Little Women [Blu-ray]

Overview

George Cukor directed the first of Hollywood's many adaptations of Louisa May Alcott's sentimental novel about family life during the Civil War. In this version, Katharine Hepburn stars as Jo, the headstrong eldest daughter of the March family, which is struggling against great financial hardships due to Mr. March's (Samuel S. Hinds) involvement in the war. After sister Meg (Frances Dee) becomes engaged, Jo leaves for New York to become a writer; however, all of the March girls are drawn back home when the saintly Beth (Jean Parker) falls ill.

Product Details

Release Date:	08/29/2023
UPC:	0810134942653
Original Release:	1933
Source:	Unknown Publisher
Language:	English
Sales rank:	14,396

Cast & Crew

Performance Credits

Katharine Hepburn	Jo March
Joan Bennett	Amy March
Frances Dee	Meg March
Jean Parker	Beth March
Spring Byington	Marmee
Paul Lukas	Prof. Bhaer
Edna May Oliver	Aunt March
Henry Stephenson	Mr. Laurence
Douglass Montgomery	Laurie
John Davis Lodge	Brooke
Samuel S. Hinds	Mr. March
John Lodge	Brooke
Mabel Colcord	Hannah
Marion Ballou	Mrs. Kirke
Nydia Westman	Mamie
Harry Beresford	Dr. Bangs
June Filmer	Girl at Boarding House
Dorothy Gray	Girl at Boarding House
Marina Schubert	Flo King
Olin Howlin	Mr. Davis

Technical Credits

Sarah Y. Mason

Victor Heerman

George Cukor	Director
Kenneth MacGowan	Producer
Harry Redmond	Special Effects
Sarah Y. Mason	Screenwriter
Victor Heerman	Screenwriter

Scene Index

Introduction ix

My Half: Kind Candor xvi

Part I The Emotional Ingredients 1

Gratitude 3

Self-Awareness 11

Accountability 17

Optimism 23

Empathy 27

Kindness 33

Tenacity 39

Curiosity 45

Patience 51

Conviction 55

Humility 59

Ambition 65

Part II Real-Life Scenarios 69

Part III Exercises 175

Conclusion 191

The inspiration Behind This Book 195

Acknowledgments 197

Notes 199

Editorial Reviews

One of Hollywood's original "chick flicks," this faithful adaptation of Louisa May Alcott's Civil War-era novel focuses almost exclusively on the ambitions, desires, and emotions of the titular four sisters. The expensive and attractive production literally embodies that most manipulative of cinematic clichés, "I laughed, I cried." Little Women's first half, focused on the sisters' effervescent and fun-loving youth, gradually gives way to a melancholy, downbeat second half, in which we witness confusion, disappointment, and death. The film's willingness to concentrate almost exclusively on these four sisters, who vary from confident to reticent, was an important step forward in the cinematic treatment of women. How the "little women" hold up as they undergo their trials and tribulations is also essential, as they survive and thrive without (and occasionally despite) men, who appear only in supporting roles, a tidy inversion of Hollywood tradition. Little Women's star-making performance was that of Katherine Hepburn, whose tomboyish spunk is wonderfully endearing in the role of Jo, the embryonic writer. However, the supporting work of Joan Bennett, Jean Parker, and Frances Dee is also key to the film's enduring appeal. Nominated for three Academy Awards, including Best Picture and Best Director for George Cukor, Little Women won best adapted screenplay for Victor Heerman and Sarah Y. Mason.

07/29/2019

Arnold’s debut is a lyrical but long-winded portrayal of a woman reckoning with the disappointments of her life. Ash passes her days swimming at a deserted lake with her seven-year-old daughter, Charlie. When she senses Charlie grow distant as she gets older, Ash commits an unforgivable act while trying to reconnect. This sets in motion the crumbling of Ash’s emotional world, revealing memories of an affair with her yoga instructor, a capricious bisexual woman, and a complicated relationship with her father. Ash slips into a depression that confines her to bed, forcing her husband into the arms of a family friend who comes by to care for Charlie. The narrator’s idiosyncratic, troubled personality is expressed through her obsessive interest in sounds and words. During her first date with her husband, she tells him that she collects words, stating that “finding the right word is like finding a pebble on a whole beach of pebbles.” Arnold uses language like a set of dominoes, connecting endings of sentences to beginnings with sounds and phrases to create an artful tumble of prose. However, the novel’s high style comes at the price of momentum, and it becomes opaque to the point of being inaccessible. With very little plot, Arnold’s novel asks questions of profound moral consequence that get lost in the fogginess of its narrator. (July)

Publishers Weekly

Any serious student of Reformed theology needs to sit at the feet of Petrus van Mastricht. The challenge has been that to do so you needed to know Latin or Dutch. Thanks to the herculean efforts of the folks at the Dutch Reformed Translation Society and Reformation Heritage Books, English readers can now learn the art of ‘living for God through Christ.’” —Stephen J. Nichols, president of Reformation Bible College and chief academic officer of Ligonier Ministries


“With each translation of the formative Reformed theologians of the sixteenth and seventeenth centuries comes the possibility of our churches being renewed by forgotten treasures. This is one of those gold mines. So important is van Mastricht that even Descartes felt obliged to respond to his critiques and Jonathan Edwards drew deeply from the well of his Theoretical-Practical Theology. It is a distinct pleasure to recommend this remarkable gem.” —Michael Horton, J. Gresham Machen Professor of Systematic Theology and Apologetics, Westminster Seminary California


“The very title of this work, Theoretical-Practical Theology, indicates why, three centuries ago, Petrus van Mastricht’s work appealed to Scottish ministers who studied under him or read his theology. Not least of these was his student James Hog, who would later famously republish The Marrow of Modern Divinity. In making van Mastricht’s classic available in English for a new generation of students, pastors, and scholars, the Dutch Reformed Translation Society and Reformation Heritage Books are giving a great gift to the Christian church as a whole, and to students, pastors, and scholars in particular.” —Sinclair B. Ferguson, Chancellor’s Professor of Systematic Theology, Reformed Theological Seminary; and teaching fellow, Ligonier Ministries

From the Publisher