Patterns

Director: Fielder Cook Fielder Cook

Overview

Rod Serling's incisive "gray flannel suit" TV drama created such a sensation when Kraft Television Theatre first aired it live on January 11, 1955 that, in an unprecedented move, it was repeated four weeks later, on February 9, again live. Richard Kiley starred as Fred Staples, a bright young man from Cincinnati brought into the executive pool at a top New York firm by ruthless CEO Ramsey (Everett Sloane). Staples doesn't know it at first, but he was recruited as the potential replacement for Andy Sloane (Ed Begley), an ailing exec whom Ramsey is easing out in a most unsubtle fashion. Staples takes a liking to Sloane and despises Ramsey's tactics; the question is: does he despise them enough to throw away the biggest opportunity in his life? Director Fielder Cook, who helmed both TV versions of Patterns, also did the same for the 1956 film version. While Everett Sloane and Ed Begley were carried over from TV, the more "bankable" Van Heflin replaced Kiley as Staples.

Product Details

Release Date:	10/18/2016
UPC:	0818522015248
Original Release:	1956
Source:	Film Detective
Language:	English
Time:	1:23:00
Sales rank:	30,652

Cast & Crew

Performance Credits

Van Heflin	Fred Staples
Ed Begley	William Briggs
Elizabeth Wilson	Marge Fleming
Everett Sloane	Walter Ramsey
Beatrice Straight	Nancy Staples
Joanna Roos	Miss Lanier
Eleni Kiamos	Sylvia Trammel
Shirley Standlee	Miss Hill
Ronnie Welsh Jr.	Paul Briggs
Sally Gracie	Ann
Michael Dreyfuss	Billy
Adrienne Moore	1st Secretary
Elaine Kaye	2nd Secretary
Valerie Cossart	Miss Stevens
Ronnie Welsh	Paul Briggs
Andrew Duggan	Mr. Jameson
John Shelly	Mr. Grannigan
Edward Binns	Elevator Starter
Lauren Bacall	Lobby lady near elevators
Ronnie Welsh, Jr.	Paul Briggs
Rod Serling	Actor

Technical Credits

Rod Serling

Fielder Cook	Director
Rod Serling	Screenwriter
Michael Myerberg	Producer
Jed Harris	Producer

Editorial Reviews

The film version of the television play that garnered writer Rod Serling his initial acclaim, it's a forceful drama of office politics with a somewhat ambiguous ending. Although Serling's portrait of Machiavellian behavior in corporate suites can hardly have the impact it did in the '50s, when the uglier aspects of capitalism rarely made an appearance in popular media, his insights into the painful dynamics of a common dilemma remain compelling. Perhaps more about the anxieties of ambition and success than the inevitability of waning power, the film evinces Serling's particular brand of liberalism, as the rising young executive (Van Heflin) agonizes about the fate of the older man (Ed Begley) he must displace. The coldly efficient CEO, (Everett Sloane) a composite of Serling's wartime commanding officer and CBS president William Paley among others, has verbally hammered Begley so relentlessly in an effort to force his retirement, that the dazed and battered man conjures the punch-drunk fighter of Serling's Requiem for a Heavyweight (1962). Despite the all-consuming nature of a job that's damaged his family life, he's still unable to let go. When Heflin challenges Sloane's repellent inhumanity, the magnate makes an apologia for capitalist ruthlessness worthy of Milton Friedman. Whether or not the equivocal and somewhat surprising ending can be interpreted as a victory or defeat for Heflin is very much in the eye of the beholder. Sloane gives the best performance of his career as the driven CEO and Heflin and Begley are also superb. Boris Kaufman, the legendary cinematographer of films such as Zero de Conduite and On the Waterfront makes the dark, tunnel-like office corridors look like something from Kafka.