The Sound of Fury

Director: Cy Endfield Cy Endfield

Overview

After a pair of men murder their kidnapped victim, they find themselves the targets of a small-town manhunt in this suspenseful drama featuring Frank Lovejoy and Lloyd Bridges.

Product Details

Release Date:	01/10/2017
UPC:	0644827623228
Original Release:	1950
Source:	Reel Vault
Region Code:	A
Language:	English
Time:	1:32:00
Sales rank:	49,137

Cast & Crew

Performance Credits

Frank Lovejoy	Howard Tyler
Lloyd Bridges	Jerry Slocum
Kathleen Ryan	Judy Tyler
Katherine Locke	Hazel
Richard Carlson	Gil Stanton
Adele Jergens	Velma
Art Smith	Hal Clendenning
Renzo Cesana	Dr. Simone
Irene Vernon	Helen Stanton
Cliff Clark	Sheriff Demig
Carl Kent	Donald Miller
Donald Smelick	Tommy Tyler
Dabbs Greer	Mike
Mack Williams	Prof. Martin
Jane Easton	Barbara Colson
John Pelletti	Herb Colson
Mary Lawrence	Kathy
Lynn Gray	Vi Clendenning

Technical Credits

Jo Pagano

Cy Endfield	Director
Robert Stillman	Producer
Jo Pagano	Screenwriter

Editorial Reviews

Director Cy Endfield -- who would shortly decamp Hollywood for the somewhat more friendly surroundings of England, owing to his alleged "leftist" sympathies -- outdid himself in this independent production (originally released by United Artists). Actually, Endfield and the entire cast rose to the occasion in their work on this still-very-troubling film, based on an actual lynching that took place in California in 1933. Endfield and screenwriter Jo Pagano (adapting his own book) weave together two stories -- one about an ambitious journalist (Richard Carlson) who, true to the lowest order of his profession, latches on to a relatively routine crime story and creates a mood of panic and fear; and the other about a poor, unemployed working stiff (Frank Lovejoy) who teams up with a two-bit hood (Lloyd Bridges) for a series of robberies that escalate to kidnapping and murder. Lovejoy was seldom more sympathetic than he is here, as a man who is in over his head from the first moment we see him on-screen. And Lloyd Bridges gives one of his finest early performances, as a petty criminal whose darkest side is just waiting to burst forth. But as good as most of the acting is, Try And Get Me is really a director's movie, relying on atmosphere as much as performances to make its point -- the film weaves a grim picture of postwar America, that runs counter to a lot of extant accounts of the period. Endfield's handling of the last section of the movie, a harrowing public insurrection against law-and-order and the police, is no less gripping six decades later, and these sequences and all of the exterior shots have a documentary-like, neo-realist look that only enhances the impact of everything we see and hear. (And Endfield's treatment of the actual siege of the county jail, looked at today, seems almost like a dry-run for the director's work in Zulu a dozen or so years later). This is not a movie that anyone forgets easily, and in some ways outdoes the impact of Fritz Lang's treatment of the same incident, in Fury (1935).