Queen Christina [Blu-ray]

Director: Rouben Mamoulian

Overview

Greta Garbo stars as the title character, a 17th-century Swedish monarch whose life is chronicled from her rise to the throne, to the moment she gave it up for the love of a Spanish ambassador.

Product Details

Release Date:	05/30/2023
UPC:	0810134940314
Original Release:	1933
Rating:	NR
Source:	Unknown Publisher
Language:	English
Time:	1:39:00
Sales rank:	23,123

Cast & Crew

Performance Credits

Greta Garbo	Queen Christina
Lewis Stone	Chancellor Oxenstierna
Ian Keith	Magnus
Elizabeth Young	Ebba Sparre
C. Aubrey Smith	Aage
Reginald Owen	Prince Charles
Georges Renavent	French Ambassador
Gustav von Seyffertitz	General
David Torrence	Archbishop
Ferdinand Munier	Innkeeper
Akim Tamiroff	Pedro
Cora Sue Collins	Christina as a Child
Edward Norris	Count Jacob
Lawrence Grant	Bits
Barbara Barondess	Elsa
Paul Hurst	Swedish Soldier
Edward Gargan	Fellow Drinker
Wade Boteler	Rabble Rouser
Fred Kohler Jr.	Member of the Court
Richard Alexander	Peasant in Crowd
Major Sam Harris	Nobleman
Elisabeth Young	Countess Ebba
John Gilbert	Actor
Herbert Stothart	Composer

Technical Credits

Salka Viertel

H.M. Harwood

S.N. Behrman

S.N. Behrmann

Rouben Mamoulian	Director
Salka Viertel	Screenwriter
H.M. Harwood	Screenwriter
S.N. Behrman	Screenwriter
Walter Wanger	Producer
S.N. Behrmann	Screenwriter
Douglas Shearer	Sound/Sound Designer

Scene Index

Introduction ix

My Half: Kind Candor xvi

Part I The Emotional Ingredients 1

Gratitude 3

Self-Awareness 11

Accountability 17

Optimism 23

Empathy 27

Kindness 33

Tenacity 39

Curiosity 45

Patience 51

Conviction 55

Humility 59

Ambition 65

Part II Real-Life Scenarios 69

Part III Exercises 175

Conclusion 191

The inspiration Behind This Book 195

Acknowledgments 197

Notes 199

Editorial Reviews

Displaying the full range of Greta Garbo's mystique, Queen Christina (1933) is usually considered one of Garbo's best works, as well as her most erotically complex. Working from the true story of the 17th century Swedish queen who abdicated her throne for love, MGM surrounded Garbo with the kind of beautifully detailed period sets and costumes for which it was known in the 1930s, including Christina's preferred male drag. Gracefully directed by Rouben Mamoulian, Garbo silently yet powerfully communicates Christina's ill-fated love for John Gilbert's Spanish envoy as she moves around their room at a snowbound inn, "memorizing" every object. Despite Garbo's reunion with three-time silent movie romance partner Gilbert, Queen Christina is more renowned for its (relatively) clear treatment of Christina's bisexuality, as she declares that she'll "die a bachelor," kisses her favorite countess on the lips, and disguises herself as a man. The final shot of Christina's staring out to sea is a signature Garbo moment of secret emotions, hidden passions, and mysterious allure. (Mamoulian reportedly told her to think of nothing.) Even so, Queen Christina did not perform as well as MGM had expected, making it a rare disappointment for Garbo and the end of Gilbert's career.

07/29/2019

Arnold’s debut is a lyrical but long-winded portrayal of a woman reckoning with the disappointments of her life. Ash passes her days swimming at a deserted lake with her seven-year-old daughter, Charlie. When she senses Charlie grow distant as she gets older, Ash commits an unforgivable act while trying to reconnect. This sets in motion the crumbling of Ash’s emotional world, revealing memories of an affair with her yoga instructor, a capricious bisexual woman, and a complicated relationship with her father. Ash slips into a depression that confines her to bed, forcing her husband into the arms of a family friend who comes by to care for Charlie. The narrator’s idiosyncratic, troubled personality is expressed through her obsessive interest in sounds and words. During her first date with her husband, she tells him that she collects words, stating that “finding the right word is like finding a pebble on a whole beach of pebbles.” Arnold uses language like a set of dominoes, connecting endings of sentences to beginnings with sounds and phrases to create an artful tumble of prose. However, the novel’s high style comes at the price of momentum, and it becomes opaque to the point of being inaccessible. With very little plot, Arnold’s novel asks questions of profound moral consequence that get lost in the fogginess of its narrator. (July)

Publishers Weekly

Any serious student of Reformed theology needs to sit at the feet of Petrus van Mastricht. The challenge has been that to do so you needed to know Latin or Dutch. Thanks to the herculean efforts of the folks at the Dutch Reformed Translation Society and Reformation Heritage Books, English readers can now learn the art of ‘living for God through Christ.’” —Stephen J. Nichols, president of Reformation Bible College and chief academic officer of Ligonier Ministries


“With each translation of the formative Reformed theologians of the sixteenth and seventeenth centuries comes the possibility of our churches being renewed by forgotten treasures. This is one of those gold mines. So important is van Mastricht that even Descartes felt obliged to respond to his critiques and Jonathan Edwards drew deeply from the well of his Theoretical-Practical Theology. It is a distinct pleasure to recommend this remarkable gem.” —Michael Horton, J. Gresham Machen Professor of Systematic Theology and Apologetics, Westminster Seminary California


“The very title of this work, Theoretical-Practical Theology, indicates why, three centuries ago, Petrus van Mastricht’s work appealed to Scottish ministers who studied under him or read his theology. Not least of these was his student James Hog, who would later famously republish The Marrow of Modern Divinity. In making van Mastricht’s classic available in English for a new generation of students, pastors, and scholars, the Dutch Reformed Translation Society and Reformation Heritage Books are giving a great gift to the Christian church as a whole, and to students, pastors, and scholars in particular.” —Sinclair B. Ferguson, Chancellor’s Professor of Systematic Theology, Reformed Theological Seminary; and teaching fellow, Ligonier Ministries

From the Publisher