Around the ten-minute mark of the title track, things get very interesting indeed -- moody and spooky as
Jimmy Garrison hangs on a single note, making his bass throb along while
Elvin Jones widens the space and fires drum and cymbal hits in all directions. Coming off bass and drum solos that never seem to fit anywhere in the piece, it's a supreme moment of tension-building, one that gets repeated after
Rollins and trumpeter
Freddie Hubbard restate the theme in unison. This is the sound of
Rollins' group working in unity. For much of
"East Broadway Run Down," though, the rhythm section is off doing their thing, usually together, while
Rollins meanders about in limbo, seemingly trying to figure out what it is that he should be doing. That
Rollins was having an off day for this recording is a suspicion that's strengthened by
Hubbard's part -- where
Rollins is wandering,
Hubbard is charging ahead, focused and tight, fitting with the rhythm section, keeping the tension up. The remainder of the album is more on the mark, with
"Blessing in Disguise" being quite enjoyable -- it starts out in a cheerfully traditional vein and gradually, subtly, starts to slide off into an improvisational area only to come back again to the traditional, and so back and forth.
Rollins floats his sax line around the melody with only occasional excursions toward the outer regions.
"We Kiss in a Shadow," though, is charmingly straightforward, a
ballad rendering supported by
Jones and
Garrison locking together on a nice rhythm construction that lets
Rollins float around the melody. ~ Steven McDonald
