Table of Contents
List of Illustrations
Acknowledgments
Abbreviations
Ch. 1 Introduction 3
Radical Perspectives 7
The Aesthetic Dimension 16
Ch. 2 Saint-Simon and the Promotion of a Social Aesthetic 31
Science, Progress, and the Intellectual 32
Art, Sentiment, and the Promotion of Industry 38
Art as Social Exhortation 44
Ch. 3 From Positivism to Sentiment: The Aesthetics of Saint-Simonianism 54
The Reassertion of Positivism: Le Producteur 57
Prosper Enfantin and the Rehabilitation of Sentiment 59
Historical Theory and the Social History of Art 66
Assessments of Contemporary Production 71
Toward a New Conception of Form 74
Ch. 4 Theory into Practice: The Frustration of Saint-Simonian Aesthetics 89
The Saint-Simonian Constituency 90
Marginality and Mal du siecle 92
From Menilmontant to Cairo 104
Why Were There No Great Saint-Simonian Artists? 116
Ch. 5 Sentiment and Faith: Philippe Buchez and His Circle 123
The Primacy of Faith 124
History of Faith and History of Art 131
History as Synthesis and Prevision 140
"Sentiment," "Education," and "Art" 148
Ch. 6 Pierre Leroux and the Aesthetics of Humanite 165
Psychological Theory and the Status of the Artist 167
Nature, Art, and the Symbol 177
Pierre Leroux and Theophile Thore 181
Ch. 7 The Beauty of Happiness: Art Social and Fourierist Criticism 188
Harmony, Beauty, and Happiness 191
Prophecy, Luxury, and Nature 198
Reception and the Meaning of Form 210
Line, Color, and the Principles of Harmony 222
The Failings of Art and the Task of the Critic 231
Critical Positions and Artistic Production: Problems of Practice 241
Ch. 8 Vision and Virtue: The Aesthetics of Republicanism 267
The Necessity of Virtue 268
The Moralization of Nature 280
Antiacademicism and the Politics of Truth 289
Meaning and Modernity 302
Ch. 9 Conclusion 315
Class and the Snare of Culture 315
From Social Art to Socialist Realism 333
Bibliography 347
Index 377