French Exit [Blu-ray]

Director: Azazel Jacobs Azazel Jacobs

Overview

Due to financial incapacity after her husband's death, aging socialite Frances (Michelle Pfeiffer) is forced to move out of her luxurious Manhattan apartment and into a small, empty flat in Paris with her son Malcolm (Lucas Hedges) and their pet cat. As they try to rebuild their lives, they meet a plethora of colorful characters: the lonely Mme. Reynard (Valerie Mahaffey), psychic Madeleine (Danielle Macdonald), and private detective Julius (Isaach De Bankol?). This movie, based on Patrick DeWitt's novel of the same name, is directed by Azazel Jacobs.

Product Details

Release Date:	06/15/2021
UPC:	0043396575318
Original Release:	2020
Rating:	R
Source:	ALLIED VAUGHN
Language:	English
Time:	1:50:00
Sales rank:	35,117

Cast & Crew

Performance Credits

Michelle Pfeiffer	Frances Price
Lucas Hedges	Malcolm Price
Valerie Mahaffey	Mme. Reynard
Susan Coyne	Joan
Imogen Poots	Susan
Danielle Macdonald	Madeleine the Medium
Isaach de Bankolé	Julius
Daniel Di Tomasso	Tom
Eddie Holland	Young Malcom Prince,Headmaster
Christine Lan	Sylvia
Robert Higden	Mr. Baker
Larry Day	Ralph Rudy
Christopher MacCabe	Daniel
Rebecca Gibian	Mr. Baker's Assistant
Laura Mitchell	Hostess
Christopher Hayes	Waiter on Ship
Tracy Letts	Franklin Prince(voice)
Julian Bailey	Beat Cop
Una Kay	Confetti-Throwing Woman on Ship
Bruce Dinsmore	Captain
Vlasta Vrana	Boris Maurus (Ship's Doctor)
Jean-Michel LeGal	Customs Agent
Benoit Mauffette	Rude French Waiter
Marc Raffray	Nice French Waiter

Technical Credits

Patrick DeWitt

Patrick DeWitt	Screenwriter,Executive Producer
Azazel Jacobs	Director,Executive Producer
Matt Aselton	Executive Producer,Producer
Ian Cooper	Executive Producer,Producer
Adrian Love	Executive Producer,Producer
Stuart Manashil	Executive Producer,Producer
Vincent Maraval	Executive Producer,Producer
Marc Marrie	Executive Producer,Producer
Laurie May	Executive Producer,Producer
Darrin Navarro	Executive Producer,Producer
Thorsten Schumacher	Executive Producer,Producer
Lars Sylvest	Executive Producer,Producer
Mel Ward	Executive Producer
Trish Dolman	Producer
Olivier Glaas	Producer
Christine Haebler	Producer
Katie Holly	Producer
Christina Piovesan	Producer
Noah Segal	Producer
Arnaud Derimay	Sound Mixer
Garret Farrell	Sound/Sound Designer

Scene Index

Introduction ix

My Half: Kind Candor xvi

Part I The Emotional Ingredients 1

Gratitude 3

Self-Awareness 11

Accountability 17

Optimism 23

Empathy 27

Kindness 33

Tenacity 39

Curiosity 45

Patience 51

Conviction 55

Humility 59

Ambition 65

Part II Real-Life Scenarios 69

Part III Exercises 175

Conclusion 191

The inspiration Behind This Book 195

Acknowledgments 197

Notes 199

Editorial Reviews

French Exit is an off-the-wall dark comedy film about a well-dressed New York socialite widow who appears wealthy but has actually gone broke. Desperate to survive, she runs off to France with her son and cat, and into a friend's apartment in Paris. However, she may end up proving that no matter where you go, you can't run from yourself. Frances Price (Michelle Pfeiffer) is a debonair woman in a very fancy fur coat. She busts her son Malcolm (Lucas Hedges) out of his boarding school and asks him what he would like to do - revealing her impulsive and reckless nature. Left in charge of the family fortune when her husband passed away, Frances has no ambition other than existing in a very fancy and expensive world of make believe among New York City's elite upper class. As time passes, Malcolm doesn't feel safe revealing that he's secretly engaged to his longtime girlfriend, while Frances tries to hide their financial struggles until it's way too late and they have absolutely nothing. But Frances's friend Joan (Susan Coyne) has an apartment in Paris that she's all too happy to share with them until they can get back on their feet. She's convinced they need to get out of New York to change their outlook. So along with the mysterious cat that may be hiding some secrets, Frances and Malcolm exit to France and begin to meet an assortment of unique people who live there. Sadly, they realize that even living in this new location, they're stuck in the same patterns that were stunting their growth back in New York. But when they meet a lonely, charming Madame Reynard (Valerie Mahaffey), Frances realizes that the people there may be able to break through her practiced, apathetic veneer after all. Director Azazel Jacobs (Momma's Man, Terri) shows a steady, competent hand at the emotions at work in the characters - even when they're veiled. His work with the leads is quite solid, and he brings a resonance to an otherwise unlikeable mother and son. However, the movie devolves at some point to a much larger cast of one-off characters who although interesting, don't help build anything larger than their singular moments. Writer Patrick DeWitt (The Sisters Brothers) has delivered an odd mishmash of ideas, which although the core concept behind them is strong, don't always match up. Based on his own book of the same name, French Exit could have been a cut and dry comedy, or drama, but ends up becoming a vaguely funny, somewhat dramatic, almost insightful and marginally bizarre blend of elements that don't always work in harmony with each other. Each of these elements is performed perfunctorily, and it could have benefitted from more purpose. While comedy is very subjective, there's a social brutality to French Exit that can be off-putting and mostly emits more smiles at understanding the joke than real belly laughs. Witty to a fault, the film oozes more cleverness than charm, especially with leads who are intentionally unlikeable for a significant portion of it. All that being said, it's still a fun watch if only to feel part of the elite societies in which the characters are so desperately trying to maintain their stay.

07/29/2019

Arnold’s debut is a lyrical but long-winded portrayal of a woman reckoning with the disappointments of her life. Ash passes her days swimming at a deserted lake with her seven-year-old daughter, Charlie. When she senses Charlie grow distant as she gets older, Ash commits an unforgivable act while trying to reconnect. This sets in motion the crumbling of Ash’s emotional world, revealing memories of an affair with her yoga instructor, a capricious bisexual woman, and a complicated relationship with her father. Ash slips into a depression that confines her to bed, forcing her husband into the arms of a family friend who comes by to care for Charlie. The narrator’s idiosyncratic, troubled personality is expressed through her obsessive interest in sounds and words. During her first date with her husband, she tells him that she collects words, stating that “finding the right word is like finding a pebble on a whole beach of pebbles.” Arnold uses language like a set of dominoes, connecting endings of sentences to beginnings with sounds and phrases to create an artful tumble of prose. However, the novel’s high style comes at the price of momentum, and it becomes opaque to the point of being inaccessible. With very little plot, Arnold’s novel asks questions of profound moral consequence that get lost in the fogginess of its narrator. (July)

Publishers Weekly

Any serious student of Reformed theology needs to sit at the feet of Petrus van Mastricht. The challenge has been that to do so you needed to know Latin or Dutch. Thanks to the herculean efforts of the folks at the Dutch Reformed Translation Society and Reformation Heritage Books, English readers can now learn the art of ‘living for God through Christ.’” —Stephen J. Nichols, president of Reformation Bible College and chief academic officer of Ligonier Ministries


“With each translation of the formative Reformed theologians of the sixteenth and seventeenth centuries comes the possibility of our churches being renewed by forgotten treasures. This is one of those gold mines. So important is van Mastricht that even Descartes felt obliged to respond to his critiques and Jonathan Edwards drew deeply from the well of his Theoretical-Practical Theology. It is a distinct pleasure to recommend this remarkable gem.” —Michael Horton, J. Gresham Machen Professor of Systematic Theology and Apologetics, Westminster Seminary California


“The very title of this work, Theoretical-Practical Theology, indicates why, three centuries ago, Petrus van Mastricht’s work appealed to Scottish ministers who studied under him or read his theology. Not least of these was his student James Hog, who would later famously republish The Marrow of Modern Divinity. In making van Mastricht’s classic available in English for a new generation of students, pastors, and scholars, the Dutch Reformed Translation Society and Reformation Heritage Books are giving a great gift to the Christian church as a whole, and to students, pastors, and scholars in particular.” —Sinclair B. Ferguson, Chancellor’s Professor of Systematic Theology, Reformed Theological Seminary; and teaching fellow, Ligonier Ministries

From the Publisher