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BlacKkKlansman

DVD (Color)

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Overview

Director Spike Lee's dramedy was produced by the team behind Get Out and offers another provocative exploration of American race relations. In the midst of the 1970s civil rights movement, Ron Stallworth (John David Washington) becomes the first black detective on the Colorado Springs Police Department. He sets out to prove his worth by infiltrating the local chapter of the Ku Klux Klan and convinces his Jewish colleague (Adam Driver) to go undercover as a white supremacist. ~ Augustine Chay

Product Details

Release Date:	11/06/2018
UPC:	0191329071663
Original Release:	2018
Rating:	R
Source:	Universal Studios
Region Code:	1
Presentation:	[Color]
Sound:	[Dolby Digital Stereo, Dolby Digital 5.1 Surround]
Time:	2:15:00
Sales rank:	14,880

Special Features

Ron Stallworth, Jordan Peele, and the cast discuss working with the iconic Director; BlacKkKlansman Extended Trailer; Featuring Prince's "Mary Don't You Weep"

Cast & Crew

Performance Credits

John David Washington	Ron Stallworth
Adam Driver	Flip Zimmerman
Laura Harrier	Patrice Dumas
Topher Grace	David Duke
Jasper Paakkonen	Felix
Ryan Eggold	Walter Breachway
Corey Hawkins	Kwame Ture
Paul Walter Hauser	Ivanhoe
Ashlie Atkinson	Connie
Alec Baldwin	Beauregard,Narrator
Harry Belafonte	Jerome Turner
Isiah Whitlock	Mr. Turrentine
Robert John Burke	Chief Bridges
Brian Tarantina	Officer Clay Mulaney
Arthur Nascarella	Officer Wheaton
Ken Garito	Sergeant Trapp
Frederick Weller	Master Patrolman Andy Landers
Michael Buscemi	Jimmy Creek
Damaris Lewis	Odetta

Technical Credits

Spike Lee	Director,Producer,Screenwriter
Curt Beech	Production Designer
Terence Blanchard	Score Composer
Jason Blum	Producer
Barry Alexander Brown	Editor
Marcei Brown	Producer
Matthew A. Cherry	Executive Producer
Kim Coleman	Casting
Edward H. Hamm	Executive Producer
Chayse Irvin	Cinematographer
Drew Kunin	Sound Mixer
Ray Mansfield	Producer
Sean McKittrick	Producer
Marci Mudd	Art Director
Janine JP Parrella	Makeup
Jordan Peele	Producer
David Rabinowitz	Co-producer,Screenwriter
Shaun Redick	Producer
Marci Rodgers	Costumes/Costume Designer
Win Rosenfeld	Executive Producer
Yasmina Smith-Tyson	Makeup
Jeanette Volturno	Executive Producer
Charlie Wachtel	Co-producer,Screenwriter
Kevin Willmott	Screenwriter

Scene Index

Disc #1 -- BlacKkKlansman
1. Chapter 1 [4:10]
2. Chapter 2 [9:44]
3. Chapter 3 [9:21]
4. Chapter 4 [4:39]
5. Chapter 5 [8:13]
6. Chapter 6 [7:10]
7. Chapter 7 [5:08]
8. Chapter 8 [6:27]
9. Chapter 9 [4:49]
10. Chapter 10 [7:15]
11. Chapter 11 [2:11]
12. Chapter 12 [7:20]
13. Chapter 13 [5:42]
14. Chapter 14 [7:17]
15. Chapter 15 [9:31]
16. Chapter 16 [9:15]
17. Chapter 17 [7:38]
18. Chapter 18 [4:38]
19. Chapter 19 [3:13]
20. Chapter 20 [5:05]
21. Chapter 21 [5:45]

Editorial Reviews

If there was ever a movie to speak candidly to modern interracial relations, it's Spike Lee's painfully hilarious film BlacKkKlansman. Lee, who is critically acclaimed for films like Malcolm X and Do the Right Thing uses his brand of filmmaking and racial commentary to tell the unbelievable but true story of a black Colorado cop who manages to make his way into the Ku Klux Klan in the 1970's. BlacKkKlansman. Get it? What ensues is a story that feels achingly close to real-life. In one of the first scenes, Ron Stallworth (John David Washington) is assigned to monitor a speech given by former Black Panther member Kwame Ture (Corey Hawkins) at a local college. Impassionately, Ture states that African Americans are "being shot down like dogs by white cops." Taken out of the context, someone could easily think this was recently said at a local rally. Lee, with his crude humor and pointed message, makes viewers ask themselves: Should we laugh or cry in the face of this movie? Lee wants to make you feel uncomfortable, and he succeeds. Stallworth finds himself frustrated by his mundane workload at the local police station when he sees an ad for the KKK stating that they are "recruiting" - white people, that is. Amusingly, Stallworth grabs the phone, puts on his 'white person voice,' and spurts out his best racist banter, convincing the local Klan leader Walter Breachway (Ryan Eggold) to meet in person. But, there is just one little problem there, as you can probably imagine: Stallworth is African American. To solve this, Stallworth recruits his colleague Flip Zimmerman (Adam Driver) to go undercover pretending to be Stallworth, join the klan, and find out about any of their potentially violent activities. An irony here is that Zimmerman's character is also Jewish, meaning he would theortically be a target of the KKK as well if he wasn't going undercover. Hilarity mixed with sober realities play out simultaneously through tense encounters as a result of this. Strangely, one of the funniest parts of the film is the friendship that Stallworth and the KKK's famed leader David Duke (Topher Grace) develop over the phone. Stallworth does not hold back with his convincing racial slurs and banter, and Duke's witless agreements make you inevitably burst out into laughter. That is until you remember that there are other similar, more powerful leaders out there responding similarly in the real world. The power in the film lies in the parts that almost feel like caricatures of our realities. Topher Grace's David Duke seems too extreme, too hilariously vile in his thought process…until you take a moment to YouTube any of his speeches and realize that this is real. There's also the beautiful and passionate Patrice Dumas (Laura Harrier), who befriends Stallworth not knowing he is a cop, all the while referring to the police as "pigs." The juxtaposition of scenes like when Klan members are yelling "white power!" while a group of African Americans yells "black power!" almost feels like overkill. That is until audiences get to the last few minutes of the film to see interpolated scenes from the white nationalist march in Charlottesville, VA in 2017, and several scenes of Donald Trump's rallies, to drive the point home. With that juxtaposition, Lee emphasizes: yes, this is meant to be entertaining but this is also meant to make you open your eyes. If this film doesn't make you want to go out and do something, then perhaps nothing will.

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