From 2009 through 2012, the Disco Discharge name was behind some of the most necessary and appealing compilations of 1970s and '80s dance music -- 16 two-disc volumes such as
Classic Disco,
Disco Boogie,
Gay Disco & Hi NRG, and
American Hot. Absent since the subsequent album reissue series Disco Recharge, the imprint returns with
Box of Sin, a five-disc package of '80s tracks billed suggestively as "full-length gay clubbing." The significance of this music in relation to gay culture is further articulated by journalist and author
Paul Burston, who in his foreword to the set describes the sights and sounds he soaked up at Heaven and the Bell in London, and at the Tunnel in Cardiff. Likewise presented with a U.K. perspective and cosmopolitan appetite, the selections -- nothing shorter than a five-minute album version, all 12" versions and remixes otherwise -- are heavier on the commercial end and therefore more attractive to listeners who don't consider themselves serious collectors. It's without doubt an excellent building block covering almost the full spectrum of '80s post-disco, from synth pop and freestyle to Hi-NRG and house, created by a motley assortment of progressive underground dwellers, accidental hitmakers, cunning entryists, and even some avaricious opportunists. Furthermore, it complements previous Disco Discharge compilations with only a little overlap -- an aspect that's due in part to half the tracks dating from 1987 to 1989 and nothing predating 1981.
The discs are loosely themed and neatly sequenced with numerous connections that can be drawn from one to another. On the diva-centric, mostly Hi-NRG first disc,
the Pointer Sisters' "Jump (For My Love)" somehow sounds fresh as ever when heard between
Sheryl Lee Ralph's "In the Evening" and
Whitney Houston's "Love Will Save the Day." Hi-NRG innovator
Bobby Orlando is behind two of the tracks on the second disc,
the Flirts' bounding "Passion" and
Divine's equally buoyant "Love Reaction," the latter a comic and irresistible lift of
New Order's "Blue Monday."
Orlando produced the original version of
Pet Shop Boys' "West End Girls," and though there's nothing here by the compilation-shy
Neil Tennant and
Chris Lowe, two of the better songs the duo produced for other artists,
Liza Minnelli's "Don't Drop Bombs" and
Dusty Springfield's "In Private," appear on the third and fourth discs. The final disc, subtitled "Future Shock from the New Kids on the Block," emphasizes early singles from younger acts like Detroit's
Inner City (
Juan Atkins' remix of "Big Fun"), Chicago's
Joe Smooth ("Promised Land"), and London's own
S'Express ("Theme from S'Express"). It's not at the exclusion of veterans like former Ikette
P.P. Arnold, whose beaming voice powers
the Beatmasters' "Burn It Up," or
Vaughan Mason, the "Bounce, Rock, Skate, Roll" producer behind
Raze's "Break 4 Love," heard here in its explicit "Drop the Panties" version. Other significant tracks here include
Soft Cell's "Memorabilia" (the
Non-Stop Ecstatic Dancing version with
Cindy Ecstasy),
Frankie Goes to Hollywood's audacious and world-conquering "Relax" (the New York mix),
Company B's freestyle classic "Fascinated," and the appropriate finale (and the lone track that isn't electronic), "And I'm Telling You I'm Not Going," voiced by
Ralph's
Dreamgirls castmate
Jennifer Holliday. ~ Andy Kellman