Love & Mercy

Paul Dano Director: Bill Pohlad Bill Pohlad

Overview

Bill Pohlad's Love & Mercy, a biopic of Beach Boys mastermind Brian Wilson, focuses on two distinct periods in the songwriter's life. One timeline follows Wilson (played as a younger man by Paul Dano) as he quits performing live in order to focus on the creation of the album Pet Sounds, the single "Good Vibrations,"" and the eventually discarded album Smile. During this period of intense work, Wilson's mental-health issues grow worse. The other section of the film features John Cusack as an older Wilson, as he attempts to escape the influence of a manipulative doctor (Paul Giamatti) who has become a totalitarian guru to him. Helping him in this endeavor is a car saleswoman named Melinda (Elizabeth Banks). Love & Mercy screened at the 2014 Toronto International Film Festival.

Product Details

Release Date:	09/15/2015
UPC:	0031398224723
Original Release:	2014
Rating:	PG-13
Source:	Lions Gate
Region Code:	1
Presentation:	[Wide Screen, Color]
Sound:	[Dolby Digital Stereo, Dolby Digital 5.1 Surround]
Time:	2:02:00
Sales rank:	5,771

Special Features

Closed Caption; Deleted Scenes; "A California Story: Creating the Look of Love & Mercy" Featurette; "A-Side/B-Side Portraying the Life of Brian Wilson" Featurette; Audio Commentary

Cast & Crew

Performance Credits

Paul Dano	Brian Wilson
Elizabeth Banks	Melinda Ledbetter
John Cusack	Brian Wilson
Paul Giamatti	Dr. Eugene Landy
Brett Davern	Carl Wilson
Graham Rogers	Al Jardine
Jake Abel	Mike Love
Kenny Wormald	Dennis Wilson
Erin Darke	Marilyn Wilson
Bill Camp	Murry Wilson
Joanna Going	Audree Wilson
Nick Gehlfuss	Bruce Johnson
Mark Linett	Chuck Britz
Johnny Sneed	Hal Blaine
Gary Griffin	Al De Lory
Teresa Cowles	Carol Kaye
Vince Meghrouni	Woodwind/Brass Player
Jeff Meacham	Tony Asher
Max Schneider	Van Dyke Parks
Diana-Maria Riva	Gloria
Erik Eidem	Doug
Dylan Kenin	Rob
Carolyn Stotesbery	Sarah
Fred Cross	Cadillac Colleague
Tyson Ritter	Hipster #1
Jeff Galfer	Hipster #2
Morgan Phillips	Evan

Technical Credits

Michael Alan Lerner

Oren Moverman

Bill Pohlad	Director
Jenny Brown	Makeup
Andrew Cahn	Art Director
Becky Cotton	Makeup
Keith P. Cunningham	Production Designer
Luke Freeborn	Art Director
Eugene Gearty	Sound/Sound Designer
Daniel Glicker	Costumes/Costume Designer
Dino Jonsater	Editor
Robert E. Kay	Asst. Director
Robert E. Kay	Asst. Director
Jim Lefkowitz	Executive Producer
Michael Alan Lerner	Screenwriter
Oren Moverman	Executive Producer,Screenwriter
Claire Rudnick Polstein	Producer
Atticus Ross	Score Composer
Thomas Patrick Smith	Asst. Director
John Wells	Producer
Kenny Wormald	Choreography
Robert Yeoman	Cinematographer

Scene Index

Disc #1 -- Love and Mercy
1. Scene 1
2. Scene 2
3. Scene 3
4. Scene 4
5. Scene 5
6. Scene 6
7. Scene 7
8. Scene 8
9. Scene 9
10. Scene 10
11. Scene 11
12. Scene 12
13. Scene 13
14. Scene 14
15. Scene 15
16. Scene 16
17. Scene 17

Menu

Disc #1 -- Love and Mercy
   Play Movie
   Scene Selection
   Set Up
      Audio
         English 5.1 Dolby Digital
         Spanish 5.1 Dolby Digital
      Subtitles
         English
         Spanish
         Subtitles: Off
   Special Features
      Feature Commentary with Bill Pohlad (Director/Producer) and Oren Moverman (Executive Producer/Co-Writer): On/Off
         Feature Commentary with Bill Pohlad (Director/Producer) and Oren Moverman (Executive Producer/Co-Writer): On
         Feature Commentary with Bill Pohlad (Director/Producer) and Oren Moverman (Executive Producer/Co-Writer): Off
      A California Story: Creating the Look of Love & Mercy
      A-Side/B-Side: Portraying the Life of Brian Wilson
      Deleted Scenes
         Play All
            Brian Meets His Idol
            Brian Talks With His Family
            Brian Looks For a Collaborator
            Murry Interrupts the Recording Session
      Also from Lionsgate

Editorial Reviews

Understated and deeply personal, Love & Mercy is an intimate film that covers two periods in the life of the Beach Boys' creative mastermind, Brian Wilson. Director Bill Pohlad juxtaposes Wilson's musical genius with his lifelong battle with mental illness in this nonlinear depiction of a fascinating individual. More of a psychological character study than a rock-music biopic, Love & Mercy is unnervingly effective. The story begins around 1965 -- the Beach Boys are hugely successful purveyors of youth culture, and have amassed a cache of radio hits in a short span of time. Yet Wilson (played as a young man by Paul Dano) is growing increasingly reserved; he hates the oppressive tour schedule that's sending him and his bandmates across the globe, and which leaves him little time to focus on his musical craft. On a flight back to California, Wilson is overwhelmed by his anxieties and fears and suffers an incapacitating panic attack. Soon after, he convinces the rest of the band (which includes his two brothers and cousin Mike Love) that he should remain at home to work on their next album, while a fill-in musician takes his place on the tour. Wilson becomes immersed in the complex musical arrangements for his forthcoming album Pet Sounds, which marks a sea change, aurally and lyrically, from what the band has done before. He experiments with an arsenal of new instruments in the studio, and tries to get a group of session musicians to recreate the symphonies he hears in his head. All the while, he is becoming detached from reality; he's a victim of his own crushing genius, which demands nothing less than perfection. When the rest of the Beach Boys return from their tour, they are apprehensive over Pet Sounds -- particularly Mike Love (keenly played by Jake Abel), who questions the direction Wilson is headed in. The album is released to initially lukewarm reviews, which, combined with his experimentation with LSD and a lifetime of pressure from his overbearing father Murry (Bill Camp), causes Wilson's mental state to deteriorate even further. This story is intercut with another plot line that follows Wilson (now played by John Cusack) roughly 20 years later. He's under 24-hour surveillance by psychologist Eugene Landy (Paul Giamatti), and being fed a cocktail of prescription drugs in order to help him readjust to society after years as a recluse. Wilson meets a Cadillac saleswoman named Melinda (Elizabeth Banks), and strikes up a relationship. The domineering Landy tries to threaten her into complying with his control over Wilson, urging her to report their interactions directly to him. Melinda quickly realizes the threat the psychologist poses to Wilson's sanity and livelihood, and attempts to show his family (whom he has been barred from contacting) that Landy's influence has only made things worse. Pohlad, already a successful producer with The Tree of Life (2011) and 12 Years a Slave (2013), skillfully navigates the dual story lines. The intricacies of Wilson's complex life could have easily been lost between the two separate portrayals, but Pohlad and screenwriters Oren Moverman and Michael Alan Lerner manage to weave the two parts together into a satisfying whole. Love & Mercy is carried by its spectacular cast. Paul Dano's mannerisms perfectly depict the intense musical genius of the young Wilson. And as his eccentricities shade into outright madness, Dano keys in on his paranoia and neuroses. At the same time, Cusack is wonderfully reserved as the older but still childlike Wilson. He's soft-spoken and haunted by his inner demons, yet his humanity and charisma manage to shine through. Giamatti is excellent in the difficult role of the abusive Landy, and his scenes with the magnetic Elizabeth Banks are equally enthralling and disturbing. Brian Wilson's disquieting mental issues ultimately helped drive him to create gorgeous, enduring pieces of music. Pet Sounds went on to be recognized as a watershed moment in pop history, and its influence on the entire landscape of music cannot be overstated. It's a record of incredible complexity, and Pohlad's dramatization of the creative process that led to it is fascinating. Love & Mercy is a wonderful humanization of mental illness and an immersive character study of a monumental figure.

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