Dying Room Only

Director: Philip Leacock Philip Leacock

Overview

Married couple Jean (Cloris Leachman) and Jim Mitchell (Ross Martin) stop at a rundown roadside eatery. When time comes to leave, Jean is ready, but Jim isn't. In fact, Jim is nowhere to be found. Jean's anguished efforts to locate her husband are mysteriously blocked by the hulking restaurant proprietor (Ned Beatty). This variation on the old radio play "Cabin 13" was written by Richard Matheson. The made-for-TV Dying Room Only debuted September 18, 1973.

Product Details

Release Date:	01/19/2010
UPC:	0883316212714
Original Release:	1973
Rating:	NR
Source:	Warner Archives
Presentation:	[Full Frame]
Sound:	[Dolby Digital Mono]
Language:	English
Time:	1:14:00
Sales rank:	45,295

Cast & Crew

Performance Credits

Cloris Leachman	Jean Mitchell
Ross Martin	Jim Cutler
Ned Beatty	Thomas King
Louise Latham	Vi
Dana Elcar	Actor
Dabney Coleman	Bob Mitchell
Ron Feinberg	Lous
Charles Fox	Composer

Technical Credits

Richard Matheson

Philip Leacock	Director
Richard Matheson	Screenwriter
Allen Epstein	Producer

Editorial Reviews

This taut little suspense film is a great example of the kind of memorable made-for-television filmmaking that was frequently seen on American networks during the early 1970's. Like any good suspense outing, Dying Room Only builds its foundation on a clever, tightly-plotted script: Richard Matheson's narrative starts with a great hook -- the idea of someone disappearing in plain sight, in the space of a minute -- then continues to pile on clever twists and reversals of expectations at every turn. The acting is also quite impressive: Cloris Leachman is both sympathetic and believable as the unlikely heroine while Ned Beatty has a lot of fun playing a sleazy, menacing townie who takes perverse delight in rattling Leachman's nerves. There is also fine work from Dabney Coleman, who delivers an amusingly (and convincingly) cranky turn as the soon-to-disappear husband, and Dana Elcar, who does subtle and efficient work as the likeable yet skeptical sheriff. Finally, Philip Leacock's direction does an effective job of ratcheting up the story's tension, building it steadily and achieving a surprising-for-t.v. intensity in the story's final stages. In short, Dying Room Only is a genuine white-knuckler of a suspense film and all the more impressive for achieving its effects purely through skillful storytelling and sharp performances.

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