Dreadful Sorry: Essays on an American Nostalgia

Dreadful Sorry: Essays on an American Nostalgia

by Jennifer Niesslein
Dreadful Sorry: Essays on an American Nostalgia

Dreadful Sorry: Essays on an American Nostalgia

by Jennifer Niesslein

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Overview

Candid essays on personal and cultural American nostalgia, focusing on the author’s working-class, Rust Belt family history.

What does it mean to be nostalgic for the American past? The feeling has been co-opted by the far right (“Make America Great Again,” after all, is a plea for the past), and associated with violent periods of our country’s history when white supremacy was even more dominant than today. Can a liberal white woman still be sentimental about her childhood, her European immigrant family history, her working-class upbringing?

In Dreadful Sorry, Jennifer Niesslein explores her “nostalgia problem” with grace and curiosity. The essays recount her thoughts upon rewatching Little Women with her sisters and mother, her hand-to-mouth childhood, the effect being “not the right kind of white” had on her Polish immigrant ancestors in the U.S, and her family’s own racism. Niesslein weaves together personal and structural questions of class, whiteness, history, and family with humor and charisma.

A book for anyone who wants to think about their relationship to their childhood, family history, and place.

Product Details

ISBN-13: 9781953368300
Publisher: Arcadia Publishing SC
Publication date: 05/01/2024
Sold by: Barnes & Noble
Format: eBook
Pages: 103
File size: 3 MB

About the Author

Jennifer Niesslein is the editor of Full Grown People as well as the editor of two Full Grown People anthologies. She wrote one memoir, Practically Perfect in Every Way (Putnam, 2007), and co-founded Brain, Child ma

Read an Excerpt

“That’s where they found her body.”

I nose the rented minivan onto the side of the narrow road, and Gram and I get out. It’s a lovely little grassy patch that slopes down to a sun-dappled creek. Or crick, as we call it.

“She had one arm raised above her head,” Gram says, “like someone dragged her there.”

When I think of western Pennsylvania fondly, it’s summer that I’m remembering: the greens of the trees and grass, the bursts of neon yellow from lightning bugs, the red tomatoes from the garden up on the windowsill. But Pennsylvania in the winter is, frankly, depressing—the grim black-and-white tableau—with the black mountains, the stark white snow, the clumps of gray frozen along the turnpike. It’s a place where the coal mines have made their mark, and slate piles still stand.

When she died on January 22, 1932, it was cold and the forecast had called for rain. It’s likely her body was found soaked, her long skirts muddied and maybe bloodied. I imagine the creek’s waters rising toward that arm.

She’s my Gram’s grandmother, my great-great-grandmother. Growing up, I only knew three things about her: The legend was that her husband, a coal-miner like so many Polish immigrants, was in “frail health,” and as a result, she took up bootlegging—and was successful enough at it to own three houses. Her fourth child, her youngest, was rumored to be of mixed race. And she was murdered.

How could I resist mythologizing her? On these barest of bones, I pressed on flesh that reflected the fantasy of who I’d be if my back were to the wall. A badass! A proto- feminist! An outlaw! A woman who landed on her feet when times got tough! Myths, of course, always represent the imagination of the mythmaker. I didn’t even know her first name or what she looked like, but I was eager to find a woman in my lineage who didn’t play by the rules.

Mom told me that Gram didn’t like to talk about her, so when I was a kid, I didn’t dare broach the subject. She was a warm grandmother and doted on us, asking my sisters and me to sing songs on their breezy porch, teaching us Scrabble and Boggle, and rewarding us with small gifts. But there were unspoken rules to be followed, enforced by the time-honored code of passive aggression. We—especially as girls—were to appear “neat” (a massive compliment in Gram’s eyes), not bicker, attend church regularly, and excel in school. Gram didn’t smoke or drink or swear. The most outrageous thing she did on a regular basis was to wiggle out of her bra while driving, twirl it on her index finger, then fling it onto the back seat of her Cadillac. 

Sometime in my twenties, Gram and I became friends. She’d loosened up by then; she’d occasionally have a glass of pink wine when her son-in-law encouraged her, and she let my boyfriend and me sleep in the same bed when we visited. When I became a mother, we grew closer, swapping tales of motherhood, then and now. (If only for the accessibility of washing machines, now is better.) In recalling the hard times, Gram reverts to the second person.

In my thirties, I felt close enough to Gram to ask directly about her grandmother. What happened? We talked, and over the course of several years, I pieced together the memories and legends with possibly the only person alive who actually knew her.

I told Gram I’d do some research. “Be careful,” she warned me. “There are some people in the family you don’t want to talk to.”

This was code. Not every relative had become respectable.



Table of Contents

Introduction

Before We Were Good White

Respect

New Galilee

The Center of Anything

So Happy Together

Hospitality

Little Women

Dreadful Sorry

Mighty White of Me 

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