Based on the Los Angeles Times newspaper series that won two Pulitzer Prizes, one for feature writing and another for feature photography, this page-turner about the power of family is a popular text in classrooms and a touchstone for communities across the country to engage in meaningful discussions about this essential American subject.
Enrique’s Journey recounts the unforgettable quest of a Honduran boy looking for his mother, eleven years after she is forced to leave her starving family to find work in the United States. Braving unimaginable peril, often clinging to the sides and tops of freight trains, Enrique travels through hostile worlds full of thugs, bandits, and corrupt cops. But he pushes forward, relying on his wit, courage, hope, and the kindness of strangers. As Isabel Allende writes: “This is a twenty-first-century Odyssey. If you are going to read only one nonfiction book this year, it has to be this one.”
Praise for Enrique’s Journey
“Magnificent . . . Enrique’s Journey is about love. It’s about family. It’s about home.”—The Washington Post Book World
“[A] searing report from the immigration frontlines . . . as harrowing as it is heartbreaking.”—People (four stars)
“Stunning . . . As an adventure narrative alone, Enrique’s Journey is a worthy read. . . . Nazario’s impressive piece of reporting [turns] the current immigration controversy from a political story into a personal one.”—Entertainment Weekly
“Gripping and harrowing . . . a story begging to be told.”—The Christian Science Monitor
“[A] prodigious feat of reporting . . . [Sonia Nazario is] amazingly thorough and intrepid.”—Newsday
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About the Author
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By Sonia Nazario
Random HouseSonia Nazario
All right reserved.
The Boy Left Behind
The boy does not understand.
His mother is not talking to him. She will not even look at him. Enrique has no hint of what she is going to do.
Lourdes knows. She understands, as only a mother can, the terror she is about to inflict, the ache Enrique will feel, and finally the emptiness.
What will become of him? Already he will not let anyone else feed or bathe him. He loves her deeply, as only a son can. With Lourdes, he is openly affectionate. "Dame pico, mami. Give me a kiss, Mom," he pleads, over and over, pursing his lips. With Lourdes, he is a chatterbox. "Mira, mami. Look, Mom," he says softly, asking her questions about everything he sees. Without her, he is so shy it is crushing.
Slowly, she walks out onto the porch. Enrique clings to her pant leg. Beside her, he is tiny. Lourdes loves him so much she cannot bring herself to say a word. She cannot carry his picture. It would melt her resolve. She cannot hug him. He is five years old.
They live on the outskirts of Tegucigalpa, in Honduras. She can barely afford food for him and his sister, Belky, who is seven. She's never been able to buy them a toy or a birthday cake. Lourdes, twenty-four, scrubs other people's laundry in a muddy river. She goes door to door, selling tortillas, used clothes, and plantains.
She fills a wooden box with gum and crackers and cigarettes, and she finds a spot where she can squat on a dusty sidewalk next to the downtown Pizza Hut and sell the items to passersby. The sidewalk is Enrique's playground.
They have a bleak future. He and Belky are not likely to finish grade school. Lourdes cannot afford uniforms or pencils. Her husband is gone. A good job is out of the question.
Lourdes knows of only one place offers hope. As a seven-year-old child, delivering tortillas her mother made to wealthy homes, she glimpsed this place on other people's television screens. The flickering images were a far cry from Lourdes's childhood home: a two-room shack made of wooden slats, its flimsy tin roof weighted down with rocks, the only bathroom a clump of bushes outside. On television, she saw New York City's spectacular skyline, Las Vegas's shimmering lights, Disneyland's magic castle.
Lourdes has decided: She will leave. She will go to the United States and make money and send it home. She will be gone for one year--less, with luck--or she will bring her children to be with her. It is for them she is leaving, she tells herself, but still she feels guilty.
She kneels and kisses Belky and hugs her tightly. Then she turns to her own sister. If she watches over Belky, she will get a set of gold fingernails from el Norte.
But Lourdes cannot face Enrique. He will remember only one thing that she says to him: "Don't forget to go to church this afternoon."
It is January 29, 1989. His mother steps off the porch.
She walks away.
"¿Dónde está mi mami?" Enrique cries, over and over. "Where is my mom?"
His mother never returns, and that decides Enrique's fate. As a teenager--indeed, still a child--he will set out for the United States on his own to search for her. Virtually unnoticed, he will become one of an estimated 48,000 children who enter the United States from Central America and Mexico each year, illegally and without either of their parents. Roughly two thirds of them will make it past the U.S. Immigration and Naturalization Service.
Many go north seeking work. Others flee abusive families. Most of the Central Americans go to reunite with a parent, say counselors at a detention center in Texas where the INS houses the largest number of the unaccompanied children it catches. Of those, the counselors say, 75 percent are looking for their mothers. Some children say they need to find out whether their mothers still love them. A priest at a Texas shelter says they often bring pictures of themselves in their mothers' arms.
The journey is hard for the Mexicans but harder still for Enrique and the others from Central America. They must make an illegal and dangerous trek up the length of Mexico. Counselors and immigration lawyers say only half of them get help from smugglers. The rest travel alone. They are cold, hungry, and helpless. They are hunted like animals by corrupt police, bandits, and gang members deported from the United States. A University of Houston study found that most are robbed, beaten, or raped, usually several times. Some are killed.
They set out with little or no money. Thousands, shelter workers say, make their way through Mexico clinging to the sides and tops of freight trains. Since the 1990s, Mexico and the United States have tried to thwart them. To evade Mexican police and immigration authorities, the children jump onto and off of the moving train cars. Sometimes they fall, and the wheels tear them apart.
They navigate by word of mouth or by the arc of the sun. Often, they don't know where or when they'll get their next meal. Some go days without eating. If a train stops even briefly, they crouch by the tracks, cup their hands, and steal sips of water from shiny puddles tainted with diesel fuel. At night, they huddle together on the train cars or next to the tracks. They sleep in trees, in tall grass, or in beds made of leaves.
Some are very young. Mexican rail workers have encountered seven-year-olds on their way to find their mothers. A policeman discovered a nine-year-old boy near the downtown Los Angeles tracks. "I'm looking for my mother," he said. The youngster had left Puerto Cortes in Honduras three months before. He had been guided only by his cunning and the single thing he knew about her: where she lived. He had asked everyone, "How do I get to San Francisco?"
Typically, the children are teenagers. Some were babies when their mothers left; they know them only by pictures sent home. Others, a bit older, struggle to hold on to memories: One has slept in her mother's bed; another has smelled her perfume, put on her deodorant, her clothes. One is old enough to remember his mother's face, another her laugh, her favorite shade of lipstick, how her dress felt as she stood at the stove patting tortillas.
Many, including Enrique, begin to idealize their mothers. They remember how their mothers fed and bathed them, how they walked them to kindergarten. In their absence, these mothers become larger than life. Although in the United States the women struggle to pay rent and eat, in the imaginations of their children back home they become deliverance itself, the answer to every problem. Finding them becomes the quest for the Holy Grail.
Enrique is bewildered. Who will take care of him now that his mother is gone? Lourdes, unable to burden her family with both of her children, has split them up. Belky stayed with Lourdes's mother and sisters. For two years, Enrique is entrusted to his father, Luis, from whom his mother has been separated for three years.
Enrique clings to his daddy, who dotes on him. A bricklayer, his father takes Enrique to work and lets him help mix mortar. They live with Enrique's grandmother. His father shares a bed with him and brings him apples and clothes. Every month, Enrique misses his mother less, but he does not forget her. "When is she coming for me?" he asks.
Lourdes and her smuggler cross Mexico on buses. Each afternoon, she closes her eyes. She imagines herself home at dusk, playing with Enrique under a eucalyptus tree in her mother's front yard. Enrique straddles a broom, pretending it's a donkey, trotting around the muddy yard. Each afternoon, she presses her eyes shut and tears fall. Each afternoon, she reminds herself that if she is weak, if she does not keep moving forward, her children will pay.
Lourdes crosses into the United States in one of the largest immigrant waves in the country's history. She enters at night through a rat-infested Tijuana sewage tunnel and makes her way to Los Angeles. There, in the downtown Greyhound bus terminal, the smuggler tells Lourdes to wait while he runs a quick errand. He'll be right back. The smuggler has been paid to take her all the way to Miami.
Three days pass. Lourdes musses her filthy hair, trying to blend in with the homeless and not get singled out by police. She prays to God to put someone before her, to show her the way. Whom can she reach out to for help? Starved, she starts walking. East of downtown, Lourdes spots a small factory. On the loading dock, under a gray tin roof, women sort red and green tomatoes. She begs for work. As she puts tomatoes into boxes, she hallucinates that she is slicing open a juicy one and sprinkling it with salt. The boss pays her $14 for two hours' work. Lourdes's brother has a friend in Los Angeles who helps Lourdes get a fake Social Security card and a job.
She moves in with a Beverly Hills couple to take care of their three-year-old daughter. Their spacious home has carpet on the floors and mahogany panels on the walls. Her employers are kind. They pay her $125 a week. She gets nights and weekends off. Maybe, Lourdes tells herself--if she stays long enough--they will help her become legal.
Every morning as the couple leave for work, the little girl cries for her mother. Lourdes feeds her breakfast and thinks of Enrique and Belky. She asks herself: "Do my children cry like this? I'm giving this girl food she says to herself, instead of feeding my own children." To get the girl to eat, Lourdes pretends the spoon is an airplane. But each time the spoon lands in the girl's mouth, Lourdes is filled with sadness.
In the afternoon, after the girl comes home from prekindergarten class, they thumb through picture books and play. The girl, so close to Enrique's age, is a constant reminder of her son. Many afternoons, Lourdes cannot contain her grief. She gives the girl a toy and dashes into the kitchen. There, out of sight, tears flow. After seven months, she cannot take it. She quits and moves to a friend's place in Long Beach.
Boxes arrive in Tegucigalpa bearing clothes, shoes, toy cars, a Robocop doll, a television. Lourdes writes: Do they like the things she is sending? She tells Enrique to behave, to study hard. She has hopes for him: graduation from high school, a white-collar job, maybe as an engineer. She pictures her son working in a crisp shirt and shiny shoes. She says she loves him.
Enrique asks about his mother. "She'll be home soon," his grandmother assures him. "Don't worry. She'll be back."
But his mother does not come. Her disappearance is incomprehensible. Enrique's bewilderment turns to confusion and then to adolescent anger.
When Enrique is seven, his father brings a woman home. To her, Enrique is an economic burden. One morning, she spills hot cocoa and burns him. His father throws her out. But their separation is brief.
"Mom," Enrique's father tells the grandmother, "I can't think of anyone but that woman."
Enrique's father bathes, dresses, splashes on cologne, and follows her. Enrique tags along and begs to stay with him. But his father tells him to go back to his grandmother.
His father begins a new family. Enrique sees him rarely, usually by chance. In time, Enrique's love turns to contempt. "He doesn't love me. He loves the children he has with his wife," he tells Belky. "I don't have a dad."
His father notices. "He looks at me as if he wasn't my son, as if he wants to strangle me," he tells Enrique's grandmother. Most of the blame, his father decides, belongs to Enrique's mother. "She is the one who promised to come back."
For Belky, their mother's disappearance is just as distressing. She lives with Aunt Rosa Amalia, one of her mother's sisters. On Mother's Day, Belky struggles through a celebration at school. That night she cries quietly, alone in her room. Then she scolds herself. She should thank her mother for leaving; without the money she sends for books and uniforms, Belky could not even attend school. She reminds herself of all the other things her mother ships south: Reebok tennis shoes, black sandals, the yellow bear and pink puppy stuffed toys on her bed. She commiserates with a friend whose mother has also left. They console each other. They know a girl whose mother died of a heart attack. At least, they say, ours are alive.
But Rosa Amalia thinks the separation has caused deep emotional problems. To her, it seems that Belky is struggling with an unavoidable question: How can I be worth anything if my mother left me?
"There are days," Belky tells Aunt Rosa Amalia, "when I wake up and feel so alone." Belky is temperamental. Sometimes she stops talking to everyone. When her mood turns dark, her grandmother warns the other children in the house, "¡Pórtense bien porque la marea anda brava! You better behave, because the seas are choppy!"
Confused by his mother's absence, Enrique turns to his grandmother. Alone now, he and his father's elderly mother share a shack thirty feet square. María Marcos built it herself of wooden slats. Enrique can see daylight in the cracks. It has four rooms, three without electricity. There is no running water. Gutters carry rain off the patched tin roof into two barrels. A trickle of cloudy white sewage runs past the front gate. On a well-worn rock nearby, Enrique's grandmother washes musty used clothing she sells door to door. Next to the rock is the latrine--a concrete hole. Beside it are buckets for bathing.
The shack is in Carrizal, one of Tegucigalpa's poorest neighborhoods. Sometimes Enrique looks across the rolling hills to the neighborhood where he and his mother lived and where Belky still lives with their mother's family. They are six miles apart. They hardly ever visit.
Lourdes sends Enrique $50 a month, occasionally $100, sometimes nothing. It is enough for food but not for school clothes, fees, notebooks, or pencils, which are expensive in Honduras. There is never enough for a birthday present.
Excerpted from Enrique's Journey by Sonia Nazario Excerpted by permission.
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