Paperback(First Edition, Nobel Prize Winning Author)

$19.95 
  • SHIP THIS ITEM
    Qualifies for Free Shipping
  • PICK UP IN STORE
    Check Availability at Nearby Stores

Related collections and offers


Overview

2014 Winner of the Nobel Prize in Literature

Patrick Modiano opens Dora Bruder by telling how in 1988 he stumbled across an ad in the personal columns of the New Year's Eve 1941 edition of Paris Soir. Placed by the parents of a 15-year-old Jewish girl, Dora Bruder, who had run away from her Catholic boarding school, the ad sets Modiano off on a quest to find out everything he can about Dora and why, at the height of German reprisals, she ran away on a bitterly cold day from the people hiding her. He finds only one other official mention of her name on a list of Jews deported from Paris to Auschwitz in September 1942.

With no knowledge of Dora Bruder aside from these two records, Modiano continues to dig for fragments from Dora's past. What little he discovers in official records and through remaining family members, becomes a meditation on the immense losses of the peroid—lost people, lost stories, and lost history. Modiano delivers a moving account of the ten-year investigation that took him back to the sights and sounds of Paris under the Nazi Occupation and the paranoia of the Pétain regime as he tries to find connections to Dora. In his efforts to exhume her from the past, Modiano realizes that he must come to terms with the specters of his own troubled adolescence. The result, a montage of creative and historical material, is Modiano's personal rumination on loss, both memoir and memorial.

Product Details

ISBN-13: 9780520218789
Publisher: University of California Press
Publication date: 11/07/2014
Edition description: First Edition, Nobel Prize Winning Author
Pages: 128
Sales rank: 539,971
Product dimensions: 5.50(w) x 8.30(h) x 0.50(d)

About the Author

Patrick Modiano is one of the most celebrated French novelists of his generation and recipient of the 2014 Nobel Prize in Literature. He has collaborated with Louis Malle on the film Lacombe Lucien and has written over fifteen novels.

Read an Excerpt

Dora Bruder: Chapter 1

Eight years ago, in an old copy of PARIS - SOIR dated 31 December 1941, a heading on page 3 caught my eye: "From Day to Day."1 Below this, I read:

Paris
Missing, a young girl, Dora Bruder, age 15, height 1 m 55, oval-shaped face, gray-brown eyes, gray sports jacket, maroon pullover, navy blue skirt and hat, brown gym shoes. Address all information to M. and Mme Bruder, 41 Boulevard Ornano, Paris.

I had long been familiar with that area of the Boulevard Ornano. As a child, I would accompany my mother to the Saint-Ouen _ea markets. We would get off the bus either at the Porte de Clignancourt or, occasionally, outside the 18th arrondissement town hall. It was always a Saturday or Sunday afternoon.

In winter, on the tree-shaded sidewalk outside Clignancourt barracks, the fat photographer with round spectacles and a lumpy nose would set up his tripod camera among the stream of passers-by, offering "souvenir photos." In summer, he stationed himself on the boardwalk at Deauville, outside the Bar du Soleil. There, he found plenty of customers. But at the Porte de Clignancourt, the passers-by showed little inclination to be photographed. His overcoat was shabby and he had a hole in one shoe.

I remember the Boulevard Ornano and the Boulevard Barbés, deserted, one sunny afternoon in May 1958. There were groups of riot police at each crossroads, because of the situation in Algeria.

I was in this neighborhood in the winter of 1965. I had a girlfriend who lived in the Rue Championnet. Ornano 49-20.

Already, by that time, the Sunday stream of passers-by outside the barracks must have swept away the fat photographer, but I never went back to check. What had they been used for, those barracks?2 I had been told that they housed colonial troops.

January 1965. Dusk came around six o'clock to the crossroads of the Boulevard Ornano and the Rue Championnet. I merged into that twilight, into those streets, I was nonexistent.

The last café at the top of the Boulevard Ornano, on the right, was called the Verse Toujours.3 There was another, on the left, at the corner of the Boulevard Ney, with a jukebox. The Ornano-Championnet crossroads had a pharmacy and two cafés, the older of which was on the corner of the Rue Duhesme.

The time I've spent, waiting in those cafés . . . First thing in the morning, when it was still dark. Early in the evening, as night fell. Later on, at closing time . . .

On Sunday evening, an old black sports car-a Jaguar, I think-was parked outside the nursery school on the Rue Championnet. It had a plaque at the rear: Disabled Ex-Serviceman. The presence of such a car in this neighborhood surprised me. I tried to imagine what its owner might look like.

After nine o'clock at night, the boulevard is deserted. I can still see lights at the mouth of Simplon métro station and, almost opposite, in the foyer of the Cinéma Ornano 43. I've never really noticed the building beside the cinema, number 41, even though I've been passing it for months, for years. From 1965 to 1968. Address all information to M. and Mme Bruder, 41 Boulevard Ornano, Paris.

From the B&N Reads Blog

Customer Reviews