Blue Valentine

Director: Derek Cianfrance Derek Cianfrance

Overview

A relationship is charted from its promising beginning to its sad collapse in this independent drama from Derek Cianfrance. Dean (Ryan Gosling) meets Cindy (Michelle Williams) when they're in their late teens; he's working for a moving company, she's a college student visiting her elderly grandmother at a home for the elderly. Cindy is dating Bobby (Mike Vogel), her boyfriend from high school, but as she gets to know Dean better, a mutual attraction grows between them. Years later, Dean and Cindy are married and have a daughter, Frankie (Faith Wladyka), but they're clearly not as happy as they once were; Dean loves his daughter but feels distant from his wife, they have to look after an elderly relative (John Doman), and when Cindy bumps into Bobby while running errands, it's clear he still holds a grudge against her. Dean and Cindy go away for a weekend together at a hotel, but it doesn't take long for them to realize that the magic isn't coming back. Blue Valentine received its world premiere at the 2010 Sundance Film Festival.

Product Details

Release Date:	05/10/2011
UPC:	0013132317892
Original Release:	2010
Rating:	R
Source:	LIONSGATE - 600000-AEC LGE
Region Code:	1
Presentation:	[Wide Screen]
Sound:	[Dolby Digital 5.1 Surround]
Language:	English
Time:	1:52:00
Sales rank:	2,311

Special Features

Audio commentary with director Derek Cianfrance and co-editor Jim Helton ; The making of Blue Valentine ; Deleted scenes ; Home movies

Cast & Crew

Performance Credits

Ryan Gosling	Dean
Michelle Williams	Cindy
Faith Wladyka	Frankie
John Doman	Jerry
Mike Vogel	Bobby
Marshall Johnson	Marshall
Jen Jones	Gramma
James Benatti	Jamie
Barbara Troy	Jo
Carey Westbrook	Charley
Ben Shenkman	Dr. Feinberg
Eileen Rosen	Mimi
Enid Graham	Professor
Ashley Gurnari	Checker
Jack Parshutich	Billy
Samii Ryan	Amanda
Mark Benginia	Concierge
Timothy Liveright	Doctor
Tamara Torres	Maria
Robert Russell	Justice of the Peace
Michelle Nagy	Music Teacher
Felicia Reid	Nurse
Mel Jurdem	Old Man
Alan Malkin	Cab Driver
Derik Belanger	Tony
Isabella Frigoletto	Child #1
Madison Ledergerber	Child #2
Jaimie Jensen	Pregnant Woman
Maryann Plunkett	Glenda
Joseph Basile	Actor

Technical Credits

Derek Cianfrance

Joey Curtis

Cami Delavigne

Derek Cianfrance	Director,Screenwriter
Joey Curtis	Screenwriter
Cami Delavigne	Screenwriter
Jamie Patricof	Producer
Lynette Howell	Producer
Alex Orlovsky	Producer
Doug Dey	Executive Producer,Producer
Jack Lechner	Executive Producer,Producer
Scott Osman	Executive Producer,Producer
Ryan Gosling	Executive Producer
Michelle Williams	Executive Producer
Cindy Tolan	Casting
John Doman	Casting
Mike Vogel	Casting
Ben Shenkman	Casting
Jen Jones	Casting
Mary Ann Plunkett	Casting
Tony Osso	Script Supervisor
Oliver Cary	Camera Operator
Mike Mervilde	Key Grip
Damian Elias Canelos	Sound Mixer,Sound Effects,Sound Mixer
Manny Siverio	Stunts
Blaise Corrigan	Stunts
Dan Flosdorf	Sound/Sound Designer
Lynette Howell Taylor	Producer
Cassian Elwes	Producer
Carrie Fix	Producer
Rena Ronson	Producer
Evan Benjamin	Sound Effects
Andrij Parekh	Director

Editorial Reviews

As Tolstoy famously began Anna Karenina, "All happy families are alike; each unhappy family is unhappy in its own way." Director Derek Cianfrance's drama Blue Valentine probes the death throes of a marriage that's become so singularly and uniquely unhappy that it will unsettle viewers with its frankness. The film jumps back and forth in time during the relationship of Dean (Ryan Gosling) and Cindy (Michelle Williams), who meet, fall in love, sacrifice for each other, and eventually become toxic for and to each other. A large chunk of the film's action takes place in "The Future Room," an outer-space-themed hotel room the two visit -- at Dean's insistence -- in the hopes of rekindling their dying love with the help of copious amounts of booze, and privacy from their elementary-school-age daughter. This trip is intercut with moments from earlier in their lives -- like when they first met at the retirement home where Cindy's grandmother lived, and when Dean's goofy impulses were amusing to Cindy. As their date night comes to a close, the duo returns to regular life and eventually accepts some hard truths. Movies about crumbling marriages offer actors more chances to show off the range of their talents than almost any other kind of story, and that certainly holds true for Blue Valentine. Fortunately, Cianfrance casted a pair of gifted young performers as his leads. Williams and Gosling are superb here, and if forced to give one an edge over the other, it's Williams by the slimmest of margins. This comes down to the fact that Cindy has a more complex backstory; we see how bad the relationship she was in just before meeting Dean was, and gain a clear understanding of the emotional issues that keep her unsettled. Williams makes sure Cindy's sadness remains at the forefront of the character's outlook on life -- her happiness during the early times with Dean is a brief moment she doesn't know how to sustain. For his part, Gosling possesses a particular kind of fearlessness that's welcome in any actor, and particularly rare for one his age -- he's absolutely uninterested in being sympathetic. When we learn the dark secret at the center of Cindy and Dean's marriage -- the fact that not only allowed them to stay together, but arguably doomed them -- our opinion of his character shifts dramatically. Everything about Dean that both we and Cindy found annoying suddenly appears in a different light; his occasionally callous immaturity is a direct response to the pain he feels at her inability to return his innate selflessness. If it were structured a little tighter, Blue Valentine would hit with the force of Greek tragedy, but Cianfrance strives for a more loose, John Cassavetes-inspired feeling with each of the scenes that makes every conversation an unadorned exploration of often painful feelings -- he's not as interested in building tension as he is in getting the truth of every moment. In lesser hands, that approach would turn this material into little more than an acting exercise -- and there are moments where the film does indulge the actors a little too long. But these are minor quibbles, as Cianfrance's script, his direction, and his flawless casting make Dean and Cindy remarkably specific people. He drills so deep into their emotional cores that anybody who has ever been in a long-term relationship -- successful or not -- will recognize aspects of themselves in these two star-crossed lovers.