Freed from
the Sugarcubes' confines,
Bjoerk takes her voice and creativity to new heights on
Debut, her first work after the group's breakup. With producer
Nellee Hooper's help, she moves in an elegantly playful,
dance-inspired direction, crafting highly individual, emotional
electronic pop songs like the shivery, idealistic
"One Day" and the bittersweet
"Violently Happy." Despite the album's swift stylistic shifts, each of
Debut's tracks are distinctively
Bjoerk.
"Human Behaviour"'s dramatic percussion provides a perfect showcase for her wide-ranging voice;
"Aeroplane" casts her as a yearning lover against a lush,
exotica-inspired backdrop; and the spare, poignant
"Anchor Song" uses just her voice and a brass section to capture the loneliness of the sea. Though
Debut is just as arty as anything she recorded with
the Sugarcubes, the album's
club-oriented tracks provide an exciting contrast to the rest of the album's delicate atmosphere.
Bjoerk's playful energy ignites the
dance-pop-like
"Big Time Sensuality" and turns the genre on its head with
"There's More to Life Than This." Recorded live at
the Milk Bar Toilets, it captures the dancefloor's sweaty, claustrophobic groove, but her impish voice gives it an almost alien feel. But the album's romantic moments may be its most striking;
"Venus as a Boy" fairly swoons with twinkly vibes and lush strings, and
Bjoerk's vocals and lyrics -- "His wicked sense of humor/Suggests exciting sex" -- are sweet and just the slightest bit naughty. With harpist
Corky Hale, she completely reinvents
"Like Someone in Love," making it one of her own
ballads. Possibly her prettiest work,
Bjoerk's horizons expanded on her other releases, but the album still sounds fresh, which is even more impressive considering
electronic music's whiplash-speed innovations.
Debut not only announced
Bjoerk's remarkable talent; it suggested she had even more to offer. ~ Heather Phares