Echoes of Opera in Modern Italian Poetry: Eros, Tragedy, and National Identity

Echoes of Opera in Modern Italian Poetry: Eros, Tragedy, and National Identity

by Mattia Acetoso
ISBN-10:
3030460908
ISBN-13:
9783030460907
Pub. Date:
06/25/2020
Publisher:
Springer International Publishing
ISBN-10:
3030460908
ISBN-13:
9783030460907
Pub. Date:
06/25/2020
Publisher:
Springer International Publishing
Echoes of Opera in Modern Italian Poetry: Eros, Tragedy, and National Identity

Echoes of Opera in Modern Italian Poetry: Eros, Tragedy, and National Identity

by Mattia Acetoso
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Overview

Twentieth-century Italian poetry is haunted by countless ghosts and shadows from opera. Echoes of Opera in Modern Italian Poetry reveals their presence and sheds light on their role in shaping that great poetic tradition. This is the first work in English to analyze the influence of opera on modern Italian poetry, uncovering a fundamental but neglected relationship between the two art forms. A group of Italian poets, from Gabriele D’Annunzio to Giorgio Caproni, by way of Umberto Saba and Eugenio Montale, made opera a cornerstone of their artistic craft. More than an occasional stylistic influence, opera is rather analyzed as a fundamental facet of these poets’ intellectual quest to overcome the expressive limitations of lyrical poetry. This book reframes modern Italian poetry in a truly interdisciplinary perspective, broadening our understanding of its prominence within the humanities, in the twentieth century and beyond.


Product Details

ISBN-13: 9783030460907
Publisher: Springer International Publishing
Publication date: 06/25/2020
Series: Italian and Italian American Studies
Edition description: 1st ed. 2020
Pages: 276
Product dimensions: 5.83(w) x 8.27(h) x (d)

About the Author

Mattia Acetoso is an Assistant Professor of Italian at Boston College, USA. He received his PhD from Yale University in 2012. His research interests include modern Italian poetry, the relationship between literature and music, and contemporary Italian cinema.

Table of Contents

Chapter 1: Introduction.- Chapter 2: From Bayreuth to Fiume: D’Annunzio, Wagner and the Death of Italian Opera.- Chapter 3: Umberto Saba and the Verdian Sound of Italy.- Chapter 4: More Than Words: Ossi di seppia, Opera, and the Miracle of Counter-Eloquence. Chapter 5: Heart of Darkness: Saba’s Operatic Eroticism.- Chapter 6: Strange Mercy: Montale, Opera, and the Death of Tragedy.- Chapter 7: Poetry and the Beast: Giorgio Caproni’s Simulations of Opera.- Chapter 8: Conclusions

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