American Pimp

Director: Albert Hughes, Allen Hughes Albert Hughes, Allen Hughes,

Overview

Albert and Allen Hughes, the writing and directing team of Menace II Society and Dead Presidents, turn their documentary eye to the world of street pimps in this 1999 Sundance Film Festival Documentary Competition entry. The black urban pimps interviewed here open up to reveal their world and their secrets to the camera in a film that is not about sex, but about power. We meet pimps named Filmore Slim, C-Note, K-Red, Gorgeous Dre, and Rosebudd as they discuss their business, including percentages, lifestyles, stealing "ho's," and the Player's Ball. These men exude charm and charisma, and boast rock-star status in their communities, with expensive clothes, cars, and bankrolls. The film works as an allegory to the film and music industries, where people are lured with glamour and money, only to be used as commodity and tossed out once they have passed their prime. The film also traces the history of the street pimp from the '20s to the present, with particular emphasis on the '70s pimp, whose lifestyle was exposed in the blaxploitation films of the '70s.

Product Details

Release Date:	03/15/2022
UPC:	0850035985090
Original Release:	1999
Rating:	R
Source:	Sandpiper Pictures
Region Code:	1
Time:	1:28:00
Sales rank:	16,518

Cast & Crew

Performance Credits

Danny Brown

Actor

Technical Credits

Albert Hughes	Director,Camera Operator,Cinematographer,Producer
Allen Hughes	Director,Producer,Sound/Sound Designer
Sean Carasov	Musical Direction/Supervision
Spencer Franklin	Co-producer
Kevin J. Messick	Producer
Doug Ray	Editor

Editorial Reviews

"Priests need nuns. Doctors need nurses. Ho's need pimps," explains one of the loquacious subjects of this mesmerizing and often disturbing documentary. Directed by the Hughes brothers, Albert and Allen (Menace II Society, Dead Presidents), American Pimp explores the history of the pimp archetype. The Hughes, who traveled to 15 cities and worked without a crew while conducting interviews with 30 pimps, weave together archival footage and clips from Blaxploitation films, as well as the occasional comment from a prostitute. But for the most part, the film simply allows these remarkably charismatic men -- with colorful names like Fillmore Slim, Charm, Gorgeous Dre, and Bishop Don Magic Juan -- to speak for themselves. And speak they do. America Pimp makes it clear that, above and beyond the gold chains, diamond rings, and "snakeskin down to the floor," these pimps have a way with words: they're all fast-talking, articulate, witty, and simply riveting as they explain the science and art of their trade.

Barnes & Noble - Gregory Baird

In this era of hip-hop ubiquity and voracious recycling of the past, blaxploitation chic has so permeated music, TV, films, and fashion that pimp mythology is sometimes difficult to put aside. In their first documentary foray, however, Menace II Society filmmakers Albert Hughes and Allen Hughes use this pop-culture lens as a point of departure, contrasting their outrageous collection of interview subjects with historical footage and Hollywood clips. The result is a film as disturbing and thought-provoking as it is humorous and wildly entertaining. Like many documentaries about controversial topics, American Pimp walks a fine line between presenting its subjects unflinchingly and glorifying their sometimes despicable actions and beliefs. In fact, given the self-aggrandizing fashions and mannerisms adopted by both the media's imagined, archetypal pimps and their real-life counterparts, it would be difficult to make a film about the subject that couldn't be accused of promoting the lifestyle. Yet the contradictions in the pimps' own stories provide a subtle layer of subtext, lacing the men's breezy narratives of money, power, and respect with an undercurrent of self-delusion and at least a modicum of gender equity. One pimp ends up in prison; another marries his final whore and becomes a suburban telemarketing manager. The notion that pimping is just a mirror image of American capitalism is carried out in the men's hunger for money and their constant allusions to "the game." Some of the film's plentiful laughs are the result of ironic cross-cutting, but most come from the "I can't believe he just said that" school. When one pimp, discussing his code of ethics, declares proudly that he's never stolen anything "but a bitch's mind," the line is as likely to provoke disgust as it is laughter. Unfortunately, though, actual women are in short supply in American Pimp, and interviews with prostitutes few and far between. For a movie that raises such interesting questions about representations of black men in the American media, the film could have used a few more conversations with real-life women. As is, however, American Pimp sheds light on an aspect of our culture so pervasive yet hidden that it's worth seeing just for the chance to hear these men speak out. As with most documentaries, the film itself is only the beginning of the conversation.

All Movie Guide - Brian J. Dillard