The Dispossessed (Hainish Series)

The Dispossessed (Hainish Series)

by Ursula K. Le Guin
The Dispossessed (Hainish Series)

The Dispossessed (Hainish Series)

by Ursula K. Le Guin

Paperback(Mass Market Paperback - Reprint)

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Overview

Shevek, a brilliant physicist, decides to take action. he will seek answers, question the unquestionable, and attempt to tear down the walls of hatred that have isolated his planet of anarchists from the rest of the civilized universe. To do this dangerous task will mean giving up his family and possibly his life. Shevek must make the unprecedented journey to the utopian mother planet, Anarres, to challenge the complex structures of life and living, and ignite the fires of change.


Product Details

ISBN-13: 9780061054884
Publisher: HarperCollins
Publication date: 11/09/1994
Series: Hainish Series
Edition description: Reprint
Pages: 400
Product dimensions: 4.15(w) x 6.74(h) x 1.10(d)
Lexile: 820L (what's this?)

About the Author

About The Author
Ursula Kroeber Le Guin (1929-2018) was a celebrated author whose body of work includes twenty-three novels, twelve volumes of short stories, eleven volumes of poetry, thirteen children’s books, five essay collections, and four works of translation. The breadth and imagination of her work earned her six Nebula Awards, seven Hugo Awards, and SFWA’s Grand Master, along with the PEN/Malamud and many other awards. In 2014 she was awarded the National Book Foundation Medal for Distinguished Contribution to American Letters, and in 2016 she joined the short list of authors to be published in their lifetimes by the Library of America.

Hometown:

Portland, Oregon

Date of Birth:

October 21, 1929

Place of Birth:

Berkeley, California

Education:

B.A., Radcliffe College; M.A., Columbia University, 1952

Read an Excerpt

Chapter One

There was a wall. It did not look important. It was built of uncut rocks roughly mortared. An adult could look right over it, and even a child could climb, it. Where it crossed the roadway, instead of having a gate it degenerated into mere geometry, a line, an, idea of boundary. But the idea was real. It was important. For seven generations there had been nothing in the world more important than that wall.

Like all walls it was ambiguous, two-faced. What was inside it and what was outside it depended upon which side of it you were on.

Looked at from one side, the wall enclosed a barren sixty-acre field called the Port of Anarres. On the field there were a couple of large gantry cranes, a rocket pad, three warehouses, a truck garage, and a dormitory. The dormitory looked durable, grimy, and mournful; it had nogardens, no children; plainly nobody lived there or was even meant to stay there long. It was in fact a quarantine. The wall shut in not only the landing field but also the ships that came down out of space, and the men that came on the ships, and the worlds they came from, and the rest of the universe. It enclosed the universe, leaving Anarres outside, free.

Looked at from the other side, the wall enclosed Anarres: the whole planet was inside it, a great prison camp, cut off from other worlds and other men, in quarantine.

A number of people were coming along the road towards the landing field, or standing around where the road cut through the wall.

People often came out from the nearby city of Abbenay in hopes of seeing a spaceship, or simply to see the wall, After all, it was the only boundary wall ontheir world. Nowhere else could they see a sign that said No Trespassing. Adolescents, particularly, were drawn to it. They came up to the wall; they sat an it. There might be a gang to watch, offloading crates from track trucks at the warehouses. There might even be a freighter on the pad. Freighters came down only eight times a year, unannounced except to syndics actually working at the Port, so when the spectators were lucky enough to see one they were excited, at first. But there they sat, and there it sat, a squat black tower in a mess of movable cranes, away off across the field. And then a woman came over from one of the warehouse crews and said, "We're shutting down for today, brothers." She was wearing the Defense armband, a sight almost as rare as a spaceship. That was a bit of a thrill. But though her tone was mild, it was final. She was the foreman of this gang, and if provoked would be backed up by her syndics. And anyhow there wasn't anything to see. The aliens, the off-worlders, stayed hiding in their ship. No show.

It was a dull show for the Defense crew, too. Sometimes the foreman wished that somebody would just try to cross the wall, an alien, crewman jumping ship, or a kid from Abbenay trying to sneak in for a. closer look at the freighter. But it never happened. Nothing ever happened. When something did happen she wasn't ready for it.

The captain of the freighter Mindful said to her, "Isthat mob after my ship?"

The foreman looked and saw that, in fact there was a real crowd around the gate, a hundred or more people. They were standing around, just standing, the way people had stood at produce-train stations during the Famine. It gave the foreman a scare.

"No. They, ah, protest," she said in her slow and limited Iotic. "Protest the ah: you know. Passenger?"

"You mean they're after this bastard we're supposed to take? Are they going to try to stop him, or us?"

The word "bastard," untranslatable in the foreman's language, meant nothing to her except some kind of foreign term for her people, but she had never liked the sound of it, or the captain's tone, or the captain. "Can you look after you?" she asked briefly.

"Hell, yes. You just get the rest of this cargo unIoaded, quick. And get this passenger bastard on board. No mob of Oddies is about to give us any trouble." He patted the thing he wore on his belt, a metal object like a deformed penis, and looked patronizingly at the unarmed woman.

She gave the phallic object, which she knew was a weapon, a cold glance. "Ship will be loaded by fourteen hours," she said. "Keep crew on board safe. Lift off at fourteen hours forty. If you need help, leave message on tape at Ground Control." She strode off, before the captain could one-up her. Anger made her more forceful with her crew and the crowd. "Clear the road there!" she ordered as she neared the wall. "Trucks are coming through, somebody's going to get hurt. Clear aside!"

The men and women in the crowd argued with her and with one another. They kept crossing the road, and some came inside the wall. Yet they did more or less clear the way. If the foreman had no experience in bossing a mob, they had no experience in being one. Members of a community, not elements of a collectivity, they were not moved by mass feeling, there were as many emotions there as there were people. And they did not expect commands to be arbitrary, so they had no practice in disobeying them. Their inexperience saved the passenger's life.

Some of them had come there to kill a traitor. Others had come to prevent him from leaving, or to yell insults at him, or just to look at him; and all these others obstructed the sheer brief path of the assassins.

The Dispossessed. Copyright © by Ursula K. Leguin. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.

Table of Contents

1. Presidential Leadership: An Introduction. 2. The Nomination Process. 3. The Presidential Election. 4. The President and the Public. 5. The President and the Media. 6. Presidents and their Advisors. 7. Presidential Decision Making. 8. The President and the Executive Branch. 9. The President and Congress. 10. The President and the Judiciary. 11. Domestic Policy Making. 12. Budgetary and Economic Policy Making. 13. Foreign and Defense Policy Making. Appendix A: Methods for Studying the Presidency. Appendix B: Non-electoral Succession, Removal and Tenure. Appendix C: Provisions of the Constitution of the United States that Relate to the Presidency. Appendix D: 2012 Electoral and Popular Vote Summary.

Reading Group Guide

Introduction

Shevek, citizen and acclaimed physicist of the world Anarres, believes that he must free his people from the walls that they have built around their anarchist state, blocking out all other worlds. A freethinker and believer in the power of revolution and the individual's right to self-rule, Shevek must risk all to discover the truth about the land that his people escaped from, Urras.

But all is not as he believes on the glittering world of Urras. Coddled within the ivory towers of its university, Shevek is prohibited from seeing the real world of Urras, the world of the poor and indigent from which his people came. Although shunned by his Odonian society for his cutting-edge theories, the Urrasti hold him captive for his knowledge of the General Temporal Theory, a theory that could bring the Urrasti all the power and fortune they desire.

Aware that he has only traded one set of walls for another, Shevek must make an even more dangerous journey if he is truly to succeed in his ultimate mission of fostering understanding and true brotherhood among the races. Enlisting the aid of sympathetic Urrasti and aliens from Terra and Hain, Shevek succeeds in evading the propertarian Urrasti and shares his knowledge with the universe. For it is only when there is a true understanding, that he can finally return home to a new world.

Questions for Discussion

  1. Throughout the novel, the reader is introduced to numerous characters. Who was your favorite and why? Did you have a favorite race of people? Who did you identify with the most?

  2. Shevek believes that he made a mistake in putting his trust,his life, in the hands of the Urrasti. Do you agree? What else could he have done? Did he find his utopia in the end?

  3. There are many morals and words of wisdom for today's society throughout the novel. What are they? Should they be viewed as warnings? Which one was most important to you?

  4. Do you believe that the Odonian society is somehow more moral than the Urrasti? How are the power structures disguised in the Odonian societal model? What is the importance of owning nothing?

  5. Shevek states, "Revolution is our obligation; our hope of evolution." If a society is founded upon revolution, as Shevek believes, is it the people's responsibility to maintain the mindset that made the initial revolt possible?

  6. Every struggle has its "Odo." Who is the Odo for the following struggles: Civil Rights, Women's Liberation, South African Apartheid, to name a few. Can you think of others? Who are they?

  7. What do you think is a more effective tool of governing, popular opinion or laws? Is it our fear of getting caught or of being shunned by our neighbors and society that keep us honest?

  8. How does Shevek grow throughout the course of the novel? How effective is the use of flashbacks in every other chapter? Can they really be considered flashbacks once you understand the theories of time with which Shevek is struggling?

  9. What role does the family structure play within Odonian society? How are Shevek and Tekver revolutionaries in this aspect?

  10. Were you surprised when Shevek decides to go to the Hainish and not the Thuvians, being the enemies of the Urrasti? How do you think each culture will use his theory?

About the Author

A multiple award-winning author, editor, and anthologist, Ursula K. LeGuin was born in 1929 in Berkeley, California -- the daughter of writer Theodora Kroeber and anthropologist Alfred L. Kroeber. She went to Radcliffe College, did graduate work at Columbia University and attained a 1953 Fulbright Fellowship. Le Guin married historian Charles A. Le Guin and has three children and three grandchildren. She has lived in Portland, Oregon since 1958.

Throughout her illustrious literary career -- 19 novels, short stories in nine collections, two volumes of translation, 13 books for children, three collections of essays, and numerous honorary degrees, teaching posts, and awards -- Le Guin has held to the highest standards in her writing, taking risks that would bring great rewards and praise from her contemporaries.

Having received countless awards -- a National Book Award, five Hugo Awards, five Nebula Awards, the Kafka Award, a Pushcart Prize, the Howard Vursell Award of the American Academy of Arts and Letters, and the L.A. Times Robert Kirsch Award to name a few -- Le Guin has also had three of her books become finalists for the American Book Award and the Pulitzer Prize.

Le Guin's first major work of science fiction, The Left Hand of Darkness, propelled her instantly to the forefront of her field. Since then, she has used the context of her work to delve into such issues as gender roles, morality, and the individual's ordinary grief. Working in so many forms -- from poetry and prose to screenplays and voice text for recordings -- Le Guin has transformed the genre in which she works countless times over. An intensely private figure like many of her characters, Le continues to create her fantastical worlds for all ages.

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