Essays on Modern Art: Hannah Wilke

Essays on Modern Art: Hannah Wilke

by Justice Koolhaas
Essays on Modern Art: Hannah Wilke

Essays on Modern Art: Hannah Wilke

by Justice Koolhaas

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Overview

Justice Koolhaas’s Essays on Modern Art are reproduced alongside at least one of each artist’s works that she owned. Unusually, these works were discards; even more unusually, she obtained them on condition that each artist signed a statement disowning them as artworks.
Hannah Wilke is undoubtedly one of the most influential figures in contemporary art. She has changed the way we think about sexuality, gender and power. Her brilliant interrogations of identity categories have been hugely influential for art practice, and they continue to challenge the viewer to engage in a critical rethinking of ‘the subject’.
To mark the fifty years since she first exhibited in New York, this E-book in the Essays on Modern Art series has an extended introductory chapter. This additional material makes it easier to spell out all of Koolhaas’s main points and explain the key quotations from her essay. This structure will help students get to the heart of this newly translated essay more easily.
Justice Koolhaas’s essay ‘Narcissus Féminine’ places the artwork she owned – Blood / Soil, as well as Wilke’s art as a whole – in its theoretical and philosophical contexts, analysing the impact on contemporary art and theory. Dealing throughout with questions about the very concept of ‘the body’, Koolhaas emphasises how blood relates to psychiatry, language and gender politics in Wilke’s oeuvre. The references in Textual Connexivities at the end of the essay makes this E-book an invaluable starting point for anyone approaching Wilke’s work for the first time.
Koolhaas’s opaque writing is rendered lucid and quotable for students and non-students alike by the translator, C. M. Cohen. This means that the uninitiated Koolhaas reader can pick and mix material from this book to suit their purposes without feeling pressured to grasp everything at once.


Product Details

BN ID: 2940153008660
Publisher: Justice Koolhaas
Publication date: 05/05/2016
Sold by: Smashwords
Format: eBook
File size: 531 KB

About the Author

Born in Bloemfontein in 1940, Justice Koolhaas was raised in Utrecht and Lausanne. Her twin, Patience, died shortly after birth. Justice always felt that her philosophical interests were a search for presences that haunt everyday life beyond the reach of conventional rationality. Her recently discovered oeuvre extends theory in the humanities and arts beyond its existing frontiers and expectations.
She came top her class at the Sorbonne. She studied under Roland Barthes and was privately admired and supported by several European intellectuals. Despite this, she found few doors open to her in the academy. Her sense of foreignness became integral to her work, particularly her adherence to writing in Dutch, which kept her out of print, along with other more personal reasons. Since her death in 2011, her family has committed to ensuring that all her work is published posthumously. Its purview hybridises disciplines ranging from philosophy to sociology to anthropology to cultural studies to media studies to her most beloved subject area of all, art. Her span of theorists, writers and artists includes Pierre Bourdieu, Hélène Cixous, Guy Debord, Jacques Derrida, Tracey Emin, Donna Haraway, G.W.F. Hegel, Martin Heidegger, Franz Kafka, Julia Kristeva, Barbara Kruger, Jean-François Lyotard, Karl Marx, Marshall McLuhan, Friedrich Nietzsche, Plato, Arnold Schwarzenegger, Hannah Wilke, Frank Zappa, and Slavoj Žižek.

C.M. Cohen completed his linguistics PhD in 1980. He worked as an interpreter for the U.N. for 23 years before acting as a consultant translator whose clients have included the South African government, the Commonwealth Games committee, the Antarctic Survey, and several mining corporations. He is now retired. His friendship with Koolhaas, along with his professional experience outside academia, bring a deep empathy in his translations and introductions of her highly stylised literary and philosophical legacy.

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