Stand Up Guys [Includes Digital Copy]

Director: Fisher Stevens Fisher Stevens

Overview

Three geriatric criminals reunite to recapture the glory of their lawless youth, but find their celebrations interrupted when one is put into a difficult position by a vengeful mob boss. Nearly 20 years after refusing to inform on his partner-in-crime, Val (Al Pacino) emerges from prison a free man. Waiting for him at the gate is his old friend Doc (Christopher Walken), who quickly takes him out on the town with the mischievous Hirsh (Alan Arkin) to stir up some trouble. It's been far too long since the trio raised hell on the streets, and they're all eager to make up for lost time. Meanwhile, one of the three is harboring a secret that will test their longtime friendship unless they can finally come to terms with their troublesome past. Julianna Margulies co-stars.

Product Details

Release Date:	05/21/2013
UPC:	0031398168669
Original Release:	2013
Rating:	R
Source:	LIONSGATE - 600000-AEC LGE
Region Code:	1
Sound:	[Dolby Digital Stereo, Dolby Digital 5.1 Surround]
Language:	English
Time:	1:35:00
Sales rank:	32,714

Special Features

Director Commentary; "The Lowdown on Making Stand Up Guys" featurette; "The Stand Up Songs of Jon Bon Jovi" featurette; "American Muscle: The Stand Up Stunt Driving Scenes" featurette; Deleted scenes

Cast & Crew

Performance Credits

Al Pacino	Val
Christopher Walken	Doc
Alan Arkin	Hirsch
Julianna Margulies	Nina Hirsch
Addison Timlin	Alex
Vanessa Ferlito	Sylvia
Lucy Punch	Wendy
Mark Margolis	Claphands
Katheryn Winnick	Oxana
Bill Burr	Larry
Craig Sheffer	Actor
Lyle Workman	Composer

Technical Credits

Noah Haidle

Fisher Stevens	Director
Noah Haidle	Screenwriter
Jim Tauber	Producer
Gary Lucchesi	Producer
Sidney Kimmel	Producer
Tom Rosenberg	Producer
Bingham Ray	Executive Producer,Producer
Matt Berenson	Executive Producer,Producer
Ted Gidlow	Producer,Executive Producer
Bruce Toll	Producer,Executive Producer
Gary Lucchessi	Producer
Deborah Aquila	Casting
Jay Bingham	Executive Producer

Editorial Reviews

At one point in Fisher Stevens' charming comedy Stand Up Guys, professional thief Doc (Christopher Walken) looks on with amusement at the familiar sight of his old partners in crime -- tough guy Val (Al Pacino) and ace wheelman Hirsch (Alan Arkin) -- bickering over whether Hirsch should give his pants to a naked woman they've discovered. Doc's pleasure in that moment, registered in a loving close-up of Walken while the other two argue, is exactly how Stand Up Guys makes you feel. The movie opens with Val (short for Valentine) getting out of jail after serving 28 years for a botched robbery. During his long term, he never gave up the names of his accomplices; that includes his best friend Doc, who is there to pick up Val when he's released from the big house. They head out to raise as much hell as their aging bodies will allow, and in the process they rescue Hirsch, the third member of their old team, from a retirement home. For all of their remarkably enjoyable misadventures -- which include multiple visits to a brothel, meals at Doc's favorite diner, stealing a sports car, and helping a woman seek revenge on an attacker -- there's a consistent undertone of melancholy that runs throughout Noah Haidle's compact, effective script. Doc has been ordered by a ruthless mob boss to kill Val by 10 the next morning in retaliation for the kingpin's son dying in the botched robbery. So, as funny as the movie is, the center of it is about death. These three aging men want one last chance to relive old thrills and settle personal affairs, and while that poignant sentiment never disappears, it also never overtakes the shaggy-dog charm of the storytelling or the performances. If you're constructing the Mount Rushmore of American film actors from 1970 on, Al Pacino's face should be on it. Although his early masterworks were mostly evocations of quiet intensity, ever since Heat he's been caricatured for his screaming, over-the-top flamboyance. As Val, a character who likes to talk, those showman-like tendencies are certainly there in Pacino's performance; he gives off that buzz that great thespians can have when it's evident how much they love acting. However, because Val is a gravelly voiced, potbellied older man, Pacino slows everything down, and that decision allows the viewer one of the few chances to see the best of both young and old Al in a single performance -- showcased most prominently in a scene in which Val makes a memorably funny and moving confession to a priest. Christopher Walken has made a career out of playing, for lack of a better word, "otherness." His dancer's grace and odd inflections make it hard to take your eyes or ears off of him, but he rarely gets credit for being a remarkable acting partner. His distinct creative choices aren't made to grab the spotlight, but to keep every scene and every line fresh for his co-stars. He's mostly playing the straight man to Pacino's Val throughout Stand Up Guys, but he's also the movie's heart because Doc actually has to make the central dramatic choice in the story. For someone who so easily seems to represent strangeness, Walken reveals his characters' sad souls with little more than a twinkle in his eye or a balletic, unexpected dance step. If nothing else, Stand Up Guys is a master class in acting whenever these two share the screen, regardless of whether Val and Doc are robbing a drugstore for Viagra, negotiating with hookers, or sharing their deepest fears. Just as you've been lulled into the peerless rhythms of Pacino and Walken's conversations, in comes Arkin, who gets not only the funniest scene in the movie (it involves a return to the brothel), but brings yet another kind of energy to the proceedings. Arkin's trademark grumpy sarcasm isn't absent, but he tones it down since Hirsch feels genuine pleasure to be out and about with his old friends, and because he's still mourning the death of his wife years after her passing. For a film about coming to terms with death, Stand Up Guys is funnier than you might expect, and never once sinks into sentimental treacle. That's a testament to both first-time feature screenwriter Noah Haidle and director Fisher Stevens for keeping the flow of the story efficient but not hurried, and to the phenomenal talent of three actors doing what they do best. At one point, Val says to Hirsch that this big night out is better now that they're older because they can really appreciate it, and it's hard not to think that Pacino is speaking for all three of them as actors as much as he is for the characters.