Cross My Heart

Director: Armyan Bernstein Armyan Bernstein

Overview

Martin Short and Annette O'Toole star in this comedy documenting a date from hell. Short is David, a sunglasses salesman, who makes a date with Kathy (Annette O'Toole) in order to celebrate his new promotion. David and Kathy have gone out a few times before, but they both think that this is the date that will put both of them over the top, convinced that they have finally found the right person. With anxiety in their hearts, they both prepare anxiously for the date. But there is trouble on the horizon. Before heading out on the date, David discovers that instead of getting a promotion, he has been fired. Afraid that Kathy will think that he is loser, he doesn't tell her that he lost his job. He has also borrowed the car and the apartment of his friend Bruce (Paul Reiser) for the date, permitting her to think that they all belong to him. But Kathy hasn't been entirely truthful to David either. For example, she has conveniently forgotten to tell him about the existence of her seven-year-old daughter.

Product Details

Release Date:	08/03/2010
UPC:	0025192619229
Original Release:	1987
Rating:	R
Source:	Universal Studios
Region Code:	1
Presentation:	[Wide Screen]
Sound:	[Dolby Digital Stereo]
Language:	English
Time:	1:31:00
Sales rank:	48,026

Cast & Crew

Performance Credits

Martin Short	David Morgan
Annette O'Toole	Kathy
Paul Reiser	Bruce Gaynor
Joanna Kerns	Nancy
Jessica Puscas	Jessica
Lee Arenberg	Parking Attendant
Corinne Bohrer	Susan
Jason Stuart	Waiter
Shelley Taylor Morgan	Woman in Restaurant
Michael Simms	Stud
Eric Poppick	Maitre d'
Lori Hall	Woman Outside Restaurant
Mary Gillis	Cashier
Patty Regan	Waitress
Marti Muller	Girl in Car
David Nail	Convenience Store Clerk

Technical Credits

Armyan Bernstein	Director
Alan Greisman	Executive Producer
Lawrence Kasdan	Producer
Aaron Spelling	Executive Producer
George Zamora	Special Effects

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Disc #1 -- Cross My Heart

Editorial Reviews

The trials and travails of a third date are explored in this modern, glossy romantic comedy. Two thirtysomethings, Martin Short's David and Annette O'Toole's Kathy, find themselves unable to be honest and up-front with each other during a romantic evening together, which sets the pair up for a series of outrageous gaffes and threatens to erupt into a full-scale disaster as the two try to counter lingering fears and self-doubts. Arriving on the heels of Short's blockbuster hit Innerspace, and marking O'Toole's first big-screen appearance since 1983's awful Superman III, Cross My Heart received little adulation or notice upon arrival in cinemas circa November 1987 but has since garnered a deserved reputation among a handful of viewers as one of the warmest and most charming and intelligent date movies of the late '80s. With its lilting, rhapsodic saxophone score, period decor and clothes, and a cast featuring neat supporting comic turns by two key players of late '80s prime-time sitcoms (Paul Reiser of My Two Dads and Joanna Kerns of Growing Pains), the film immediately makes one nostalgic for the era that produced it. Yet a universally relatable central dilemma and sparkling, occasionally hilarious dialogue and set pieces help the film transcend period -- such as the moment when Short and O'Toole accidentally destroy Reiser's multi-thousand-dollar model airplanes, and the scene in which the pair search for "lost underwear" in Reiser's yard, but soon find themselves held at gunpoint by a suspicious neighbor. The picture also incorporates a funny in-joke referencing O'Toole's aforementioned appearance as Lana Lang in the Superman film. On a broader level, director and co-writer Armyan Bernstein fully mines the comic potential of Short and O'Toole, two underrated American actors with a significant degree of romantic chemistry between them. Bernstein also tries something stylistically unusual and interesting by limiting the majority of the film to a single location -- the "borrowed apartment" where Short takes O'Toole after a less-than-perfect evening out, making constant (and not completely irreciprocal) attempts to coax her into bed. The director should be lauded for his refusal to cut or fade out during an extended love scene between the two leads -- he keeps everything onscreen, which perfectly sets the film up for the fleeting feelings of emotional betrayal and minor crisis of conscience between the Short and O'Toole characters, in the picture's final act. These choices do not quite rescue Cross My Heart from the central criticism it received from some American reviewers -- that Short's final deceits are a bit severe for the material that precedes it; indeed, the film is slightly flawed for that reason. And it will certainly never be mistaken for realism -- the scenes and dialogue are too clever, the ending too polished, and the film too formulaic for that -- but these calculations are also what lend the film its subtle charm. And, as a "bad date" movie, it earns its status as a paragon of that subgenre via sheer inventiveness and bravura, but does so with a gentle and easy touch.

All Movie Guide - Nathan Southern