Every Thing On It

by Shel Silverstein, Shel Silverstein (Illustrator)

Overview

NOW AVAILABLE AS AN EBOOK!

From New York Times bestselling Shel Silverstein, celebrated creator of Where the Sidewalk Ends, A Light in the Attic, and Falling Up, comes an amazing collection of poems and drawings, in ebook for the very first time!

Have you ever read a book with everything on it? Well, here it is! You will say Hi-ho for the toilet troll, get tongue-tied with Stick-a-Tongue-Out-Sid, play a highly unusual horn, and experience the joys of growing down.

What's that? You have a case of the Lovetobutcants? Impossible! Just come on in and let the magic of Shel Silverstein bend your brain and open your heart.

And don't miss these other Shel Silverstein ebooks: The Giving Tree, Where the Sidewalk Ends, Falling Up, and A Light in the Attic!

Product Details

ISBN-13:	9780063229235
Publisher:	HarperCollins
Publication date:	04/05/2022
Sold by:	HARPERCOLLINS
Format:	eBook
Pages:	208
Sales rank:	302,575
File size:	14 MB
Note:	This product may take a few minutes to download.
Age Range:	4 - 8 Years

About the Author

Shel Silverstein 's incomparable career as a bestselling children's book author and illustrator began with Lafcadio, the Lion Who Shot Back. He is also the creator of picture books including A Giraffe and a Half, Who Wants a Cheap Rhinoceros?, The Missing Piece, The Missing Piece Meets the Big O, and the perennial favorite The Giving Tree, as well as classic poetry collections such as Where the Sidewalk Ends, A Light in the Attic, Every Thing On It, Don't Bump the Glump!, and Runny Babbit.

Date of Birth:

September 25, 1930

Date of Death:

May 10, 1999

Place of Birth:

Chicago, Illinois

Place of Death:

Key West, Florida

Education:

Chicago School of Fine Arts; University of Illinois (no degree)

Website:

http://www.shelsilverstein.com

Editorial Reviews

This posthumous collection of Silverstein's poems and illustrations is not only familiar in design, but chockfull of the whimsical humor, eccentric characters, childhood fantasies, and iconoclastic glee that his many fans adore. Like the boy who orders a hot dog "with everything on it" ("...it came with a parrot,/ A bee in a bonnet,/ A wristwatch, a wrench, and a rake"), there are plenty of surprises in store for readers. Although a few poems feel a tad fragmentary, overall the volume includes some of Silverstein's strongest work, brilliantly capturing his versatility and topsy-turvy viewpoint. The poems take expectedly unexpected twists (Walenda the witch rides a vacuum cleaner); a few are gross ("Let's just say/ I took a dare," reads "Mistake," as Silverstein shows a snake trailing out of a boy's pair of shorts, its tail still entering through his mouth), but many more display Silverstein's clever wordplay, appreciation of everyday events, and understated wisdom. "There are no happy endings./ Endings are the saddest part,/ So just give me a happy middle/ And a very happy start." The silly-for-the-sake-of-silly verses are nicely balanced with sweetly contemplative offerings, including a poignant final poem that offers an invitation to readers: "When I am gone what will you do?/ Who will write and draw for you?/ Someone smarter—someone new?/ Someone better—maybe YOU!" All ages. (Sept.)

Publishers Weekly

"A multigenerational book for fun in family spaces."

Chicago Tribune

"'Every Thing on It' is bound to give a thrill to new young readers – while providing a time-travel experience for their parents who probably first read 'The Giving Tree' and Silverstein's other books years ago and were changed by them."

Los Angeles Times

Gr 4 Up—Silverstein pushes playful poesy to its limits with drawings that are as strange and wonderful as the artist's earlier collections. The title selection, a list poem imagining a hot dog with literally "everything on it," is an apt metaphor for this posthumous collection of new work that includes poems, riddles, surprise endings, poems of creature foibles and fables, wry social commentary, and, of course, the idiosyncratic line drawings that spell Silverstein. In "Turning Into," a boy swings from a tree shouting "wow," and when he topples to the ground, he finds that his "wow" is now "MOM." In another illustration, a man is so in love with himself that he has twisted his neck to get a better look. Some poems are lyrical: a rainbow thrower "hurls his colors/Cross the sky" while a rainbow catcher waits at "Horizon's gate." Perhaps the most poignant is "The Clock Man," in which the question, "How much will you pay for an extra day?" is answered throughout life's stages. Like the boy holding the delightfully absurd hot dog with everything piled upon it, this collection offers a Silverstein smorgasbord that won't linger on the library shelves.—Tess Pfeifer, Springfield Renaissance School, MA

School Library Journal

A second posthumous collection from the archives of the multitalented Silverstein is definitely a cause for celebration.

"Although I cannot see your face / As you flip these poems awhile, / Somewhere from some far-off place / I hear you laughing—and I smile." This and 129 other poems chosen by Silverstein's family see light here for the first time. Those vexed by the relentless spoonerisms of 2005's Runny Babbit will delight that these buried gems are different each to each. There are tales of garlic breath and child-eating plants (and child-eating land sharks and a horse that's pretty hungry). There are admonitions never to eat a snake (whole) or look up the chimney for Santa. The poems vary in length as much as in subject matter, running from a line or two to several pages. Silverstein's inspired word play and impish sense of humor are in abundant evidence. His signature line drawings accompany many of the poems and complete the jokes of some. If there are one or two that feel a bit flat, the hijinks or silly grossness of the next poem more than make up for them. "When I am gone what will you do? / Who will write and draw for you? / Someone smarter—someone new? / Someone better—maybe YOU!"

Adults who grew up with Uncle Shelby will find themselves wiping their eyes by the time they get to the end of this collection; children new to the master will find themselves hooked. (Poetry. All ages)

Kirkus Reviews