This pairing of
the Cult's
Rick Rubin-produced
Electric with
Peace, the
Steve Brown-helmed sessions that featured earlier, completely finished versions of most of the same tracks, seems like it should have been released ages ago.
Peace (aka "The Manor Sessions") was supposed to be the follow-up to 1985's hit
Love (which
Brown also produced). The band were unhappy with the sound of unfinished product and hired
Rubin, who insisted they re-cut the entire album.
The Cult re-recorded seven songs, wrote one more, and re-recorded "King Contrary Man," a leftover from the
Love sessions, and the atrocious "Born to Be Wild" cover. Some of the
Peace material -- four tracks previously surfaced as B-sides to
Electric's singles -- and another five appeared as
The Manor Sessions EP; the full album was issued in the six-disc
Rare Cult box in 2000, but has been out of circulation since. When comparing these two offerings side by side, it becomes glaringly apparent that
the Cult really needed guidance in the studio. They certainly had most of the songs, but they had no editor, and the sonics on
Peace make it sound like merely an extension of the previous album, even as the songs the band were writing evolved. It's no wonder they were unhappy with the finished result.
Brown's production copied the color and textural palette of
Love but used his own idea of the more metallic sound the band wanted by employing enormous, swampy, overdubbed basslines and big compressed drums at the forefront of the mix, yet separated them spatially from
Ian Astbury's heavily reverbed vocals.
Billy Duffy's guitar -- inarguably as much a signature of the band's sound as
Astbury -- was buried under that rhythm, yet allowed to solo endlessly -- and often monotonously. This mars tracks such as "Outlaw" and "Bad Fun," which lumber and plod while making "Love Removal Machine," "Wild Flower," and "Electric Ocean" compelling contrasts to the big, punchy, crisp sound of
Electric. Of the songs that didn't make the latter record's cut, one, "Love Trooper," didn't need to -- it's literally a throwaway. The brief "Conquistador" is a decent song that wasn't handled properly; "Groove Co," with its saxophone and female backing chorus, is a good idea that might have worked better had it been re-tracked and remixed for
Ceremony, while "Zap City" features the best
Duffy lead guitar on either record; it should have been re-recorded and used instead of "Born to Be Wild." For
Cult fans, this budget-priced package is a convenient must, for those who've heard and enjoyed
Love and
Electric,
Peace is the enjoyable, if flawed, bridge between the two. ~ Thom Jurek
![Evolution [2006]](http://prodimage.images-bn.com/pimages/0888837145022_p0_v3_s90x140.jpg "Evolution [2006]")
