Echoes From The Set Volume II (1967- 1977) Shadows From the Underground: Cinema Under the Influence

by Katherine Wilson, Steven Rust (Foreword by)

Overview

With the help of University of Oregon professors, as well as professors from CU Boulder and University of Cincinnati, this book ties together the author's personal experiences and interviews of members of the New Hollywood and those that influenced them, such as the Merry Pranksters and their film crew, Poetic Cinema Filmmakers, still living members of the Beat Generation, and through academic articles and books, from Plato to Yeats and the time's literary theory deconstructionists, answers the question of what created them.

Product Details

ISBN-13:	9781634243568
Publisher:	Trine Day
Publication date:	09/22/2021
Sold by:	Barnes & Noble
Format:	eBook
Pages:	333
File size:	30 MB
Note:	This product may take a few minutes to download.

About the Author

attended the University of Oregon as an English major and soon became an actress for the burgeoning 16mm Poetic Cinema filmmakers. Concurrently, she was discovered by director Mark Rydell for his film Cinderella Liberty. Mark brought her to Hollywood and encouraged her to attend film school at the University of California. However, she wanted to continue as a filmmaker in Oregon, and has worked ever since to create a film industry in the Northwest tradition. Her first major film as location scout and casting director was for the notorious Animal House. She provided these services for the next Katherine Wilson attended the University of Oregon as an English major and soon became an actress for Ken Kesey's 16mm Poetic Cinema Pranksters. Concurrently, she was discovered by director Mark Rydell for his film Cinderella Liberty. Mark brought her to Hollywood and encouraged her to attend film school at the University of California; however, she wanted to continue as a filmmaker in Oregon. Her first major film as location scout and casting director was for the notorious Animal House. She provided these services for the next 20 years on many films, including Stand by Me, and was the governor's liaison to the set of One Flew Over the Cuckoo's Nest. Steven Rust grew up in the small town of Sandpoint, Idaho and has called the Pacific Northwest home his entire life. He earned a BS degree in Secondary Education from Idaho State University and completed an MA in English with a focus on Film Studies at OSU in 2006. While working on his MA, he spent three years as Assistant Editor of Cinema Journal. In 2011, he completed a PhD in English with a focus in Film History and Environmental Criticism at the University of Oregon. grew up in the small town of Sandpoint, Idaho and has called the Pacific Northwest home his entire life. Earned a BS degree in Secondary Education from Idaho State University and taught high school English and Media Studies at South Albany High School from 2000-2005. Completed an MA in English with a focus on Film Studies at OSU in 2006. While working on my MA, he spent three years as Assistant Editor of Cinema Journal while Professor Jon Lewis was Editor. In 2011, he completed a PhD in English with a focus in Film History and Environmental Criticism at the University of Oregon. Katherine Wilson attended the University of Oregon as an English major and soon became an actress for Ken Kesey's 16mm Poetic Cinema Pranksters. Concurrently, she was discovered by director Mark Rydell for his film Cinderella Liberty. Mark brought her to Hollywood and encouraged her to attend film school at the University of California; however, she wanted to continue as a filmmaker in Oregon. Her first major film as location scout and casting director was for the notorious Animal House. She provided these services for the next 20 years on many films, including Stand by Me, and was the governor's liaison to the set of One Flew Over the Cuckoo's Nest. Steven Rust grew up in the small town of Sandpoint, Idaho and has called the Pacific Northwest home his entire life. He earned a BS degree in Secondary Education from Idaho State University and completed an MA in English with a focus on Film Studies at OSU in 2006. While working on his MA, he spent three years as Assistant Editor of Cinema Journal. In 2011, he completed a PhD in English with a focus in Film History and Environmental Criticism at the University of Oregon.

Table of Contents

Aeonic Emanation ix

Foreword Dr. Stephen Rust 1

Introduction 5

0) The Archetype of the '60s Generation 15

1) The Subversive Shadows of the '60s Underground (1957-1966) 31

2) The Widening Gyre of Yeats & The Summer of Love (1967) 51

3) The Year of Revolt World-Wide (˜1968) 83

4) A Vortex and a Matrix of the "Sphere of Influence" (1969) 105

5) The New Westerns "John Wayne" is jack Nicholson (1970) 125

6) Speaking Archtypes into Moving Images (1971) 141

7) Stripped Down Moral Universe (˜1972) 157

8) Bearer of Meaning (˜1973) 175

9) Neither Earth or Air or Fire or Water (˜1974) 197

10) Downward Causation of the Word (˜1975) 217

11) The Wound of Khôra (˜1976) 235

12) Parody Not Pastiche (˜1977) 253

Afterword 271

Appendix 1) Khôra Terminology 275

Appendix 2) Live Links to Content 277

Bibliography 279

Filmography 287

End Notes 289

Index 301