Don't Call Me Grandma

by Vaunda Micheaux Nelson, Elizabeth Zunon (Illustrator)

Overview

Great-grandmother Nell eats fish for breakfast, she doesn't hug or kiss, and she does NOT want to be called grandma. Her great-granddaughter isn't sure what to think about her. As she slowly learns more about Nell's life and experiences, the girl finds ways to connect with her prickly great-grandmother.

Product Details

ISBN-13:	9781467742085
Publisher:	Lerner Publishing Group
Publication date:	02/01/2016
Pages:	32
Sales rank:	675,614
Product dimensions:	9.40(w) x 11.10(h) x 0.30(d)
Lexile:	AD530L (what's this?)
Age Range:	4 - 8 Years

About the Author

Vaunda Micheaux Nelson is the author of The Book Itch, as well as three Coretta Scott King Award-winning books: No Crystal Stair, Bad News for Outlaws, and Almost to Freedom. She is a former youth services librarian in New Mexico. Visit her online at vaundanelson.com.

Elizabeth Zunon grew up in the Ivory Coast, West Africa, and memories of her childhood can be seen in her artwork. She currently lives in Albany, New York. Find her online at www.lizzunon.com.

Editorial Reviews

11/23/2015
Not all grandmas are cuddly and sweet—Nelson’s unnamed narrator thinks that her African-American great-grandmother, Nell, can be “scary” and “stern.” But despite Nell’s disgruntled expressions and chilly demeanor, her great-granddaughter has abundant fascination and tenderness for her glamorous relative, who shows her how to apply lipstick and even lets her taste the mysterious brown liquid she sips from a tumbler all day (“Heart medicine,” Nells tells her. “Broken heart”). Nell’s personality shines through Zunon’s (Poems in the Attic) collage work; an assemblage of civil rights–era photographs and other mementos provide insight into Nell’s past, while abstracted watercolor images depict her distant memories. Nelson (The Book Itch) sensitively conveys the complexity of intergenerational relationships while celebrating a grandmother whose individuality hasn’t diminished one iota over the years. Ages 4–8. Author’s agent: Tracey Adams, Adams Literary. Illustrator’s agent: Lori Nowicki, Painted Words. (Feb.)

Publishers Weekly

"Vaunda Nelson spells out neither Nell's past, nor the message of the book, allowing readers the best ending: a conversation about what makes us who we are, and the pleasure of loving difficult people."—NPR Books' Best Books of 2016

From the Publisher

02/01/2016
Gr 1–3—Great-grandmother Nell is 96 and prickly, and her great-granddaughter admires her very much. Little by little, the girl learns bits and snatches about her great-grandmother's life, including one of the things that caused her broken heart: when Nell's best friend told her they couldn't be friends anymore because of her brown skin. Nelson weaves tension into the text as the little girl wants desperately to have the attention of her great-grandmother, but the elderly lady just isn't one for giving out affection. The eccentric nonagenarian eats fish for breakfast, wears pearls everywhere, and takes sips of an amber liquid that are so tiny that one glass lasts all day. The story's perspective is from the child, who finds her great-grandmother "scary" but also intriguing, outspoken, and glamorous. Zunon's lively, colorful illustrations balance the serious tone of the text with warmth and saturation. The two characters may seem very different, but Zunon gives each the same birthmark on her right cheek, indicating they may not be so different after all. VERDICT An appealing intergenerational story.—Jennifer Steib Simmons, Anderson County Library, SC

School Library Journal

2015-11-11
Scary grandmas are always called "grandMOTHER," especially if they are 96-year-old great-grandmothers who have "chocolaty brown" skin and are named Nell and sometimes growl into their mirrors. This little girl's great-grandmother is glamorous and has wigs, earrings, and "bottles and bottles and bottles of perfume." Nelson's young protagonist is mesmerized by her great-grandmother's rituals, from posing in her bathing suit on the beach to applying ruby red lipstick. Even though her great-grandmother is old, the young girl knows she is "not worn out." Nell, who never hugs or kisses, still deigns to share beauty tips and stories of long ago. Zunon's mixed-media illustrations of paper collage, pastel, and watercolor lend warmth to this tender story of an aging dragon of a diva and her great-grandchild. The facial expressions span the emotional gamut from pique to sorrow to haughtiness and are all spot-on. When Nell reminisces, vague watercolor impressions evoke the perfect tone of wistfulness. Black-and-white photo reproductions accompany brief recollections of the civil rights movement. But the sterling moment shines at the very end of the story when the grandchild steals a kiss with no remorse. "Even asleep, Great-Grandmother Nell is scary. But I like her that way. I give her a little hug. She smells like peaches. I kiss my grandma. // She won't know." Children will best appreciate this nostalgic journey when accompanied by a doting loved one. (Picture book. 5-8)

Kirkus Reviews