Once Upon a Time…in Hollywood is an achievement in direction and storytelling that culminates in a satisfying end. Quentin Tarantino's ninth film is a love letter to an era in which he is no stranger. The film highlights the lives of a fading actor, his stuntman, and a true up-and-comer. Providing a sense of intrigue during the long 161-minute runtime, the movie weaves in and out of tense moments and comedic relief. The impressive and sprawling cast never misses a beat, as Tarantino has a knack for balancing his star power to perfection. An absolute treat to watch, Tarantino's latest is only slightly hampered by a few pacing issues and a couple head-scratching moments throughout the story. Rick Dalton (Leonardo DiCaprio) and his stunt man Cliff Booth (Brad Pitt) are close colleagues and best friends. As Dalton navigates the final years of his acting career, both men know what is on the horizon. As the city continues to grow, Dalton is forced to take what he is given, relying on pilot season and being featured in secondary roles. He is no longer a star, just a famous name that people remember. As his buddy and personal driver, Booth provides emotional support, all while radiating a mysterious, slightly dark vibe. Living next door to Dalton is the hottest director in town, Roman Polanski and his new wife Sharon Tate (Margot Robbie). A budding star full of energy and hope, Tate represents the newfound Hollywood. The notable cast doesn't stop with the likes of Pitt, DiCaprio and Robbie. Small roles and cameos are sprinkled throughout the film, played by Al Pacino, Bruce Dern and Dakota Fanning among others. Even with all the star power, a young Julia Butters may have stolen the show in a scene with DiCaprio. By cherry picking from his usual cast of characters, along with a few newcomers, Tarantino continues to develop chemistry with his actors, and it absolutely shows on screen. Tarantino never fails in creating an authentic atmosphere, and Once Upon a Time… in Hollywood is no exception. Taking place in 1969, the saga captures the feel and mood at the end of Hollywood's Golden Age. By using clever montages and some quirky storytelling, the film asks more of its audience, as it uncovers more and more about the main characters. Where the narrative falters is in its inconsistent pacing, often leaving gaps that are begging to be filled with more engaged content. There is almost a point where the film seems to be headed towards nothing, by highlighting some long, drawn-out character-building scenes that aren't completely necessary. Still, some of these scenes are beautiful, as Tarantino tells the story with his camera (including some tense moments on Spahn Ranch), but a few feel out of place in an otherwise immersive and encompassing story. Unlike anything we've ever seen from the esteemed director, Hollywood is a great behind-the-scenes look into the end of an era. The film touches on the pursuit of perfection: how it is never obtainable yet always worth striving for. These are words that seem to drive Tarantino, and it is apparent while watching a film like this. A fun and genuine ride, Once Upon a Time… in Hollywood is a must-see.
Quentin Tarantino’s first novel is, to borrow a phrase from his oeuvre, a tasty beverage…He’s here to tell a story, in take-it-or-leave-it Elmore Leonard fashion, and to make room along the way to talk about some of the things he cares about — old movies, male camaraderie, revenge and redemption, music and style…In Once Upon a Time in Hollywood, Tarantino makes telling a page-turning story look easy, which is the hardest trick of all.” — Dwight Garner, The New York Times
“Classic, sparks-flying Tarantino…Tarantino’s explosive dialogue, with its blend of streetwise and formal cadences, is almost as effective written down as read aloud…Far from being the throwaway artifact it sometimes pretends to be, Tarantino’s first novel may even, as he’s hinted, herald the start of a new direction for this relentlessly inventive director.” — The Washington Post
“Tarantino, celebrated for his screenplays, truly is a literary force, stepping forward as a novelist adept at using an omniscient point of view to powerful effect in a novel driven by its characters’ inner lives and smart, witty, and salty dialogue of propulsion and nuance, hilarity and heartbreak….It will also offer a stereoscopic experience for most readers as they envision the characters as played by the movie’s cast…a doubling that will inspire fanatic comparisons between film and page. But this is a work of literary art in its own right, a novel that, if the movie didn’t exist, would captivate readers with its own knowing vision and zestful power.” — Donna Seaman, Booklist
Tarantino, celebrated for his screenplays, truly is a literary force, stepping forward as a novelist adept at using an omniscient point of view to powerful effect in a novel driven by its characters’ inner lives and smart, witty, and salty dialogue of propulsion and nuance, hilarity and heartbreak….It will also offer a stereoscopic experience for most readers as they envision the characters as played by the movie’s cast…a doubling that will inspire fanatic comparisons between film and page. But this is a work of literary art in its own right, a novel that, if the movie didn’t exist, would captivate readers with its own knowing vision and zestful power.”
Classic, sparks-flying Tarantino…Tarantino’s explosive dialogue, with its blend of streetwise and formal cadences, is almost as effective written down as read aloud…Far from being the throwaway artifact it sometimes pretends to be, Tarantino’s first novel may even, as he’s hinted, herald the start of a new direction for this relentlessly inventive director.”
Quentin Tarantino’s first novel is, to borrow a phrase from his oeuvre, a tasty beverage…He’s here to tell a story, in take-it-or-leave-it Elmore Leonard fashion, and to make room along the way to talk about some of the things he cares about — old movies, male camaraderie, revenge and redemption, music and style…In Once Upon a Time in Hollywood, Tarantino makes telling a page-turning story look easy, which is the hardest trick of all.”
This examination of a changing Hollywood entertainment industry in the late 1960s is, of course, a self-described novelization of the highly acclaimed Quentin Tarantino film ONCE UPON A TIME IN HOLLYWOOD. Actor Jennifer Jason Leigh offers a predominantly tired, flat, and unenthusiastic narration of this profanity-laced audiobook. Rife with nonlinear storylines and extreme violence, this effort allows you to cast and imagine the film for yourself. It’s not really a novel, but rather a listless reading of an expanded screenplay, despite some added character backstories. There are frequent, somewhat unsettling references to actual people and locations in storylines that are not actual or real for those people. Those who enthusiastically enjoyed the film would likely enjoy this audio effort as an allied enhancement. W.A.G. © AudioFile 2021, Portland, Maine
This examination of a changing Hollywood entertainment industry in the late 1960s is, of course, a self-described novelization of the highly acclaimed Quentin Tarantino film ONCE UPON A TIME IN HOLLYWOOD. Actor Jennifer Jason Leigh offers a predominantly tired, flat, and unenthusiastic narration of this profanity-laced audiobook. Rife with nonlinear storylines and extreme violence, this effort allows you to cast and imagine the film for yourself. It’s not really a novel, but rather a listless reading of an expanded screenplay, despite some added character backstories. There are frequent, somewhat unsettling references to actual people and locations in storylines that are not actual or real for those people. Those who enthusiastically enjoyed the film would likely enjoy this audio effort as an allied enhancement. W.A.G. © AudioFile 2021, Portland, Maine