Dynamic Form: How Intermediality Made Modernism

Dynamic Form: How Intermediality Made Modernism

by Cara L. Lewis
Dynamic Form: How Intermediality Made Modernism

Dynamic Form: How Intermediality Made Modernism

by Cara L. Lewis

eBook

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Overview

Dynamic Form traces how intermedial experiments shape modernist texts from 1900 to 1950. Considering literature alongside painting, sculpture, photography, and film, Cara Lewis examines how these arts inflect narrative movement, contribute to plot events, and configure poetry and memoir. As forms and formal theories cross from one artistic realm to another and back again, modernism shows its obsession with form—and even at times becomes a formalism itself—but as Lewis writes, that form is far more dynamic than we have given it credit for. Form fulfills such various functions that we cannot characterize it as a mere container for content or matter, nor can we consign it to ignominy opposite historicism or political commitment.

As a structure or scheme that enables action, form in modernism can be plastic, protean, or even fragile, and works by Henry James, Virginia Woolf, Mina Loy, Evelyn Waugh, and Gertrude Stein demonstrate the range of form's operations. Revising three major formal paradigms—spatial form, pure form, and formlessness—and recasting the history of modernist form, this book proposes an understanding of form as a verbal category, as a kind of doing. Dynamic Form thus opens new possibilities for conversation between modernist studies and formalist studies and simultaneously promotes a capacious rethinking of the convergence between literary modernism and creative work in other media.


Product Details

ISBN-13: 9781501749186
Publisher: Cornell University Press
Publication date: 07/15/2020
Sold by: Barnes & Noble
Format: eBook
Pages: 330
File size: 6 MB
Age Range: 18 Years

About the Author

Cara Lewis is Assistant Professor of English at Indiana University Northwest.

Table of Contents

Introduction: Reformulating Modernism
1. Plastic Form: Henry James's Sculptural Aesthetics and Reading in the Round
2. Mortal Form: Still Life and Virginia Woolf 's Other Elegiac Shapes
3. Protean Form: Erotic Abstraction and Ardent Futurity in the Poetry of Mina Loy
4. Bad Formalism: Evelyn Waugh's Film Fictions and the Work of Art in the Age of Cinemechanics
5. Surface Forms: Photography and Gertrude Stein's Contact History of Modernism
Epilogue: The Consolations of Form

What People are Saying About This

Brian Glavey

Despite the centrality of modernist conceptions of form in the history of literary studies, recent formalist criticism has had relatively little to say about modernism. Cara Lewis offers a powerful corrective to this neglect, revealing a modernist vision of form that is vital and volatile. This fantastic book is sure to reinvigorate discussions of modernism and the possibilities of form.

Jesse Matz

Finally, the breakthrough—a book that really recognizes what modernist artforms could do, for each other and for the wider world. Cara Lewis is that uncommon scholar able to pursue an inspired idea through its most challenging iterations; the result is a stellar set of revelations, a brilliant new modernist panorama, and a book that is itself very finely formed: well crafted, beautifully written, and truly a joy to read.

Michael Thurston

Dynamic Form is an impressive and persuasive piece of scholarship and criticism, clear in its claims, cogent in its arguments, comprehensive in its grasp of the critical debates around its textual exemplars, and lucid in its prose.

David James

In this elegant, urgent book, Cara Lewis demonstrates how indispensable the critical practice of historically sensitive formalism remains to modernist studies today. Her nuanced readings of the affective and aesthetic dynamics of intermediality demonstrate the stakes of attending to the way modernist forms never stay still.

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