Table of Contents
Introduction: music among the bibliographic disciplines
Kate van Orden
PART I
Type
1 The pioneers of mensural music printing in German-speaking lands:
networks and type repertoria
Andrea Lindmayr-Brandl
2 Printed music papers: research opportunities and challenges
John Milsom
PART II
Notes
3 Musical editions for the Protestant churches of Strasbourg until the end of the Interim (1555)
Beat Föllmi
4 Reading the Melopoiae (1507): a search for its owners and users
Elisabeth Giselbrecht
PART III
Music printing at Wittenberg
5 Power and ambition: Georg Rhau’s strategies for music publishing
Moritz Kelber
6 Three Libri missarum of early Lutheran Germany: some reflections on their repertory
Carlo Bosi
PART IV
Music printing in the Low Countries
7 A date with Tylman Susato: reconsidering the printer’s editions
Martin Ham
8 The music printers Madeleine and Marie Phalèse in Antwerp, 1629–1675
Maria Schildt
PART V
Printing privileges
9 Privileges for printed music in the Holy Roman Empire during the sixteenth century
Grantley McDonald and Stephen Rose
10 ‘Unbelievably hard work’: Marin Mersenne’s Harmonie universelle at the printers
Leendert van der Miesen
PART VI
The book trade
11 The Montanus & Neuber catalogue of 1560: prices, losses, and a new polyphonic music edition from 1556
Royston Gustavson
12 The Officina Plantiniana as publishers and distributors of music, 1578–1600
Louisa Hunter-Bradley
13 Competition, collaboration and consumption: early music printing in Seville
Iain Fenlon