Yolanda and the Thief has long been considered the nadir of Arthur Freed's years as an MGM musical producer. Unappreciated at the time of its release, the film was a huge financial and critical failure. It has since become a cult film and cinematic cause celebre, revered by its adherents and condemned by its detractors. For the record, Fred Astaire stars as a suave but strangely unsympathetic con arstist Johnny Parkson Riggs, who convince sheltered South American heiress Yolanda (Lucille Bremer) that he's her guardian angel. Naturally, Johnny falls in love with Yolanda and tries to find a way to put an end to the scam job cooked up by himself and his partner-in-crime Victor Budlow Trout (Frank Morgan). Meanwhile, a mysterious character named Mr. Candle (Leon Ames) watches the proceedings with seemingly detached amusement (guess who he turns out to be!) With the exception of "Coffee Time," most of the film's musical numbers are forgettable; Astaire and Lucille Bremer dance well together, but generate none of the charisma necessary to sustain a whimsical tale of this nature. As for Bremer alone, her biggest scene takes place in an artfully arranged bubble bath; undeniably gorgeous, she frankly isn't much of an actress. It is difficult to assess Yolanda and the Thief pro or con; this is one film that is guaranteed to either delight or aggravate the viewer, with no "middle ground."
