Paperback(Third Edition)
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Overview
- more than 600 anatomical imagery exercises to improve posture and body alignment, release excess tension, and prevent injuries;
- over 500 full-color illustrations to help readers visualize the exercises and use them in various contexts;
- four audio files containing guided imagery exercises led by Franklin and set to music; and
- updated chapters throughout the book, including new material and exercises to address fasciae and connective tissue.
Product Details
ISBN-13: | 9781718200678 |
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Publisher: | Human Kinetics Publishers |
Publication date: | 11/01/2022 |
Edition description: | Third Edition |
Pages: | 512 |
Sales rank: | 389,402 |
Product dimensions: | 8.49(w) x 10.95(h) x 0.93(d) |
About the Author
Table of Contents
Introduction. How I Came to Use ImageryReinforcing What You WantPurpose and WillUsing Imagery for AlignmentUsing the Audio FilesPart I. Posture and Dynamic AlignmentChapter 1. Roots of Imagery for AlignmentA Brief Look at Imagery Throughout HistoryAlignment in History and ArtImagery and Ideas of Ideal PostureSomatic DisciplinesSummaryChapter 2. Postural Models and Dynamic AlignmentPostural HabitsDynamically AligningSummaryChapter 3. Foundations of Mental ImageryBrain, Consciousness, and ImageryNervous SystemThe World in the Brain: Neuroplasticity and ImageryDevelopmental PatternsDeveloping Mind: The Role of ImagerySummaryChapter 4. The Art of Change Through ImageryFour Steps in the Art of ChangeA Closer Look at the Four Steps for ChangeSummaryChapter 5. Imagery’s Five Ws: What, Who, When, Where, and WhyWhat?Who?When?Where?Why?SummaryChapter 6. General Guidelines for How to Use ImageryFactors That Influence Successful ImageryModulating and Adapting Images and MetaphorsSequencing the ImageryProblems and Opportunities When Cuing ImageryResting Positions for Imagery PracticeSummaryPart II. Biomechanical and Anatomical Principles and ExercisesChapter 7. Befriending Gravity and Finding Your CenterGravityForcesAnatomical Terminology for Location and DirectionSummaryChapter 8. Laws of Motion and Force SystemsNewton’s Laws of MotionForce SystemsLever SystemsEnergy ConservationAbility of Materials to Resist ForceDynamic StabilitySummaryChapter 9. Joint, Bone, Muscle, and FasciaJoint TypesBonesMusclesConnective Tissue and FasciaSummaryPart III. Exercises for Anatomical ImageryChapter 10. Pelvis, Hip Joint, and CompanyPelvic ArchesBalancing the PelvisMotion of the Pelvic HalvesCounterrotation and Three-Dimensional AlignmentPelvic PowerhouseHip Joint and FemurIliopsoas and PiriformisThe Fascia of the Thigh and LegSummaryChapter 11. Knee, Lower Leg, and FootGet to Know Your KneeFascia of the Lower LimbTibia, Fibula, and AnkleFootInteraction of Fasciae, Muscles, and Ligaments of the Leg and FootSummaryChapter 12. Spine and Body WallVertebraeIntervertebral DiscsThe Spine’s Curved DesignSacrum and PelvisSpinal LigamentsMusculature of the Abdomen and BackAbdominal WallAbdominal Muscles and the Concept of Core StabilitySummaryChapter 13. Shoulders, Arms, and HandsSuspension of the Shoulder GirdleGlenohumeral JointHumeroscapular RhythmElbowWrist and HandSummaryChapter 14. Head and NeckAtlas and AxisFasciae of the NeckSkullFasciae of the Head and FaceSuboccipitalsMandibleHyoid and TongueEyesNose and MouthSummaryChapter 15. Rib Cage, Breath, and OrgansRib CageBreathSupport and Breathing for Abdominal OrgansHeartSkin as an OrganSummaryPart IV. Returning to Holistic AlignmentChapter 16. Definitions of Dynamic AlignmentPlumb LineMedian AlignmentDefining Ideal AlignmentDynamic Versus Static AlignmentDynamic and Static StabilityPulling Up and Ideal AlignmentSummaryChapter 17. Integrating Dynamic Alignment ExercisesAlignment in Supine PositionsAlignment in Sitting PositionsStanding and Walking AlignmentReleasing Excess TensionContinuing Imagery ExercisesWhat People are Saying About This
"The use of imagery to improve human alignment and movement has been practiced by relatively few adherents, most of them professionals. Now, with Eric Franklin's book Dynamic Alignment Through Imagery, the technique of using imagery is made clear for the general public as well for professionals. Franklin is to be commended for bringing this important work to a wider audience."Andre BernardAdjunct Assistant Professor Dance EducationNew York University
"This is a charming and humorous synthesis of ideas contained in the writings of Mabel Todd, Lulu Sweigard, Barbara Clark, and their students."Irene DowdFaculty, The Juilliard SchoolGuest Faculty, The National Ballet School of Canada
"The main purpose of body alignment in dance is to create efficient control of movement. Eric Franklin's book Dynamic Alignment Through Imagery equips readers with the basic knowledge and exercises to achieve a clear and useful alignment."Zvi GotheinerChoreographer and Teacher, New York City