no one she can count on. Almost no one around her is who they pretend to be.
Fiendish good fun.
Anthony Horowitz on Eight Perfect Murders
Fasten your seatbelt — nothing that happens in the last 250 pages of Peter Swanson’s latest is anything you’d expect. Abigail is going down the rabbit hole in an absolute gobsmackingly great mystery… Every Vow You Break is utterly enthralling.
[A] pulse-pounding not-so-happily-ever-after thriller.”
Swanson puts his own unique spin on the idea of marital bliss taking a dark and sinister turn in his newest release, which focuses not on a wedding itself, but on what comes after… [The novel] begs to be read in a couple of sittings...
Fiendishly clever catnip for any lover of classic crime fiction.
Seattle Times on Eight Perfect Murders
If you’re familiar with Peter Swanson’s super creepy previous novel, Eight Perfect Murders , you’ll understand that the new book is neither simple nor merely a matter of stalking… This one takes more perverse plot turns than Eight Perfect Murders even contemplated. For creepiness, this is the real goods.
An unabashed page-turner that I dare you not to read all in one go.
“Every Vow You Break takes the typical domestic thriller and puts a new spin on it — one that’s darker and more twisted than readers will suspect. However, that will just increase your desire to figure out what’s really going on… It’s sure to keep you on edge.
"Another top-notch thriller from Swanson. I picked this up intending to take a quick look and was still pinned to my sofa two hours later . . . An addictive thriller that rather proves the adage: marry for money and you'll earn every penny."
Incredibly difficult to put down, Peter Swanson’s newest thriller, Every Vow You Break , is full of twists and surprises, but also constantly conveys that pit-of-your-stomach dread that suspense lovers are addicted to.
Swanson specializes in writing mesmerizing thrillers that subvert readers’ expectations. The author works his particular magic once again with Every Vow You Break … Swanson’s shape-shifting saga is reminiscent, by turns, of such foreboding films as Vertigo [and] Fatal Attraction .
”If you’re looking for the suspense techniques of Alfred Hitchcock translated to the page, Swanson’s your man… References to Hitchcock’s Vertigo give an index to the murderous fun here.
Lots of thriller writers know how to set a hook, but Swanson isn't satisfied with just one; the further we go into his devilishly twisty tales, the more hooks he sets… This time we start out on what seems like familiar ground: then-bride-to-be Abigail had a booze-fueled one-night stand… and is now being stalked by the man with whom she dallied. Fatal Attraction , right? Well, maybe, but we quickly see there's more to it than that.”
An homage to classic mystery stories that offers both the charms of a puzzle mystery and the bleak atmosphere of a noir… The flawed main characters are well developed, the New England settings are vividly drawn, and the twists keep coming in this suspenseful, ingeniously plotted tale.
St. Louis Post Dispatch on Eight Perfect Murders
Probably what you need right now is a good murder mystery. One that is bookish, engrossing, not overly gory and impossible to solve. Peter Swanson delivers all of this in Eight Perfect Murders… Swanson drops in lovely clues, but good luck figuring it out.
Minneapolis Star Tribune on Eight Perfect Murders
Engagingly original. . . . This [is a] multilayered mystery that brims with duplicity, betrayal and revenge—all bubbling slowly to the surface. . . . Swanson has a bent for revenge and murder. Fans won’t be disappointed.
USA Today on Eight Perfect Murders
With mounting tension and fraying nerves, it careens to the final stunning conclusion. A true tour de force.
Lisa Gardner on Eight Perfect Murders
Intelligent, twisty, stylish, startling… No matter how well you know someone, you can never fully know what’s in their heart and mind. Eight Perfect Murders proves the point. Which is what makes it perfectly creepy.
New York Journal of Books
[It] has ‘movie adaptation’ written all over it. It has an alluring location, a fragile yet resilient protagonist and a thoroughly Hitchcockian storyline, replete with the requisite false starts and plot twists… High tension, lightning-fast pacing and psychological drama in spades.
BookPage on Her Every Fear
Peter Swanson tells the engaging story of a woman battling severe anxiety who decides to radically change her life - and the horrifying results that follow - in Her Every Fear … An effective and compulsive thriller.
His central premise may be borrowed from Strangers on a Train, but Swanson takes the notion in some truly startling directions, excelling in the vividly etched characterisation of his protagonists. . . . But what makes The Kind Worth Killing so enjoyable is the beautifully constructed plotting.
Chapter by chapter, the text peels back layers to reveal a pathological relationship between Kate’s cousin and a long-ago acquaintance that’s reminiscent of a folie à deux out of Patricia Highsmith... By then, readers, privy to much Kate doesn’t know, may be experiencing their own anxiety.
Wall Street Journal on Her Every Fear
An intricate tale of murder planned and plans gone hopelessly awry. . . . There are Hitchockian overtones, as well as the sort of last-page narrative tweak that would undoubtedly bring a Mona Lisa smile to Sir Alfred’s usually taciturn countenance.
The next Gone Girl? . . . There aren’t just two unreliable narrators, there are four. There isn’t just one enormous, game-changing twist. Try three. . . . You’ll also lose count of all the sociopaths . . . they’re each deranged but oh-so-compelling.
What do you say when a woman who broke your heart years ago and is wanted for questioning in connection to a murder pops back into your life to ask a favor? If she’s as alluring as Liana Dector, you say, ‘Yes.’ And hope you survive . . . The Girl with a Clock for a Heart is a twisty, sexy, electric thrill ride.
Eight Perfect Murders is an ever-unfolding puzzle… Mal frequently confides in the reader, showing that he knows more than he is letting the FBI believe. But what exactly does Mal know, and what might he be guilty of? These questions will plague readers and follow them throughout the book.
Who are literature’s most lethal women? . . . Here’s a new contender: Liana Decter, who causes endless heartbreak and occasional death in Peter Swanson’s compulsively readable [The Girl with a Clock for a Heart ] . . . should be a contender for crime fiction’s best first novel of 2014.
From its initial nod to Strangers on a Train onwards, this is a homage to Patricia Highsmith, but in some ways it outdoes the queen of queasy in sheer nastiness. . . . [Swanson] continually juggles narrators and pulls off surprises.
The Girl With a Clock for a Heart is an edge-of-your-seat psychological thriller that dares you to turn the next page, but it’s much more dangerous than that. It dares you to take a hard, long look at people from your past and ask yourself who’s worth holding on to and who’s worth letting go. This novel burns faster and hotter than a lit fuse, and you’ll be feeling its heat long after the explosive ending.
This devilishly clever noir thriller [has] head-spinning surprises that make it an intoxicating read. . . . The book will inevitably earn comparisons to Gone Girl . . . . This one makes good on the promise, right down to the chilling final paragraph.
A devious whodunit
New York Times Book Review
The book has pace to burn. It feels like a throwback to Ross MacDonald’s flawed but relentless work . . . glimmers with bright and original moments.
The meta thriller fans of the genre have been waiting for.
The skillfully conjured Boston winter creates the perfect atmosphere for breeding paranoia, which kicks into high gear with the introduction of Cherney’s Rear Window-like flashbacks. Swanson … introduces a delicious monster-under-the-bed creepiness to the expected top-notch characterization and steadily mounting anxiety.
Booklist (starred review)
The parallel stories unwind relentlessly with audacious and spectacular twists . . . An intense mix of noir, pulp fiction, and fun . . . The most unsurprising aspect of this book? It’s already been optioned for a film.
02/01/2021
Marriage vows are meant to be kept, but what if you broke them right before your wedding? Isn't that what a bachelorette party is for? Abigail Baskin has found the perfect man—intelligent, affectionate, and wealthy. Millionaire Bruce Lamb didn't exactly sweep her off her feet, but Abigail is sure he's the one. At least, she's sure marrying a responsible man will be good for her. But right before the wedding, she sees her one-night stand—he's stalked her across the country. She keeps it a secret, not wanting to ruin her wedding or the honeymoon on an isolated private island Bruce has planned. But Abigail doesn't know that Bruce has secrets of his own. As the honeymoon proceeds, strange things happen. Abigail notices she and another guest are the only women on the island and fears someone is conspiring against them. Not sure whom she can trust, she wonders if she should have married Bruce. VERDICT Swanson's (Eight Perfect Murders ) new novel is a good match with Lucy Foley's psychological wedding thriller, The Guest List. Readers will bask in the creepiness of being stranded on a remote island, considering how far some might go to punish those who break sacred promises.—K.L. Romo, Duncanville, TX