Death in Venice: A Queer Film Classic

by Will Aitken

Overview

A Queer Film Classic on Luchino Visconti's lyrical and controversial 1971 film based on Thomas Mann's novel about a middle-aged man (played by Dirk Bogarde) vacationing in Venice who becomes obsessed with a youth staying at the same hotel as a wave of cholera descends upon the city. The book analyzes its cultural impact and provides a vivid portrait of the director, an ardent Communist and grand provocateur.

Will Aitken's novels include Realia and Terre Haute. Arsenal's Queer Film Classics series cover some of the most important and influential films about and by LGBTQ people.

Product Details

ISBN-13:	9781551524191
Publisher:	Arsenal Pulp Press, Limited
Publication date:	12/27/2011
Series:	Queer Film Classics Series
Sold by:	Barnes & Noble
Format:	eBook
Pages:	160
File size:	1 MB

About the Author

Will Aitken: Will Aitken is a novelist, journalist, screenwriter, multimedia director and teacher born in Terre Haute, Indiana and now based in Montreal. His novels include Realia, A Visit Home and Terre Haute. He has written for The Paris Review and a variety of other publications and worked as a writer-broadcaster for the CBC, the BBC and NPR.

Editorial Reviews

Aitken zigzags from Platen to Plato to Visconti's love life with irresistible charm. Reading this book is like eating chocolate mousse.
—The Washington Post

Andrew Holleran

"A romp ... Aitken zigzags from Platen to Plato to Visconti’s love life with irresistible charm." —Andrew Holleran, Washington Post

"There is much to admire in Aitken's poetic and personal account of the film ... [It] begins to unfold the complexity and richness of a film whose true brilliance many have yet failed to appreciate." —Film Quarterly

"Will Aitken’s superb study of Death in Venice grasps the prickliest nettles surrounding the film – just how homosexual Mann, the novel and the film really are, the notion of decadence, the film’s soporific languor and its supposed queer abjection—and subjects them to a scrutiny at once unflinching, generous and constantly illuminating. This is a model of how to intertwine personal response, empirical detail, precise filmic description and wider theoretical issues without ever collapsing these into each other. And it is written with a wonderfully judged wryness and fluency that beautifully evokes and vindicates a magnificent, troubling film." —Richard Dyer

"As a longtime devotee of the films of Luchino Visconti, I’m thrilled to report that this new critical study on the work of Visconti is an admirable addition to any film aficionado’s library." —Gay & Lesbian Review

From the Publisher