Dostoevsky's "Crime and Punishment": A Reader's Guide
Crime and Punishment: A Reader’s Guide focuses on narrative strategy, psychology, and ideology. Martinsen demonstrates how Dostoevsky first plunges the reader into Raskolnikov’s fevered brain, creating sympathy for him, and she explains why most readers root for him to get away from the scene of the crime. Dostoevsky subsequently provides outsider perspectives on Raskolnikov’s thinking, effecting a conversion in reader sympathy. By examining the multiple justifications for murder Raskolnikov gives as he confesses to Sonya, Dostoevsky debunks rationality-based theories. Finally, the question of why Raskolnikov and others, including the reader, focus on the murder of the pawnbroker and forget the unintended murder of Lizaveta reveals a narrative strategy based on shame and guilt.

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Dostoevsky's "Crime and Punishment": A Reader's Guide
Crime and Punishment: A Reader’s Guide focuses on narrative strategy, psychology, and ideology. Martinsen demonstrates how Dostoevsky first plunges the reader into Raskolnikov’s fevered brain, creating sympathy for him, and she explains why most readers root for him to get away from the scene of the crime. Dostoevsky subsequently provides outsider perspectives on Raskolnikov’s thinking, effecting a conversion in reader sympathy. By examining the multiple justifications for murder Raskolnikov gives as he confesses to Sonya, Dostoevsky debunks rationality-based theories. Finally, the question of why Raskolnikov and others, including the reader, focus on the murder of the pawnbroker and forget the unintended murder of Lizaveta reveals a narrative strategy based on shame and guilt.

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Dostoevsky's

Dostoevsky's "Crime and Punishment": A Reader's Guide

by Deborah A. Martinsen
Dostoevsky's

Dostoevsky's "Crime and Punishment": A Reader's Guide

by Deborah A. Martinsen

Paperback

$24.95 
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Overview

Crime and Punishment: A Reader’s Guide focuses on narrative strategy, psychology, and ideology. Martinsen demonstrates how Dostoevsky first plunges the reader into Raskolnikov’s fevered brain, creating sympathy for him, and she explains why most readers root for him to get away from the scene of the crime. Dostoevsky subsequently provides outsider perspectives on Raskolnikov’s thinking, effecting a conversion in reader sympathy. By examining the multiple justifications for murder Raskolnikov gives as he confesses to Sonya, Dostoevsky debunks rationality-based theories. Finally, the question of why Raskolnikov and others, including the reader, focus on the murder of the pawnbroker and forget the unintended murder of Lizaveta reveals a narrative strategy based on shame and guilt.


Product Details

ISBN-13: 9781644697849
Publisher: Academic Studies Press
Publication date: 02/22/2022
Series: Cultural Syllabus
Pages: 134
Product dimensions: 6.14(w) x 9.21(h) x 0.29(d)

About the Author

Deborah A. Martinsen was Associate Dean of Alumni Education and Adjunct Professor of Russian and Comparative Literature, Columbia University. Past president of the International Dostoevsky Society and former executive secretary of the North American Dostoevsky Society, Martinsen is the author of Surprised by Shame: Dostoevsky’s Liars and Narrative Exposure (Ohio, 2003) and co-editor of Dostoevsky in Context (Oxford, 2015).

Table of Contents

Acknowledgments

Introduction

1. Historical Introduction

2. Overview

3. Parts One and Two: Getting Away with Murder

4. Parts Three to Five: In and Out of Raskolnikov’s Mind

5. Part Six: Last Meetings and Epilogue

Appendix 1: Illustrations and Maps

Appendix 2: Crime and Punishment Chronology

Appendix 3: Contemporary Critical Reactions

Appendix 4: Chronology of Dostoevsky’s Life

Bibliography



What People are Saying About This

From the Publisher

“Dr. Deborah Martinsen serves her readers a copious feast of insights into Crime and Punishment, a psychological detective novel in which tormented Raskolnikov commits two grisly murders. Her book resonates not just with literary scholars, but also with general readers of all levels. Moreover, it offers invaluable suggestions for teachers seeking dynamic class discussions. In her razor-sharp analysis, Martinsen covers the novel’s narrative strategy, psychology, and ideology. She shows how Dostoevsky uses narrative to immerse readers in the perpetrator’s psyche and explores the psychological facets, which expose a tempestuous battle between heart and intellect. In delving into the protagonist’s justifications for murder and his shame, she unearths ideologies percolating amongst the intelligentsia of the time. But this new book accomplishes more: it proves that a novel set in 1860’s Russia can speak to contemporary audiences and even reverberate with today’s internet-connected populace.”


—Amy D. Ronner, PhD, JD, Law Professor Emeritus


“Deborah Martinsen brings to this lucid and evenhanded guide all her strengths as a Dostoevsky scholar, but especially her longstanding interest in the intricacies of shame. The reader expects Raskolnikov to feel guilt, which at least follows a well-defined script of remorse, repentance, and expiation. Instead we get a successful murderer ashamed of himself. His temptation was the power of ideas and theories; his mistake is a fraudulent pursuit of autonomy. Martinsen pulls every person in the novel into this struggle to transform Raskolnikov’s shame into responsibility and then into rapture. She asks all the right questions, but only guides the reader toward possible answers, giving nothing away.”

—Caryl Emerson, Princeton University




“Deborah Martinsen’s elegant Dostoevsky’s Crime and Punishment: A Reader’s Guide has much to offer both first-time and long-time readers of this challenging and starkly relevant novel about a debt-ridden student who succumbs to the ideas in the air, ideas which resemble viruses in their ability to infect. In her spare, concise, clear prose Martinsen unpacks the complexities of the novel and vastly deepens our understanding of it. This work bristles with original insights while also making sophisticated use of a wide range of past and more current work. Her book will become the go-to companion for readers of Crime and Punishment for decades to come.”

—Robin Feuer Miller, Edytha Macy Gross Professor of Humanities, Brandeis University




“With her useful background information, deft structural overview, dazzlingly illuminating close analysis, helpful charts, and well-chosen bibliography, Deborah Martinsen has written that rarest of all books, one that can help not only students and general readers new to Dostoevsky, but also teachers and experienced Dostoevsky scholars. Her writing is clear and elegant, utterly unjargonated, yet profoundly insightful. Pedagogically sophisticated, it leaves the way open for its readers’ own interpretations.”

—William Mills Todd III, Harry Tuchman Levin Professor of Literature, Emeritus, Harvard University



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