Dolls, Photography and the Late Lacan: Doubles Beyond the Uncanny

by Rosalinda Quintieri

Overview

In this fascinating new book, Rosalinda Quintieri addresses some of the key questions of visual theory concerning our unending fascination with simulacra by evaluating the recent return of the life-size doll in European and American visual culture. Through a focus on the contemporary photographic and cinematic forms of this figure and a critical mobilisation of its anthropological complexity, this book offers a new critical understanding of this classical aesthetic motif as a way to explore the relevance that doubling, fantasy and simulation hold in our contemporary culture.

Quintieri explores the figure of the inanimate human double as an "inhuman partner", reflecting on contemporary visuality as the field of a hypermodern, post-Oedipal aesthetic. Through a series of case studies that blur traditional boundaries between practices (photography, performance, sculpture, painting, documentary) and between genres (comedy, drama, fairy tale), Quintieri puts in contrast the new function of the double and its plays of simulations on the background of the capitalist injunction to enjoy.

Engaging with new theories on post-Oedipal forms of subjectivity developed within the Lacanian orientation of psychoanalysis, Quintieri offers exciting analyses of still and moving photographic work, giving body to an original aesthetic model that promises to revitalise our understanding of contemporary photography and visual culture. It will appeal to psychoanalysts and researchers from Lacanian psychoanalysis, visual studies and cultural theory, as well as readers with an academic interest in the cultural history of dolls and the theory of the uncanny.

Product Details

ISBN-13:	9780367445027
Publisher:	Taylor & Francis
Publication date:	12/31/2020
Series:	The Lines of the Symbolic in Psychoanalysis Series
Pages:	190
Product dimensions:	6.12(w) x 9.19(h) x (d)

About the Author

Rosalinda Quintieri is a post-doctoral researcher based at the University of Manchester, UK. In her research and writing, photography and visual culture converge with aesthetics, psychoanalysis and an anthropology of technology. Her previous work on the poetics of the object in outsider and contemporary art has appeared in PsicoArt and Prospero’s. She was awarded a President’s Doctoral Scholar Award (2013–2016) to complete her PhD in Art History and Visual Studies, from which this book was born.

Table of Contents

List of figures ix

Preface x

Introduction: "Quasi-subjects": the hypermodern double between flatness and affective excess 1

1 The modern doppelgänger: enjoyment as subversion 15

Dolls, mimicry and "subjective detumescence" 16

Pupa as puppa: the doll as a maternal Thing 24

2 Enjoy (you must)! Olivier Rebufa and Barbie's dreamlife 39

The flatness of the capitalist fantasia 40

That has never been: dea(p)th-less photography 48

Narcissus and the echo of capital 53

Simulacrum interruptus: capitalist metonymy "running empty" 61

3 Silicone hove: photography as de-Realisation 69

Documentary as "purposeful" pictorialism 71

Diet Pink Lemonade: the illusion of an other without Other 80

The double as Ego supplement 87

4 Laurie Simmons: pictures beyond the gaze 97

From "picture envy" to "the magic of the Hollywood style at its best" 98

Kawaii; the cuteness of the commodity 106

Beyond the Lacanian gaze: the image-substance 110

5 Lars and the Real Girl: a tale of the New Father 127

The hypermodern kolossós: from symptom to sinthome 128

Propped-up fathers and the Other of care 142

Conclusions: doubles beyond the uncanny 151

Selected bibliography 160

Index 170

Editorial Reviews

"Rosalinda Quintieri’s exciting and timely book promises to revitalize critical analysis in visual culture through her discussion of contemporary modes of techno-scopophilia. Deploying neglected theoretical resources from the ‘late Lacan’ in which objects of extimacy become essential parts of our being, Quintieri’s book engages with and develops the logic of recent photographic work deploying dolls, mannikins and marionettes that break with the Freudian paradigm of the ‘uncanny’. In Quintieri’s analysis the ‘double’ no longer simply provokes a crisis of identity and meaning but opens the way to perverse pleasures of human posterity in which the post-human follows the (an)aesthetic trajectory of the doll."

– Scott Wilson, author of Scott Walker and the Song of the One-All-Alone. (Bloomsbury, 2020)

From the Publisher