Black and Blue [Includes Digital Copy] [Blu-ray]

Director: Deon Taylor Deon Taylor

Overview

"Alicia (Naomie Harris), a cop fresh out of the academy, unwittingly records the death of a young narcotics dealer using her body camera. Reviewing the footage, Alicia realizes that the young man's death was a deliberate attack by corrupt officers. She offers a deal to the most unlikely person in her community, Milo 'Mouse' Jackson (Tyrese Gibson), to outwit both the thugs on a vengeful warpath and her fellow officers looking to hide the truth. Directed by Deon Taylor. "

Product Details

Release Date:	01/21/2020
UPC:	0043396557819
Original Release:	2019
Rating:	R
Source:	SONY PICTURES HOME ENTERTAINMT
Region Code:	A
Sound:	[Dolby Digital 5.1 Surround]
Language:	English
Time:	1:48:00
Sales rank:	22,598

Special Features

Line of Fire; Be the Change in The Big Easy; Deleted Scenes

Cast & Crew

Performance Credits

Naomie Harris	Alicia West
Frank Grillo	Terry Malone
Mike Colter	Darius
Tyrese Gibson	Milo 'Mouse' Jackson
Reid Scott	Kevin
Nafessa Williams	Missy,Guard
Kenneth Kynt Bryan	Police Officers Friend
Michael Papajohn	SRT Leader
Deneen Tyler	Captain Regina Hackett
James Moses Black	Officer Deacon Brown
Nelson Bonilla	Officer Doyle
Mike Whaley	Police Officer
Beau Knapp	Smitty
Oscar Gale	Gas Station Owner
Rebecca Chulew	Police Officer
Sam Malone	Tattooed Homie
Lucy Golden	Detective #1
Anthony Michael Frederick	Officer #1
Troy Faruk	Buick Homie #2
Tim Bell	Brody
Frankie Smith	Tez
Tony Janning	Partner
John Charles II	Zero
Kurt Deville	Apartment Homie 3
Tonya Maldonado	Bar patron
Michelle L. Clarke	Police Officer
Craig Leydecker	Shift Sergeant
Tim Rosipko	Paramedic
Scott Reid	Kevin
Joseph Singletary	Himself
Geoff Zanelli	Composer
Vermyttya Erahn	Kingston's Lady

Technical Credits

Peter A. Dowling

Deon Taylor	Director
Roxanne Avent	Executive Producer,Producer
Sean Sorensen	Producer
Peter A. Dowling	Screenwriter
Joshua Throne	Executive Producer,Producer
Glenn S. Gainor	Producer

Editorial Reviews

For Black and Blue, director Deon Taylor (Supremacy) teams up with screenwriter Peter A. Dowling (Reasonable Doubt) to provide a gritty, although sometimes unoriginal, tale of corruption in post-Katrina New Orleans. Afghanistan war veteran Alicia West (Naomie Harris) is a rookie cop who is new to the 5th precinct, assigned to the desperate and drug-filled 9th Ward in New Orleans. After just three months on the job, she takes her first night shift so her partner can have an evening with his wife. Alicia is quickly plunged into the ugly side of police business in New Orleans, and a routine call with her temporary partner, Deacon Brown (James Moses Black), ends with her witnessing dirty cops killing suspects. To make matters worse, she gets the murder on body cam, and now she must try to survive in an area where cops are at best distrusted, and her brothers in blue will desperately go to any lengths to get that body camera. The story is sometimes original and at other times, particularly early in the script, a dull repeat of earlier films with similar themes. It is the location that sets this film apart, including the use of some true history of the area to drive the tale. Once into the meat of the film the script strengthens and churns along at a pace that is easy to enjoy. Many of the actors perform well, particularly Naomie Harris in the lead, but there is a consistent lack of anything resembling a local dialect. Many viewers will overlook this but it will stand out prominently for anyone who knows the region. Tyrese Gibson as Mouse gives an excellent performance as a man reluctantly drawn into a mess he would rather just stay out of, while Frank Grillo's Malone is adequately menacing, if not three-dimensional. A few of the more minor police characters also overplay the 'bad cop' role making them at times seem almost cartoonish, but overall the viewer does get a sense of police corruption and the 'blue wall' trying to cover it up. The settings do much to add to the story, showing the depressing conditions in that often-neglected part of the Big Easy, as well as how run-down portions of the West Bank location of Algiers remain. It adds realism to a film diluted by the poor imitations of the local dialect. The cinematography excels here, showing the reality of the streets, homes, businesses, and alleyways. Excellent use is made of both sound and soundtrack to enhance the feel of the film. Distant background noises seem natural, moving the viewer into the world that has been created. Most of the songs are organically placed as something being listened to rather than just playing over the action, which also adds authenticity to the film. Black and Blue is an enjoyable film that plays out in a very similar manner to other stories about a cop or individual that sees something they shouldn't. The setting is a fun variation from the streets of New York or Chicago, adding a little extra entertainment value to make the repeated theme less dull. As long as attendees don't go expecting something they haven't seen before, they will probably leave without feeling bruised.