Desmond and the Very Mean Word

by Desmond Tutu, Douglas Carlton Abrams, AG Ford (Illustrator)

Overview

Based on a true story from Archbishop Desmond Tutu’s childhood in South Africa, Desmond and the Very Mean Word reveals the power of words and the secret of forgiveness.

Features an audio read-along read by Archbishop Desmond Tutu. When Desmond takes his new bicycle out for a ride through his neighborhood, his pride and joy turn to hurt and anger when a group of boys shout a very mean word at him. He first responds by shouting an insult, but soon discovers that fighting back with mean words doesn’t make him feel any better. With the help of kindly Father Trevor, Desmond comes to understand his conflicted feelings and see that all people deserve compassion, whether or not they say they are sorry. Brought to vivid life in A. G. Ford’s energetic illustrations, this heartfelt, relatable story conveys timeless wisdom about how to handle bullying and angry feelings, while seeing the good in everyone.

Product Details

ISBN-13:	9780763667979
Publisher:	Candlewick Press
Publication date:	11/12/2013
Sold by:	Barnes & Noble
Format:	eBook
Sales rank:	855,636
File size:	22 MB
Note:	This product may take a few minutes to download.
Age Range:	6 - 9 Years

About the Author

Archbishop Desmond Tutu (1931-2021) was awarded the Nobel Peace Prize in 1984 for his lifelong struggle to bring equality, justice, and peace to his native country of South Africa. He also served as Archbishop of Cape Town, South Africa, from 1986 until 1996. In 1995, former South African President Nelson Mandela asked him to lead the Truth and Reconciliation Commission, which became a model of national forgiveness and coexistence. Archbishop Tutu co-authored God Has a Dream: A Vision of Hope for Our Time and is the author of Desmond and the Very Mean Word.

Douglas Carlton Abrams is the co-author with Archbishop Tutu of God’s Dream. His many books have been translated into more than two dozen languages. He lives in California.

A. G. Ford is the illustrator of the New York Times bestseller Barack by Jonah Winter and Michelle by Deborah Hopkinson. He also illustrated Goal! by Mina Javaherbin. He lives in The Colony,Texas.

I grew up in Dallas, Texas, with two sisters and a brother. I had an active and creative mind-set from the very beginning. My hands were on everything from pencils, dirt, toys, basketballs, and bikes to whatever else I could find and explore. Busy my mind was, and still is. I honestly don’t think I ever had a choice to be an artist or an analytical thinker. My brain had already decided. I am sure to ponder the creative world endlessly.

My work usually involves people; drawing the figure is something that I enjoy very much. Some slight distortion is applied, only to set myself apart in terms of creating a style for myself. But my style evolves from project to project. My technique starts with acrylics to lay down dark and mid values. Then I lay oils on top to help create my lights. Oils can be vibrant with only one layer and dry true to their color, so I use this to my advantage when trying to work quickly. I paint on illustration board.

Three Things You Might Not Know About Me:

1. I’m a gym rat and I love to work out, go running, and be outdoors.

2. I love to cook, and I try a new recipe every Wednesday.

3. When I was little, I used to draw Ninja Turtles almost every day.

Editorial Reviews

When a group of white boys hurl racial epithets at young Desmond, he turns to his mentor, Father Trevor. But the priest’s advice—forgiveness instead of retribution—isn’t what Desmond wants to hear. “Let me tell you a secret, Desmond,” Father Trevor advises him. “When you forgive someone, you free yourself from what they have said or done. It’s like magic.” This morality tale from Archbishop Tutu and Abrams, who previously collaborated on God’s Dream, does indeed end with forgiveness and a quiet reconciliation between Desmond and one of his tormentors. However, no historical context is provided within the framework of the story (a brief intro alludes to apartheid); without more clues as to what life was like in a society that institutionalized racism, readers may be puzzled why Father Trevor doesn’t assert his moral authority on behalf of Desmond. Yes, forgiveness is important, but what about justice? Ford’s oil illustrations do a fine job of capturing the dusty days of township life, as well as Desmond’s dark nights of the soul. Ages 6–10. Agent: Lynn Franklin, Lynn Franklin Associates. Illustrator’s agent: Steven Malk, Writers House. (Jan.)

Publishers Weekly

[A] heart-rending story...
—The New York Times Book Review

Ford’s oil illustrations do a fine job of capturing the dusty days of township life, as well as Desmond’s dark nights of the soul.
—Publishers Weekly

A thought-provoking lesson for young readers on the destructiveness of bullying and racism.
—Kirkus Reviews

Writing again with Abrams (God’s Dream, 2008), Tutu offers a clear telling that feels much like a children’s homily, the earnest tone and clean language (the offending word is never mentioned) reflecting his own wholesome spirit. Ford’s dynamic paintings, with well-defined outlines and dramatic light, match the clarity of the narrative. The images fill the large-trim spreads, capturing the immediacy of the conflict and the tranquility of the resolution.
—Booklist

Archbishop Tutu describes the power of words and the secret of forgiveness in a story from his South African childhood during apartheid...The story avoids a preachy tone by staying true to Desmond’s emotions and his struggle to reach a moral high ground. The book is both a lesson and a slice of life, giving insight into the person Archbishop Tutu became as an adult.
—School Library Journal

From the Publisher

K-Gr 3—Archbishop Tutu describes the power of words and the secret of forgiveness in a story from his South African childhood during apartheid. One day Desmond rides his bike past a gang of boys, one of whom calls him "a very mean word." The pain of the word stays with him for days, following him around "like a shadow in the hot sun." A few days later, Desmond retaliates with a mean word of his own, but it leaves a "bitter taste in his mouth." Father Trevor recommends forgiveness, but the child is not ready to forgive someone who has not apologized. A week later, he sees his tormentor being harassed and is surprised to feel sorry for him. That moment sets the stage for Desmond's act of forgiveness, and he finally experiences the "magic" about which Father Trevor spoke. Ford's richly colored paintings capture life in the South African township. Light is a strong element, from the blazing sun to deep shades of night and sadness. The story avoids a preachy tone by staying true to Desmond's emotions and his struggle to reach a moral high ground. The book is both a lesson and a slice of life, giving insight into the person Archbishop Tutu became as an adult. The preface explains apartheid in child-friendly language, and the afterword tells more about the real Father Trevor. Some children might feel frustrated that the "very mean words" are never specified, but the real point of the story is the personal power one derives from letting go of revenge.—Suzanne Myers Harold, Multnomah County Library System, Portland, OR

School Library Journal

Archbishop Tutu, winner of the Nobel Peace Prize, remembers a life-changing and life-affirming moment from his childhood in racist South Africa. The boy Desmond is out for a ride on his brand-new bicycle when a white boy shouts a terrible word at him. That word is never specified, but it is one that he cannot forget. Very upset, he visits his mentor, Father Trevor, who gently instructs him on the power of forgiveness; it's something done from one's heart and does not require an admission of regret from the speaker. At first, Desmond cannot embrace this concept and shouts his own mean word back. Later, though, he sees the white boy being bullied. When the two boys encounter each other in town, the white boy shares candy with Desmond. Tutu, writing with Abrams in the third person, effectively shares his message with young readers, presenting it in humanitarian terms, not as a religious precept. Ford's full-page oil paintings are expressive, portraying anger and finally, triumph as Desmond metaphorically "embrace[s] the whole world in his outstretched arms." A thought-provoking lesson for young readers on the destructiveness of bullying and racism. (letter to readers from Tutu, author's note) (Picture book/memoir. 4-8)

Kirkus Reviews