Derivative Lives: Biofiction, Uncertainty, and Speculative Risk in Contemporary Spanish Narrative

Derivative Lives: Biofiction, Uncertainty, and Speculative Risk in Contemporary Spanish Narrative

Derivative Lives: Biofiction, Uncertainty, and Speculative Risk in Contemporary Spanish Narrative

Derivative Lives: Biofiction, Uncertainty, and Speculative Risk in Contemporary Spanish Narrative

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Overview

The title of this book, Derivative Lives, alludes to the challenge of finding one's way within the contemporary market of virtually limitless information and claims to veracity. Amid this profusion of options, it is easy to feel lost in spaces of uncertainty where biographical truth teeters between the real and the imaginative. The title thus also points to the prolific market of biographical novels that openly and intentionally play in the speculative space between the real and the fictional.

Drawing on theories of risk and uncertainty, Derivative Lives considers the surge in biofiction in Spain and globally, relating literary expression to concepts such as circumstantiality, derivatives, speculation, and game studies.


Product Details

ISBN-13: 9781501386947
Publisher: Bloomsbury Academic
Publication date: 02/22/2024
Series: Biofiction Studies
Pages: 248
Product dimensions: 6.00(w) x 9.00(h) x 0.51(d)

About the Author

Virginia Newhall Rademacher is Professor of Hispanic Literature and Cultural Studies at Babson College, USA. She has published widely on genre, identity, and new narrative formats, including the contemporary surge in biofiction. Among others, her publications have appeared in a/b:Auto/Biography Studies, American Book Review, Persona Studies, Economistas, Hispanic Issues, Jourbanal of Spanish Cultural Studies, Ciberletras, and Monographic Review.

Table of Contents

Acknowledgements
Introduction
SECTION I The Circumstantial Case: Chasing Criminals/Tracing Traumatic Histories
1. Making the Circumstantial Case: Reasonable Doubt and Moral Certainty in Javier Cercas' Soldiers of Salamis
2. Fugitive Biofictions: Antonio Muñoz Molina's Like a Fading Shadow and Gabriela Ybarra's The Dinner Guest
SECTION II Speculative Truths and Derivative Fictions
3. Entertaining the What-Ifs in Rosa Montero's The Madwoman of the House and the Ridiculous Idea of Never Seeing You Again
4. Fraudulent Pasts and Fictional Futures in Javier Cercas' The Impostor and Adolfo García Ortega's The Birthday Buyer
SECTION III Critical Play in Biofictional Games
5. Playing for Real: Simulated Games of Identity in Lucía Etxebarria's Courtney and I and Truth is Nothing but a Moment of Falsehood
Appendices to Chapter 5
6. Literary Afterlives and Paratextual Play: Elvira Navarro's The Last Days of Adelaida García Morales and Antonio Orejudos's The Famous Five and Me
Coda: Biofiction's Antidotes to Post-Truth
Endnotes
Bibliography
Index

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