Star Wars: Return of the Jedi [Includes Digital Copy] [4K Ultra HD Blu-ray/Blu-ray]

Director: Richard Marquand Richard Marquand

Overview

In this film, the last of George Lucas' Star Wars trilogy, Han Solo, Luke Skywalker, and Princess Leia are Jabba the Hut's prisoners. With the help of Lando Calrissian, they manage to escape and set out to rid the galaxy of Darth Vader, now commanding an indestructible Death Star vehicle.

Product Details

Release Date:	03/31/2020
UPC:	0786936869453
Original Release:	1983
Source:	Walt Disney Video
Language:	English
Format:	Blu-ray
Sales rank:	8,439

Cast & Crew

Performance Credits

Mark Hamill	Luke Skywalker
Carrie Fisher	Princess Leia
Harrison Ford	Han Solo
Billy Dee Williams	Lando Calrissian,Composer
Anthony Daniels	C-3P0
Peter Mayhew	Chewbacca
Alec Guinness	Ben Obi-Wan Kenobi
David Prowse	Darth Vader
Ian McDiarmid	Emperor Palpatine
Sebastian Shaw	Anakin Skywalker
Kenny Baker	Paploo/R2-D2,Ewok
Michael Pennington	Moff Jerjerrod
Kenneth Colley	Adm. Piett
Michael Carter	Bib Fortuna
Denis Lawson	Wedge
Tim Rose	Adm. Ackbar
Dermot Crowley	Gen. Madine
Caroline Blakiston	Mon Mothma
Warwick Davis	Wicket
Jeremy Bulloch	Boba Fett
Femi Taylor	Oola
Annie Arbogast	Sy Snootles
Claire Davenport	Fat Dancer
Jack Purvis	Teebo,Ewok
Mike Edmonds	Logray,Logray
Jane Busby	Chief Chirpa
Malcolm Dixon	Ewok Warrior,Ewok
Mike Cottrell	Ewok Warrior
Nicki Reade	Nicki
Margo Apostocos	Ewok
Ray Armstrong	Ewok
Michael H. Balham	Ewok
Bobbie Bell	Ewok,Ewok
Alan Bennett	Ewok,Ewok
Pamela Betts	Ewok
Dan Blackner	Ewok
Linda Bowley	Ewok
Peter Burroughs	Ewok
Debbie Lee Carrington	Ewok
Maureen Charlton	Ewok
William Coppen	Ewok
Sadie Corrie	Ewok
Tony Cox	Ewok
John Cummings	Ewok
Jean D'Agostino	Ewok
Luis De Jesus	Ewok
Margarita Fernandez	Ewok
Phil Fondacaro	Ewok,Ewok
Tony Friel	Ewok
Dan Frishman	Ewok
John Gavam	Ewok
Michael Gilden	Ewok
Paul Grant	Ewok
Lydia Green	Ewok,Ewok
Pam Grizz	Ewok
Andrew Herd	Ewok
J.J. Jackson	Ewok
Richard Jones	Ewok,Ewok,Ewok,Voices
Karen Lay	Ewok
John Lummis	Ewok
Nancy MacLean	Ewok
Peter Mandell	Ewok
Carole Morris	Ewok
Stacy Nichols	Ewok
Chris Nunn	Ewok
Barbara O'Laughlin	Ewok
Brian Orenstein	Ewok
Harrell Parker Jr.	Ewok
John Pedrick	Ewok
April Perkins	Ewok
Ronnie Phillips	Ewok
Carol Read	Ewok,Ewok
Diana Reynolds	Ewok
Daniel Rodgers	Ewok
Chris Romano	Ewok
Dean Shakenford	Ewok
Kiran Shah	Ewok
Felix Silla	Ewok
Linda Spriggs	Ewok
Gerald Staddon	Ewok,Ewok
Kevin Thompson	Ewok
Kendra Wall	Ewok
Brian Wheeler	Ewok
Butch Wilhelm	Ewok
David Barclay	Actor
Dave Emann	Actor
Trevor Jones	Actor
Bill Lytle	Actor
Mary Selway	Actor
Pip Miller	Stardestroyer Commander #1
Toby Philpott	Jabba the Hutt
Sadie Corré	Ewok
Adam Bareham	Stardestroyer Controller #1
Jonathan Oliver	Stardestroyer Controller #2
Tom Mannion	Stardestroyer Captain #2
Frank Oz	Voices

Technical Credits

George Lucas

Lawrence Kasdan

Richard Marquand	Director
George Lucas	Screenwriter,Executive Producer
Lawrence Kasdan	Screenwriter
Roy Arbogast	Special Effects
Jim Bloom	Producer
Peter Diamond	Stunts
Richard Edlund	Special Effects
Howard Kazanjian	Producer,Producer
Dennis Muren	Special Effects
Ken Ralston	Special Effects
Glenn H. Randall Jr.	Stunts
Robert Watts	Producer
Kit West	Special Effects
Ben Burtt	Sound/Sound Designer
Rick McCallum	Producer
Stuart Freeborn	Special Effects
Glenn Randall	Stunts
Kirk Thatcher	Special Effects
Phil Tippett	Special Effects
Bob Anderson	Stunts
Randy Thom	Sound/Sound Designer
Tony Dawe	Sound/Sound Designer

Scene Index

Introduction ix

My Half: Kind Candor xvi

Part I The Emotional Ingredients 1

Gratitude 3

Self-Awareness 11

Accountability 17

Optimism 23

Empathy 27

Kindness 33

Tenacity 39

Curiosity 45

Patience 51

Conviction 55

Humility 59

Ambition 65

Part II Real-Life Scenarios 69

Part III Exercises 175

Conclusion 191

The inspiration Behind This Book 195

Acknowledgments 197

Notes 199

Editorial Reviews

Considered by some a mild failure after the tantalizingly unresolved and morally complicated The Empire Strikes Back, Return of the Jedi nonetheless was a gigantic box-office hit and a beloved conclusion to the trilogy that would change science fiction filmmaking -- and, indeed, modern mythology -- forever. Overrun by furry Ewoks, the sixth episode in the planned nine-part story represented George Lucas' turn toward kiddie sensibilities, which he would continue in force with the much-reviled Jar Jar Binks character in Star Wars, Episode I: The Phantom Menace. Still, with C3PO constantly getting himself into slapstick jams that inspired endless doomsday whining, the saga had always included silly bursts of comic relief, and the Ewoks only furthered that trend. Paradoxically, Jedi is in some ways the most adult film of the series, delving into the dangerous morass of Luke Skywalker's mounting hatred, including images of rage and emotional torture to rival those of Empire. The improving special effects were the true stars of the third installment, among them a memorable Tatooine clash with Jabba the Hutt's minions, a breathtaking speeder bike chase through the trees, and the climactic battles with the Ewoks vs. the walking battle droids and the Millennium Falcon vs. the rebuilt Death Star. Of course, more soap-opera style revelations continued to reinforce the grandeur of the epic story line. Often thought of as the least effective of the original three Star Wars movies, Jedi's inferiority is relative, to say the least. Lucas' trilogy created such a vast empire of devoted fans that any chance to see laser blasts and light sabers sent them flocking to the multiplexes, instantly forgiving the sometimes hammy dialogue and overly theatrical acting for the opportunity to absorb more of the magic.

07/29/2019

Arnold’s debut is a lyrical but long-winded portrayal of a woman reckoning with the disappointments of her life. Ash passes her days swimming at a deserted lake with her seven-year-old daughter, Charlie. When she senses Charlie grow distant as she gets older, Ash commits an unforgivable act while trying to reconnect. This sets in motion the crumbling of Ash’s emotional world, revealing memories of an affair with her yoga instructor, a capricious bisexual woman, and a complicated relationship with her father. Ash slips into a depression that confines her to bed, forcing her husband into the arms of a family friend who comes by to care for Charlie. The narrator’s idiosyncratic, troubled personality is expressed through her obsessive interest in sounds and words. During her first date with her husband, she tells him that she collects words, stating that “finding the right word is like finding a pebble on a whole beach of pebbles.” Arnold uses language like a set of dominoes, connecting endings of sentences to beginnings with sounds and phrases to create an artful tumble of prose. However, the novel’s high style comes at the price of momentum, and it becomes opaque to the point of being inaccessible. With very little plot, Arnold’s novel asks questions of profound moral consequence that get lost in the fogginess of its narrator. (July)

Publishers Weekly

Any serious student of Reformed theology needs to sit at the feet of Petrus van Mastricht. The challenge has been that to do so you needed to know Latin or Dutch. Thanks to the herculean efforts of the folks at the Dutch Reformed Translation Society and Reformation Heritage Books, English readers can now learn the art of ‘living for God through Christ.’” —Stephen J. Nichols, president of Reformation Bible College and chief academic officer of Ligonier Ministries


“With each translation of the formative Reformed theologians of the sixteenth and seventeenth centuries comes the possibility of our churches being renewed by forgotten treasures. This is one of those gold mines. So important is van Mastricht that even Descartes felt obliged to respond to his critiques and Jonathan Edwards drew deeply from the well of his Theoretical-Practical Theology. It is a distinct pleasure to recommend this remarkable gem.” —Michael Horton, J. Gresham Machen Professor of Systematic Theology and Apologetics, Westminster Seminary California


“The very title of this work, Theoretical-Practical Theology, indicates why, three centuries ago, Petrus van Mastricht’s work appealed to Scottish ministers who studied under him or read his theology. Not least of these was his student James Hog, who would later famously republish The Marrow of Modern Divinity. In making van Mastricht’s classic available in English for a new generation of students, pastors, and scholars, the Dutch Reformed Translation Society and Reformation Heritage Books are giving a great gift to the Christian church as a whole, and to students, pastors, and scholars in particular.” —Sinclair B. Ferguson, Chancellor’s Professor of Systematic Theology, Reformed Theological Seminary; and teaching fellow, Ligonier Ministries

From the Publisher