This is a well-handled and tautly told story, and Robert's devolution into his darkest self is rich all on its own. But the real underbelly here is the past that has haunted Suzy her whole lifea past rooted deeply in Communist Vietnam, which takes her first husband and home and, after the fall of Saigon, leaves her heart further ravaged by the difficult crossing of an unforgiving sea to a refugee camp in Malaysia. When she finally comes to America, she is unable to shake this past, these ghosts and this difficulty…The novel is uncompromising in its confrontations with the dark sides of all of its characters, but Tran treats them with a hard-won dignity, and in this way elevates the narrative away from the sentimental…Dragonfish is a strong first novel for its risk taking, for its collapsing of genre, for its elegant language and its mediation of a history that is integral to post-1960s American identity yet often ignored…Above all, Tran's novel is a refreshing and entertaining story.
The New York Times Book Review - Chris Abani
★ 06/08/2015 Tran’s thriller debut revolves around an elusive woman who seems lost in her own private—and haunted—world. Robert Ruen is an Oakland, Calif., police officer whose Vietnamese ex-wife, Suzy, has remarried a shady Las Vegan gambler named Sonny Van Nguyen, a figure with whom she shares a distant past. When Suzy disappears, Ruen is strong-armed by Sonny’s son, Junior, to help track down the woman Ruen never really knew. His search transpires in a wonderfully noirish Las Vegas, including second-tier casinos and strip-mall restaurants concealing underground aquariums stocked with illegal and exotic creatures—the titular dragonfish among them. Interspersed with Ruen’s quest is Suzy’s own first-person narrative about fleeing with her daughter war-torn Vietnam by boat for a Malaysian refugee camp. These long sections, addressed to the daughter she abandoned upon reaching the States, occasionally interrupt the novel’s momentum. However, they also feature the strongest writing and elegantly reveal the roots of Suzy’s mercurial behavior: “Everything that has happened since seems a shadow of what happened there.” This is a most enjoyable mystery, from its distinct, dazzling premise all the way to its satisfying conclusion. (Aug.)
"Nuanced and elegiac…. Vu Tran takes a strikingly poetic and profoundly evocative approach to the conventions of crime fiction in this supple, sensitive, wrenching, and suspenseful tale of exile, loss, risk, violence, and the failure of love."
"Everything is perfect there, those quiet little garnishes of idiosyncratic detail are gifts, both amusing and full of character. Tran’s novel is filled with this sort of inspired meticulousness, and reading it is to enter its world."
"[R]ichly satisfying work…. A familiar noir trope—the missing woman—blooms darkly in Dragonfish as the story of a lost people, a theme that Tran renders exquisitely, rating the book a place on the top shelf of literary thrillers."
San Francisco Chronicle - Gerald Bartell
"[T]ransfixing…. [L]ike such writers as Caryl Phillips, Dinaw Mengestu and Edwidge Danticat, [Tran] is devoted to capturing the immigrant experience and widening everyone's understanding of its particular as well as universal truths."
Chicago Tribune - Lloyd Sachs
"A superb debut novel…that takes the noir basics and infuses them with the bitters of loss and isolation peculiar to the refugee and immigrant tale."
Fresh Air - Maureen Corrigan
"A sophisticated mystery anchored in one woman’s quest to make amends with the daughter she abandoned, Dragonfish delicately capsizes our notions of what it means to long for escape from the prisons of our own making."
★ 05/01/2015 A young, confused Vietnamese woman leaves her dying husband and native home as communists lay waste to her life. In a Malaysian camp with her young daughter, Hong meets Sonny, another refugee with a son, and together they form an alliance. Revealing her story in flashback fits and starts, Hong speaks in sparse, cryptic passages intermixed with longer, more clearly delineated chapters narrated by her second husband, Oakland police officer Robert, who calls her Suzy. Hong's life is a meandering, tangled knot resulting in severe depression, which Robert finds irksome. Leaving Robert, she turns to Sonny, now a cruel smuggler, gambler, and alcoholic. Once again married to Sonny and living in Las Vegas, Hong suffers domestic abuse and then goes missing. Sonny, with the help of Sonny Jr., forces Robert to find Hong. In Vegas, Robert uncovers layers of Hong's past, her relationship to Sonny, and his own foibles. VERDICT This haunting and mesmerizing debut is filled with all the noir elements—a dark and seedy underworld, damsels in distress, tarnished heroes, and a blurring of moral boundaries. It examines such themes as culture, desperation, memory, mental illness, love, loss, and redemption. Highly recommended for mystery fans. [See Prepub Alert, 3/2/15.]—Jeffrey W. Hunter, Royal Oak, MI
★ 2015-05-21 A missing person mystery is delicately entwined with a heartbreaking story of migration and loss. The Vietnam of the past and the Las Vegas of the present are vividly evoked in this debut novel in which hard-boiled noir is seamlessly blended with reminiscences of exile. A two-fisted policeman from Oakland, California, finds both his life and sense of certainty upended by Suzy, the Vietnamese wife who abandoned him with thwarted desires and unanswered questions. It turns out he's not the only ex-husband looking for her. She's now fled from a short-tempered smuggler named Sonny, who's also a refugee from the fall of Saigon and leans on the reluctant cop hard enough to make him search her last-known whereabouts, Vegas. What the cop finds, to his surprise, is Suzy's estranged daughter, Mai, a professional poker player who's something of a tough-talking, hard-boiled case herself; though he also recognizes in Mai more than just a strong physical resemblance to Suzy: "I could see her mother's stubbornness….All the loneliness that comes with refusing anything sensible the world gives you." The author intersperses the mercurial tale of the search with long, detailed letters written to Mai by Suzy recounting the wrenching, often perilous passage from Vietnam in the mid-1970s to a Malaysian refugee camp. It is in this testimony that Tran's writing achieves a fluidity and grace that make you share his enigmatic antiheroine's aching loss and sense of dislocation. (One of the most resonant of these memories involves using pork fat to help gas up a boat used for escaping Vietnam and how it makes the hungry passengers remember restaurants and kitchens of their past lives.) He's on less solid footing bringing the policeman's first-person narrative to life but nonetheless skillfully identifies the roots of whatever is stalking Mai, Suzy, and others with recriminations and regrets; much like the Vietnam War itself, which created such torment and whose sorrowful legacy resounds generations later. Right off the bat, Tran displays the most admirable and worthwhile gift a serious thriller writer can have: compassion toward even the most disreputable of his characters.
"Absolutely gripping. Vu Tran has written a terrific—and deceptively weird—novel that manages to make Vietnam and Las Vegas feel like old, familiar friends. Don’t call him a writer to watch. Call him a writer to read."
"Like Gatsby, the characters in Tran’s novel yearn for something unattainable…This and the feeling that there will only be a tragic end are what elevate Dragonfish beyond its bookstore genre."
Los Angeles Review of Books
"Heartbreaking and haunting."
"Splendid…will quickly engage you with its suspenseful story of marital discord, told in duplicate, and set largely in Las Vegas…A dark and gripping story, Dragonfish will keep you reading, out of fear that if you stop, you will never truly surface."
Dallas Morning News - Anne Morris
"Well-handled and tautly told…[A] strong first novel for its risk taking, for its collapsing of genre, for its elegant language and its mediation of a history that is integral to post-1960s American identity yet often ignored."
"[A] hard-hitting debut novel…. [Suzy is] a mystery no one can solve, particularly the people turning all their efforts in the wrong direction. But while their efforts aren’t fruitful, they’re absorbing. And they speak to the way everyone is a bit of an enigma to other people, no matter how many words they put into the effort to be understood."
A superb debut novel…that takes the noir basics and infuses them with the bitters of loss and isolation peculiar to the refugee and immigrant tale.
Maureen Corrigan - NPR's Fresh Air
Well-handled and tautly told…[A] strong first novel for its risk taking, for its collapsing of genre, for its elegant language and its mediation of a history that is integral to post-1960s American identity yet often ignored.
Chris Abani - New York Times Book Review
Narrator Tom Taylorson's deep, sombre voice suits this gritty story, which wends from Las Vegas to Vietnam, then Malaysia, and back to the U.S. Robert Ruen is the standard jaded cop at the center of this noir. His past keeps coming back to haunt him. Suzy, his missing Vietnamese ex-wife, must be found, for her sake as well as his. Taylorson switches believably between the American main character and the supporting cast of Vietnamese hit men. His renditions of accented English add to the ambiance of non-native speakers, which is essential to these characters. Through his precise, insistent pace, the listener is drawn into the danger, shifting settings, and multicultural history at the heart of the story. M.R. © AudioFile 2015, Portland, Maine