English Fictions of Communal Identity, 1485-1603
Challenging a long-standing trend that sees the Renaissance as the end of communal identity and constitutive group affiliation, author Joshua Phillips explores the perseverance of such affiliation throughout Tudor culture. Focusing on prose fiction from Malory's Morte Darthur through the works of Sir Philip Sidney and Thomas Nashe, this study explores the concept of collective agency and the extensive impact it had on English Renaissance culture. In contrast to studies devoted to the myth of early modern individuation, English Fictions of Communal Identity, 1485-1603 pays special attention to primary communities-monastic orders, printing house concerns, literary circles, and neighborhoods-that continued to generate a collective sense of identity. Ultimately, Phillips offers a new way of theorizing the relation between collaboration and identity. In terms of literary history, this study elucidates a significant aspect of novelistic discourse, even as it accounts for the institutional disregard of often brilliant works of early modern fiction.
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English Fictions of Communal Identity, 1485-1603
Challenging a long-standing trend that sees the Renaissance as the end of communal identity and constitutive group affiliation, author Joshua Phillips explores the perseverance of such affiliation throughout Tudor culture. Focusing on prose fiction from Malory's Morte Darthur through the works of Sir Philip Sidney and Thomas Nashe, this study explores the concept of collective agency and the extensive impact it had on English Renaissance culture. In contrast to studies devoted to the myth of early modern individuation, English Fictions of Communal Identity, 1485-1603 pays special attention to primary communities-monastic orders, printing house concerns, literary circles, and neighborhoods-that continued to generate a collective sense of identity. Ultimately, Phillips offers a new way of theorizing the relation between collaboration and identity. In terms of literary history, this study elucidates a significant aspect of novelistic discourse, even as it accounts for the institutional disregard of often brilliant works of early modern fiction.
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English Fictions of Communal Identity, 1485-1603

English Fictions of Communal Identity, 1485-1603

by Joshua Phillips
English Fictions of Communal Identity, 1485-1603

English Fictions of Communal Identity, 1485-1603

by Joshua Phillips

eBook

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Overview

Challenging a long-standing trend that sees the Renaissance as the end of communal identity and constitutive group affiliation, author Joshua Phillips explores the perseverance of such affiliation throughout Tudor culture. Focusing on prose fiction from Malory's Morte Darthur through the works of Sir Philip Sidney and Thomas Nashe, this study explores the concept of collective agency and the extensive impact it had on English Renaissance culture. In contrast to studies devoted to the myth of early modern individuation, English Fictions of Communal Identity, 1485-1603 pays special attention to primary communities-monastic orders, printing house concerns, literary circles, and neighborhoods-that continued to generate a collective sense of identity. Ultimately, Phillips offers a new way of theorizing the relation between collaboration and identity. In terms of literary history, this study elucidates a significant aspect of novelistic discourse, even as it accounts for the institutional disregard of often brilliant works of early modern fiction.

Product Details

ISBN-13: 9781317143109
Publisher: Taylor & Francis
Publication date: 05/13/2016
Sold by: Barnes & Noble
Format: eBook
Pages: 268
File size: 2 MB

About the Author

Joshua Phillips is Associate Professor of English at the University of Memphis, USA.

Table of Contents

Introduction; Part I Belonging and Belongings; Chapter 1 The Caxtonian Imaginary: Knights and the Dreams of the Abbey-Lubbers; Chapter 2 Staking Claims to Utopia : Thomas More, Prose Fiction, and the Matter of Belonging; Part II Knowing Together, Laboring Together; Chapter 3 William Baldwin and Communities of Fiction; Chapter 4 Anthony Munday, Romance, and the Production of Collective Selves; Part III Broken Music: Re-imagining Collective Subjectivity; Chapter 5 Hoc Opus, Hic Labor Est : Sir Philip Sidney and the Work of Shame; Chapter 6 Thomas Nashe, Thy Unworthy Speaker to the World; conclusion Conclusion;
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