Dissimilar Similitudes: Devotional Objects in Late Medieval Europe

From an acclaimed historian, a mesmerizing account of how medieval European Christians envisioned the paradoxical nature of holy objects

Between the twelfth and the sixteenth centuries, European Christians used a plethora of objects in worship, not only prayer books, statues, and paintings but also pieces of natural materials, such as stones and earth, considered to carry holiness, dolls representing Jesus and Mary, and even bits of consecrated bread and wine thought to be miraculously preserved flesh and blood. Theologians and ordinary worshippers alike explained, utilized, justified, and warned against some of these objects, which could carry with them both anti-Semitic charges and the glorious promise of heaven. Their proliferation and the reaction against them form a crucial background to the European-wide movements we know today as “reformations” (both Protestant and Catholic).

In a set of independent but interrelated essays, Caroline Bynum considers some examples of such holy things, among them beds for the baby Jesus, the headdresses of medieval nuns, and the footprints of Christ carried home from the Holy Land by pilgrims in patterns cut to their shape or their measurement in lengths of string. Building on and going beyond her well-received work on the history of materiality, Bynum makes two arguments, one substantive, the other methodological. First, she demonstrates that the objects themselves communicate a paradox of dissimilar similitude—that is, that in their very details they both image the glory of heaven and make clear that that heaven is beyond any representation in earthly things. Second, she uses the theme of likeness and unlikeness to interrogate current practices of comparative history. Suggesting that contemporary students of religion, art, and culture should avoid comparing things that merely “look alike,” she proposes that humanists turn instead to comparing across cultures the disparate and perhaps visually dissimilar objects in which worshippers as well as theorists locate the “other” that gives religion enduring power.

"1136954405"
Dissimilar Similitudes: Devotional Objects in Late Medieval Europe

From an acclaimed historian, a mesmerizing account of how medieval European Christians envisioned the paradoxical nature of holy objects

Between the twelfth and the sixteenth centuries, European Christians used a plethora of objects in worship, not only prayer books, statues, and paintings but also pieces of natural materials, such as stones and earth, considered to carry holiness, dolls representing Jesus and Mary, and even bits of consecrated bread and wine thought to be miraculously preserved flesh and blood. Theologians and ordinary worshippers alike explained, utilized, justified, and warned against some of these objects, which could carry with them both anti-Semitic charges and the glorious promise of heaven. Their proliferation and the reaction against them form a crucial background to the European-wide movements we know today as “reformations” (both Protestant and Catholic).

In a set of independent but interrelated essays, Caroline Bynum considers some examples of such holy things, among them beds for the baby Jesus, the headdresses of medieval nuns, and the footprints of Christ carried home from the Holy Land by pilgrims in patterns cut to their shape or their measurement in lengths of string. Building on and going beyond her well-received work on the history of materiality, Bynum makes two arguments, one substantive, the other methodological. First, she demonstrates that the objects themselves communicate a paradox of dissimilar similitude—that is, that in their very details they both image the glory of heaven and make clear that that heaven is beyond any representation in earthly things. Second, she uses the theme of likeness and unlikeness to interrogate current practices of comparative history. Suggesting that contemporary students of religion, art, and culture should avoid comparing things that merely “look alike,” she proposes that humanists turn instead to comparing across cultures the disparate and perhaps visually dissimilar objects in which worshippers as well as theorists locate the “other” that gives religion enduring power.

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Dissimilar Similitudes: Devotional Objects in Late Medieval Europe

Dissimilar Similitudes: Devotional Objects in Late Medieval Europe

by Caroline Walker Bynum
Dissimilar Similitudes: Devotional Objects in Late Medieval Europe

Dissimilar Similitudes: Devotional Objects in Late Medieval Europe

by Caroline Walker Bynum

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Overview

From an acclaimed historian, a mesmerizing account of how medieval European Christians envisioned the paradoxical nature of holy objects

Between the twelfth and the sixteenth centuries, European Christians used a plethora of objects in worship, not only prayer books, statues, and paintings but also pieces of natural materials, such as stones and earth, considered to carry holiness, dolls representing Jesus and Mary, and even bits of consecrated bread and wine thought to be miraculously preserved flesh and blood. Theologians and ordinary worshippers alike explained, utilized, justified, and warned against some of these objects, which could carry with them both anti-Semitic charges and the glorious promise of heaven. Their proliferation and the reaction against them form a crucial background to the European-wide movements we know today as “reformations” (both Protestant and Catholic).

In a set of independent but interrelated essays, Caroline Bynum considers some examples of such holy things, among them beds for the baby Jesus, the headdresses of medieval nuns, and the footprints of Christ carried home from the Holy Land by pilgrims in patterns cut to their shape or their measurement in lengths of string. Building on and going beyond her well-received work on the history of materiality, Bynum makes two arguments, one substantive, the other methodological. First, she demonstrates that the objects themselves communicate a paradox of dissimilar similitude—that is, that in their very details they both image the glory of heaven and make clear that that heaven is beyond any representation in earthly things. Second, she uses the theme of likeness and unlikeness to interrogate current practices of comparative history. Suggesting that contemporary students of religion, art, and culture should avoid comparing things that merely “look alike,” she proposes that humanists turn instead to comparing across cultures the disparate and perhaps visually dissimilar objects in which worshippers as well as theorists locate the “other” that gives religion enduring power.


Product Details

ISBN-13: 9781942130383
Publisher: Zone Books
Publication date: 09/29/2020
Sold by: Barnes & Noble
Format: eBook
Pages: 344
File size: 134 MB
Note: This product may take a few minutes to download.

About the Author

Caroline Walker Bynum is professor emerita of medieval European history at the Institute for Advanced Study and University Professor Emerita at Columbia University. She studies the religious ideas and practices of the European Middle Ages from late antiquity to the sixteenth century. In the 1980s, she worked on women’s spirituality in Europe; in the 1990s, she turned to the history of the body. Her recent work, Wonderful Blood (2007) and Christian Materiality (2011), locates the upsurge of new forms of art and devotion in the fourteenth and fifteenth centuries against the background of changes in natural philosophy and theology and reinterprets the nature of Christianity on the eve of the reformations of the sixteenth century. Her essays “In Praise of Fragments” (in Fragmentation and Redemption), “Why All the Fuss About the Body?” (in Critical Inquiry and reprinted in The Resurrection of the Body, expanded edition, 2017), and “Wonder” (in Metamorphosis and Identity) are widely cited as discussions of historical method. Bynum has taught at Harvard, the University of Washington in Seattle, and Columbia University. She was a MacArthur Fellow from 1986 to 1991 and has won the Ralph Waldo Emerson Prize of Phi Beta Kappa, the Jacques Barzun Prize of the American Philosophical Society, the Gründler Prize in Medieval Studies, and the Haskins Medal of the Medieval Academy of America. She has won three undergraduate teaching awards, one from the University of Washington and two from Columbia University. She is a past president of the Medieval Academy of America and the American Historical Association, a member of the American Academy of Arts and Sciences, the American Philosophical Society, and the Orden Pour le Mérite für Wissenschaften und Künste of the Federal Republic of Germany, and a Fellow of the Medieval Academy of America and the British Academy.

Table of Contents

Preface 11

Introduction: Holy Things and the Problem of Likeness 15

A Plethora of Things 17

Approaches to the Power of Things: Historical, Art Historical, and Anthropological 40

What These Case Studies Suggest 48

I Holy Beds: Gender and Encounter in Devotional Objects from Fifteenth-Century Europe 59

Scholarly Approaches: Praesepe versus Cunabulum 62

The Beguine Cradle: Gender and the Tactility of Devotion 66

Burgundian Crèche: Why Two Beds? 75

Beds in Medieval Devotion 81

Like and Unlike Heaven 94

II "Crowned with Many Crowns": Nuns and Their Statues in Late Medieval Wienhausen 97

The Madonnas at Wienhausen 99

Crowns in the Devotion and Formation of Northern German Nuns 110

On Earth and in Heaven 119

III The Sacrality of Things: An Inquiry into Divine Materiality in the Christian Middle Ages 129

Recent Approaches to Christian Images 130

The Eucharist as Divine Materiality: The Relics of Johannes Bremer 135

Dissimilitude and Divine Materiality 138

Christian Materiality in Comparative Perspective 145

IV The Presence of Objects: Medieval Anti-Judaism in Modern Germany 149

The Commemoration of Objects: Sternberg, Iphofen, Deggendorf, and Poznan 152

The Judensau 160

The Heiligengrabe Panel Paintings and the Jewish Museum in Berlin 163

The Medieval Background 170

Objects and Images Today 175

V Avoiding the Tyranny of Morphology: Or, Why Compare? 183

Scholarly Treatments of Comparison 183

A Comparison of Goddess Processions 188

The Problem of Pseudomorphism: When Are Shapes Really Alike? 198

A Better Question: Where Is Presence? 211

VI Footprints: The Xenophilia of a Medievalist 221

Comparative Footprints 222

Christ's Footprints on the Mount of Olives: A Brief History 227

Iconic and Aniconic Representations of Christ's Footprints 235

The Iconography of the Footprint and the Gap 244

Conclusion: The Footprint as a Model of What and How We Study 251

Notes 259

Index 329

Image Credits 341

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