The founding in 1777 of the Journal de Paris, France’s first daily and distinctly commercial paper, represents an early use of disinformation as a tool for political gain, profit, and societal division. To attract a large readership and bar competition for C.W. Gluck’s works at the Paris Opéra, it launched a prolonged campaign of anonymous lies, mockery, and defamation against two prominent members of the Académie Française who wished the Opéra to be open to all deserving composers but lacked a comparable daily forum with which to defend themselves. In this unique episode, music served as a smokescreen for nefarious activity. No musical knowledge is necessary to follow this purely political drama.
The founding in 1777 of the Journal de Paris, France’s first daily and distinctly commercial paper, represents an early use of disinformation as a tool for political gain, profit, and societal division. To attract a large readership and bar competition for C.W. Gluck’s works at the Paris Opéra, it launched a prolonged campaign of anonymous lies, mockery, and defamation against two prominent members of the Académie Française who wished the Opéra to be open to all deserving composers but lacked a comparable daily forum with which to defend themselves. In this unique episode, music served as a smokescreen for nefarious activity. No musical knowledge is necessary to follow this purely political drama.
Disinformation in Mass Media: Gluck, Piccinni and the Journal de Paris
144
Disinformation in Mass Media: Gluck, Piccinni and the Journal de Paris
144eBook
Related collections and offers
Product Details
| ISBN-13: | 9781000088069 |
|---|---|
| Publisher: | Taylor & Francis |
| Publication date: | 10/27/2020 |
| Series: | ISSN |
| Sold by: | Barnes & Noble |
| Format: | eBook |
| Pages: | 144 |
| File size: | 2 MB |