Praise for Domina:
"The best-selling Hilton is back. In a just-as-thrilling sequel, Judith returns. . . . If you’re into the underbelly of the glamorous uberrich—or being able to say you were a fan before the inevitable screen version hit theaters—this series is not to miss." —Marie Claire
"[C]ompulsively readable - like a ritzy 50 Shades meets The Da Vinci Code. It's got sex, shopping, a few Old Masters and plenty of murder - what more could you want?" —Irish Independent
Praise for Maestra:
“It’s hard not to feel vicariously empowered by a woman unapologetically in pursuit. Let’s call her the Sheryl Sandberg of sociopaths, leaning in to the hilt.” —O, The Oprah Magazine
“Maestra will be one of this year’s most talked-about novels . . . More mayhem, more art—and certainly more sex—lie ahead for insatiable Judith and for all those consenting adults who will delight in her endless ups and downs.” —The Washington Post
“This year’s most erotic novel makes Fifty Shades look like the Bible . . . Bound to be the It beach book of the summer . . . Unapologetic, confident and quite the sociopath, protagonist Judith Rashleigh is no Anastasia Steele.” —New York Post
“[A] shopathon travelogue thriller that has billionaires, art world scheming and a sociopathic heroine who can unfasten belt buckles with her tongue.” —The New York Times
“An unpredictable London auction-house assistant turned high-class escort slips effortlessly into the world of the glamorous and wealthy, crossing international borders and leaving destruction in her wake.” —The Wall Street Journal, “5 Killer Books for 2016”
“The European art world mixes with an underground world (hint: sex parties). This thriller is like The Talented Mr. Ripley meets The Girl with the Dragon Tattoo. Warning: it’s VNSFW. That V is for very.” —The Skimm
“[J]ubilantly mordant . . . Already optioned for the big screen by Amy Pascal, [Maestra is] the story of a twenty-first-century femme fatale as lethal as Tom Ripley and as seductive as Bacall.” —Vogue
“Judith is a compelling and oddly relatable narrator. The challenges she faces as an outsider trying to break in are near-universal, particularly since she battles a male-dominated field and works against her own socioeconomic background . . . A taut, meaty thriller that’s certainly on par with those bestselling ‘girls’ in terms of intrigue, surprising twists, and unputdownableness, while Judith Rashleigh’s single-minded and self-centered quest for wealth and acceptance could well be the most compelling since Patrick Bateman’s.” —Chicago Review of Books
“[A] deliciously Highsmithian thriller . . . As Judith assumes and sheds identities as effortlessly as her Louboutins during a twisty series of increasingly treacherous escapades, Hilton artfully conjures a glossy world where just about everything—and everyone—has its price.” —Publishers Weekly (starred review)
“Glamorous, edgy, decadent (like rich but somewhat bitter dark chocolate), erotic, and irresistible. [Maestra] is a gift for readers who delight in vengeful female protagonists.” —Booklist (starred review)
