La Dolce Vita [Blu-ray]

Overview

In this Federico Fellini film, Marcello Mastrioanni stars as Fellini's alter ego, here depicted as a gossip columnist. Having left his dreary provincial existence behind, Mastrioanni wanders through an ultra-modern, ultra-sophisticated, ultra-decadent Rome. Throughout his adventures, Mastrioanni's dreams, fantasies, nightmares, and fears are mirrored by the hedonism all around him.

Product Details

Release Date:	02/08/2022
UPC:	0032429353665
Original Release:	1960
Source:	Paramount
Presentation:	[Wide Screen]
Sound:	[Dolby AC-3 Surround Sound]
Language:	English
Time:	2:54:00
Sales rank:	10,657

Editorial Reviews

Legendary Italian filmmaker Federico Fellini’s La Dolce Vita not only ranks as a landmark of Italian cinema but stands as one of the essential films of the 20th century. It is also Fellini's most cohesive and straightforward film -- despite its episodic framework and multifarious cast of characters -- as well as the film that made Marcello Mastroianni an international star. He portrays a Rome-based gossip columnist who yearns to become a serious writer but can’t seem to give up the shallow, amoral lifestyle he has adopted. At the time of its original theatrical release, this 1960 drama shocked audiences worldwide with its casual depiction of a purposeless, decadent segment of Rome’s cosmopolitan populace. Viewers gasped when Mastroianni and bored, nymphomaniacal socialite Anouk Aimee picked up a prostitute for a ménage à trois; when the hostess (Nadia Gray) of a wild party kicked off an orgy by performing a striptease for her guests; and when a wealthy nobleman staged an evening of debauchery in the family’s stately castle. And, of course, there was that iconic scene in which a glamorous Hollywood film star (Anita Ekberg) waded into Trevi fountain, oblivious to the staring eyes of passers-by gathered around her. All the while, Mastroianni’s character seemed indifferent to the one woman who truly loved him (Yvonne Furneaux, in the best performance of a generally undistinguished career). This was pretty strong stuff back then, especially for American moviegoers unused to seeing such antics on the big screen. Forty-some years later, La Dolce Vita doesn’t seem quite so shocking, but Fellini’s representation of the worship of false, debased values by these pleasure seekers remains startlingly profound and affecting. Thematic relevance aside, his masterwork continues to enthrall cineastes for its perfectly contrived atmosphere, gloriously photographed images, evocative musical score, and pitch-perfect portrayals by a brilliant cast. “Classic” is a word used rather promiscuously these days, but it certainly describes this film to a T.