Diary of One Who Vanished: A Song Cycle by Leos Janacek of Poems by Ozef Kalda

by Ozef Kalda, Seamus Heaney (Translator), Leos Janacek

Overview

A Cycle of Love Songs Translated by the Nobel Laureate

"Dappled woodland light,
Spring well chill and bright,
Eyes like stars at night,
Open knees so white.
Four things death itself won't cover,
Unforgettable forever."

In 1917, while reading his local newspaper, the Czech composer Leos Janacek discovered the poems that he was to set to music in his song cycle Diary of One Who Vanished. Written by Ozef Kalda and published anonymously, they tell the story of a farmer's boy who abandons his home because he has fallen in love with a Gypsy. These new English versions by Seamus Heaney were commissioned by the English National Opera for a series of international performances, which opened in Dublin in October 1999.

Product Details

ISBN-13:	9781466855649
Publisher:	Farrar, Straus and Giroux
Publication date:	01/13/2014
Sold by:	Macmillan
Format:	eBook
Pages:	48
File size:	2 MB

About the Author

Seamus Heaney (1939-2013) received the Nobel Prize in Literature in 1995. His poems, plays, translations, and essays include Opened Ground, Electric Light, Beowulf, The Spirit Level, District and Circle, and Finders Keepers. Robert Lowell praised Heaney as the "most important Irish poet since Yeats."

Leos Janacek (1854-1928) was a Czech composer, musicologist, and folklorist who pioneered the adaptation of regional folk tunes into modern musical compositions. His most famous pieces include Jenufa, The Cunning Little Vixen, and his adaptation of Fyodor Dostoyevsky's From the House of the Dead.

Ozef Kalda is the pseudonym of Josef Kalda (1871-1921), who was a prolific, genre-crossing writer from the Moravian Wallachia region of the Czech Republic. His best-known works include the novel Ogan [The Lads] and the story collection Jalovinky [Idle Talk].

Ozef Kalda is the pseudonym of Josef Kalda (1871-1921), who was a prolific, genre-crossing writer from the Moravian Wallachia region of what is now the Czech Republic. He published the twenty-two poems that comprise The Diary of One Who Vanished anonymously in a newspaper in 1916.

Kalda's best-known works include the novel Ogan [The Lads] and the story collection Jalovinky [Idle Talk].

Leos Janacek (1854-1928) was a celebrated Czech composer, musicologist, and folklorist who pioneered the adaptation of national and regional folk tunes into modern musical compositions. Janacek took much of his inspiration from Moravian and slavic folk music, and was strongly influenced by Romantic composers including Wagner and Smetana. He was also one of the first opera composers to use prose rather than poetry verse. Janacek's most famous pieces include Jenufa, The Cunning Little Vixen, and an adaptation of Fyodor Dostoyevsky's From the House of the Dead.

Editorial Reviews

Bookseller Reviews

Leos Janacek's song cycle Diary of One Who Vanished(1917) derived its text from a cycle of anonymous poems that Janacek had seen in a local newspaper. it was not until 1977, almost fifty years after the death of the composer, that it was discovered that this supposed verse diary of a love-struck Slavic peasant had been penned by poet Ozef Kalda (1871-1921). This new English version by Nobel prize winter Seamus Heaney was commissioned for a new English National Opera and National Theatre production of Janacek's work.

Barnes & Noble, Inc.

After huge success translating the Old English heroic narrative Beowulf, 1995 Nobel Laureate Heaney turns his attention to folk song. Written by an unknown poet later identified as Ozef Kalda, these poems were published in a newspaper in a town in Moravia, where the great Czech composer Leo Jan cek (1854-1928) lived and taught. At the age of 63, Jan cek had a passion-filled relationship with a young married woman he met on holiday, which in 1917-19 inspired "Diary of One Who Vanished," a song cyle, or interrelated series of lyrics, using Kalda's poems. "The standard fare of folk song," the poems recount the sad story of how a "young gypsy girl" lures a farm boy away from his home into the forest. Heaney's version of the 21 dramatic songs forms the lyrics for a new international coproduction of Jan cek's work, which had its premiere in Dublin in 1999. The ballad-like Czech setting and rural landscape of County Derry, Northern Ireland, where Heaney grew up and which has been the enduring inspiration of his work, have distinctive kinship. Elegant as a Renaissance miniature or Shakespearean song, spare yet sophisticated, this charming translation fuses a master craftsman's command of the vernacular with "love's/ Deep dream and yearning."--Frank Allen, Northampton Community Coll., Tannersville, PA Copyright 2000 Cahners Business Information.\

Library Journal

In a follow-up to his grand translation of Beowulf, Heaney brings to English a tiny cycle of Czech love poems made famous by Janacek, who first set them to music in 1919. A classic tale of forbidden love, the poems relate the experiences of a young farm boy who forsakes house and home to run off with an irresistible Gypsy girl. The boy's sexual epiphany, brought on by the girl's seductive manner and sad plight, comes off the page in tight syllabic verse that effectively captures the earthy qualities of his consuming love. Only the diary remains in the end, sole witness to this carpe diem affair, as Johnny follows his Zefka and their newborn son into the forest with the paradoxical farewell: "To find my life, I lose it." Perhaps it was the timeless drama of these slight lines that appealed to Janacek when he first spotted the 23 anonymous poems titled From the Pen of a Self-Taught Man in his local paper in May 1916 (it was not until 1977 that Kalda's authorship came to light); perhaps, too, the lure of a relationship ultimately relegated to the page intrigued this avid letter writer who saved all of his correspondence. We do know that the then, 63-year-old Janacek identified the poems' "Zefka" as one Kamila Stosslova, the muse of his last and wildly prolific years, who was 38 years his junior at the time of their meeting and who never fully returned his obsessive affection. Heaney highlights the fascinating convolutions of the Diary's compositional history in his introduction, adding that his translation was commissioned by the English National Opera and taken on by him as a sort of "experiment" in wedding a singable English version of the poems with Janacek's folkmelodies-nosmall feat.

Kirkus Reviews

Pared to the bone in its simplicity . . . [it fills] the auditorium with the familiar cadences of folk song.” —The Economist

From the Publisher