Dead to Me

A riveting, sharply observed and thoroughly modern police procedural, Dead to Me features a stellar but unlikely female detective team.

Detective Constable Janet Scott is subtle and reliable, a diplomatic thinker with a wry sense of humor. She's put in the time and seen it all, but has no desire for the boss's job—she loves her own too much. Rachel Bailey couldn't be more different—she's energetic, impulsive, and ambitious, and has just been transferred to the Manchester murder squad. Their commander thinks Rachel's intuition could make her a great cop, but has reservations about her shoot-first-think-later approach, so she partners her with Janet.

At first, the match seems to have been made somewhere considerably lower than heaven, but when a teenage girl is found brutally murdered, stabbed to death in her squalid flat on a North Manchester housing estate, both detectives realize they must work together to stop a vicious killer. But the case quickly becomes more complicated than it seems, fraught with dangers neither woman could see coming. Eager to make her mark, Rachel's reckless pursuit of the truth could threaten her future on the squad. And an unexpected turn in the investigation forces Janet to face personal demons.

No matter the cost, both must race to stop a vicious killer before it's too late in this riveting novel from award-winning author Cath Staincliffe.


"It's always exciting to see a writer get better and better, and Cath Staincliffe is doing just that." --Val McDermid

"1115382451"
Dead to Me

A riveting, sharply observed and thoroughly modern police procedural, Dead to Me features a stellar but unlikely female detective team.

Detective Constable Janet Scott is subtle and reliable, a diplomatic thinker with a wry sense of humor. She's put in the time and seen it all, but has no desire for the boss's job—she loves her own too much. Rachel Bailey couldn't be more different—she's energetic, impulsive, and ambitious, and has just been transferred to the Manchester murder squad. Their commander thinks Rachel's intuition could make her a great cop, but has reservations about her shoot-first-think-later approach, so she partners her with Janet.

At first, the match seems to have been made somewhere considerably lower than heaven, but when a teenage girl is found brutally murdered, stabbed to death in her squalid flat on a North Manchester housing estate, both detectives realize they must work together to stop a vicious killer. But the case quickly becomes more complicated than it seems, fraught with dangers neither woman could see coming. Eager to make her mark, Rachel's reckless pursuit of the truth could threaten her future on the squad. And an unexpected turn in the investigation forces Janet to face personal demons.

No matter the cost, both must race to stop a vicious killer before it's too late in this riveting novel from award-winning author Cath Staincliffe.


"It's always exciting to see a writer get better and better, and Cath Staincliffe is doing just that." --Val McDermid

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Dead to Me

Dead to Me

by Cath Staincliffe
Dead to Me

Dead to Me

by Cath Staincliffe

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Overview

A riveting, sharply observed and thoroughly modern police procedural, Dead to Me features a stellar but unlikely female detective team.

Detective Constable Janet Scott is subtle and reliable, a diplomatic thinker with a wry sense of humor. She's put in the time and seen it all, but has no desire for the boss's job—she loves her own too much. Rachel Bailey couldn't be more different—she's energetic, impulsive, and ambitious, and has just been transferred to the Manchester murder squad. Their commander thinks Rachel's intuition could make her a great cop, but has reservations about her shoot-first-think-later approach, so she partners her with Janet.

At first, the match seems to have been made somewhere considerably lower than heaven, but when a teenage girl is found brutally murdered, stabbed to death in her squalid flat on a North Manchester housing estate, both detectives realize they must work together to stop a vicious killer. But the case quickly becomes more complicated than it seems, fraught with dangers neither woman could see coming. Eager to make her mark, Rachel's reckless pursuit of the truth could threaten her future on the squad. And an unexpected turn in the investigation forces Janet to face personal demons.

No matter the cost, both must race to stop a vicious killer before it's too late in this riveting novel from award-winning author Cath Staincliffe.


"It's always exciting to see a writer get better and better, and Cath Staincliffe is doing just that." --Val McDermid


Product Details

ISBN-13: 9781250038531
Publisher: St. Martin's Publishing Group
Publication date: 01/14/2014
Sold by: Macmillan
Format: eBook
Pages: 400
File size: 689 KB

About the Author

CATH STAINCLIFFE is an established novelist and creator of the hit UK TV series Blue Murder. Cath has been short-listed for the Crime Writers' Association's John Creasey Best First Novel Award for her acclaimed Sal Kilkenny series (which began with Looking for Trouble), as well as for the Dagger in the Library Award. Most recently, she was a joint winner of the CWA Short Story Dagger Award. She is a founding member of Murder Squad, a group who promote crime fiction. Cath lives in Manchester, England with her partner and family.


CATH STAINCLIFFE is an established novelist and creator of the hit UK TV series Blue Murder. Cath has been short-listed for the Crime Writers’ Association’s John Creasey Best First Novel Award for her acclaimed Sal Kilkenny series (which began with Looking for Trouble), as well as for the Dagger in the Library Award. Most recently, she was a joint winner of the CWA Short Story Dagger Award. She is a founding member of Murder Squad, a group who promote crime fiction. Cath lives in Manchester, England with her partner and family.

Read an Excerpt

Dead To Me


By Cath Staincliffe

St. Martin's Press

Copyright © 2012 Transworld Publishers
All rights reserved.
ISBN: 978-1-250-03853-1


CHAPTER 1

Rachel Bailey stood, freezing her tits off, on a crime-scene cordon in north Manchester. From her vantage point, at the edge of the recreation ground, she had a view across the rows of rooftops that rippled down the hillside, punctuated here and there by the bulk of a mill rising from the streets built in the same red brick as everything else. One she could see had its name picked out in white brick on the square mill tower: Heron. Rachel had been brought up in streets like this; well, dragged herself up, more like. A couple of miles to the west. Sunny Langley. Manchester didn't really stop, Rachel thought; there were boundaries of course, but you couldn't see the join. The city bled into the satellite towns that ringed the plain: Oldham, Rochdale, Ashton and on to even higher ground. The houses gradually changing from these brick mill terraces to stone-built weaver's cottages, getting smaller and sparser as the developments petered out on the foothills of the Pennines. The place looked tired and mucky this time of year, the brick dull, trees bare, the grass on the field yellow and scrubby.

Rachel shivered and stamped one foot then another. Sparrow's fart, November and she could see her breath, the same colour as the mist that hovered over the recreation ground, rising and floating a couple of feet above the grass. A special effect from a horror movie, but this was real life, her life. Nowhere else she'd rather be.

Manchester city centre lay on the far horizon, muffled in cloud, the Hilton tower breaking through, a tall, straight line. Nick's flat was near there. He would be down at the station now, Piccadilly to Euston. He was opening for the defence at the Old Bailey tomorrow. She couldn't help grinning as she remembered his excitement last night; his chambers were really backing him, a rising star. Impossible to know how long he'd be away for. But that was the score. My hotshot barrister, she thought, not bad for a kid from the wrong side of the tracks.

She narrowed her eyes as a car drew up and parked on the edge of the outer cordon. Her role, until uniform arrived and took over, was to make sure no one gained entry who didn't need to be there. Protect and secure the scene, preserve and recover evidence. One stray person could ruin everything. Today Rachel was an intelligent guard dog. She only knew the basics at this stage: dead body, white male.

Nowhere else she'd rather be. Not strictly true – she'd rather be inside the cordon than guarding the periphery. She'd rather be in an MIT syndicate some day. Major Incidents: running a team, catching killers. But there was no shortcut. She had to work her way up, build her portfolio. And she was on track, she allowed herself a little pat on the back. Five years in uniform, nearly five in Sex Crimes. Stepping stones, foundations for the bigger stuff. Rachel did another shuffle, waved her arms to get the circulation going. Times like these she made the best use of, alert to what was required of her, but in the lulls when no one was entering or leaving the scene she practised her definitions. Knowing the law, criminal law, inside out, upside down; because anyone who had to enforce the law needed to understand it. She was practising homicide, murder or manslaughter now. That's where she wanted next. It was a big jump and they were queuing round the block for opportunities. She just needed a chance, an opening, and she needed to spot it before her competitors.

Rachel glanced behind her where the CSIs were still busying about, the tent now up, protecting the scene. She wanted to pee, but it could be hours. They never put that in the job description. Candidates must be able to demonstrate significant bladder capacity.

In the valley, a train sounded its hooter, taking people into work. Greater Manchester conurbation, home to 2.6 million people. In the police service over 8,000 cops, and Rachel was one of them, the only job she'd ever wanted. She could see the arterial roads filling up with commuters, too. The dual carriageways funnelling traffic to the M60 and the M62. Manslaughter: voluntary and involuntary. Voluntary manslaughter – due to ... diminished responsibility, loss of control ...

She watched the new arrival, suited, booted, carrying a face mask and gloves, cross the grass to meet her. 'Constable,' the woman said, barely glancing at Rachel, and made to pass through the cordon.

'Identification,' Rachel said bluntly, blocking her way.

The woman sighed, patted at her sides, then shoved a hand down the front of her disposable jumpsuit. 'Fuck,' she barked.

Rachel blinked, waited.

'DCI Gill Murray,' the woman rattled off, 'SIO.'

Shitshitshit. Gill Murray. And Rachel hadn't even recognized her. Blame the protective suit. Golden girl Gill. Though the gold had tarnished a bit since all the stuff with her husband. Rachel swallowed. 'I still need formal identification. "The preservation of the scene is a primary responsibility",' she quoted. '"No exceptions".'

The DCI threw up her hands, bawled, 'No exceptions, ma'am!'

'Right, ma'am.' Rachel should have automatically added a term of respect, either boss or ma'am or chief inspector. Failing to do so gave an impression of in-subordination. You never knew with bosses what they'd favour: some wanted rank and only rank, others were on first-name terms with everyone. Rachel had decided when she got to fling her weight around she'd want to be called boss. Not ma'am like some minor royalty, an old trout in a tiara.

Gill Murray flailed her hands again, turned round on the spot, first one way then the other, as if she was doing some weird robotic dance, then stalked off back across the grass.

Rachel had imagined she'd be taller, tall and slim like Rachel herself. But Murray was more petite. Looked good for her age; must have fifteen years on Rachel. Perhaps she'd had some 'work' done.

Inside her jacket, Rachel could feel a prickle of sweat under her arms. Stuff her, she told herself, if I'd let her through without ID, I'd have been in for a bollocking by the crime-scene manager. 'Procedure is there for a reason,' the instructor had drilled into them at training, 'because it works. Brains far mightier than yours have spent years identifying how we detect and prosecute crimes. You prat about, missing a step, trying to take a shortcut and nine times out of ten you're handing our offender a get-off-scot-free card. Do it. Do it how it should be done. Do it right.'

The DCI arrived back, her mouth screwed up tight, thrust a lanyard with her warrant card at Rachel. Painted nails, Rachel noticed, scarlet talons. There was something birdlike about the woman. Hawkish, attractive, cheekbones like scalpels, but hawkish all the same.

'DCI Gill Murray,' the woman said, her eyes flashing. Or reptilian, Rachel thought: lizard, velociraptor.

'Thank you,' Rachel said. She pulled off one of her thermal gloves and made a note in the log.

'And your name, Constable?' Gill Murray said brusquely, pulling on her disposable gloves with a snap-snap.

Rachel took a breath. Oh God I am such a dick. She's gonna what ... report me for doing my job? 'DC Rachel Bailey.'

'Working out of ...?' Nose wrinkled, as if Rachel was something she'd found on her shoe.

'Sex Crimes, boss.'

'Line manager?'

'John Sutton.' Sutton the Glutton.

'Right,' the DCI said, a sharp jerk of her head and she stepped through to the crime scene.

Rachel put her glove back on, her fingertips stung with cold. She wanted a fag now; a fag, a pee and a bacon-and-egg sandwich. And a hole in the ground to hide in while Gilly-knickers dreamt up her punishment.

They told us there were no superior officers, Rachel thought; senior, but not superior. Reflecting a more democratic force. You weren't supposed to say force any more either – too many connotations of police brutality and deaths in custody, riot gear. A service not a force, partnership with the people. Seemed they'd forgotten to tell Gill Murray she was no longer superior, treating Rachel like a kid who'd wet herself in assembly. I don't care, Rachel told herself, screw her. Godzilla. But she did care really. She really, really cared, because Gill Murray – well, she'd been the one Rachel wanted to be. The one Rachel followed in the news, the one everybody agreed was a superb detective, an inspired strategist, a charismatic leader. Clever and forward-thinking. The one who had broken through the glass ceiling without a scratch to show for it. And hadn't hauled the ladder up after her. Rachel had dreamed of meeting her, working with her someday. But now? She shook her head, annoyed, stamped her feet. The clouds were darkening, heavy and slate-coloured, blotting out the horizon. Sleet on the way. A kid on a bike circled at the edge of the outer cordon, stared over at her for a moment, then spat on the floor and swooped off.

Tosser, Rachel thought. Infanticide ... killing by any wilful act or omission of a child under twelve months old ...


* * *

The call came three weeks later. Rachel was processing papers for an indecency hearing. She'd got a head cold and it felt as though all the cavities in her skull were filled with heavy-duty glue and her throat with sand. She was still in work. Never took a sickie: she might miss something.

Her phone rang and she picked it up. 'DC Bailey.' Checked the time, pen poised over her daybook.

'Rachel – Gill Murray.' Clipped, bossy.

Rachel waited for the blow to land. Drew a noose in her notebook.

'I want you in my syndicate, week on Monday, Chadderton. Shift starts at eight.'

CHAPTER 2

'Rachel Bailey.'

She said it like a threat, thought Janet, studying the woman who slammed her bag down on the desk facing hers and looked about as if disgruntled at what she found.

'DC,' Rachel Bailey added, and message delivered, gave a nod. Sat down.

'Janet Scott,' Janet said.

'Yeah, she said she wanted to put me with you.'

Oh, joy. Janet kept her expression open, pleasant, as she wondered what on earth Gill was playing at. They were already carrying Kevin, a knob who did knobby things, as a favour to Gill's mate on one of the other syndicates. And now she pitches up with a kid who has far too much attitude, a half-sneer on her face, and should have gone into modelling or lap-dancing, got the looks for it, and dumps her on Janet.

Janet went back to her screen, checking through her emails, clearing her actions completed, getting up to speed on work in progress.

'So – you been here long?' Rachel Bailey asked.

Janet was reminded of playground interrogations – what's your name, where d'you live? All front and nerves shredding underneath.

'Thirteen years, twenty-five on the job.'

Rachel froze, looked at her. 'Straight up?' Why would I lie? 'Yeah.'

'Never gone for promotion?' Rachel said.

'Yeah.' Shaking her head slightly, tragic or what? Janet wasn't bothered. She knew she was good at her job. She'd done a shedload of courses and got all the accreditations to prove it. She'd not the slightest interest in climbing the greasy pole. For what? Ulcers and politics and even more pressure? Promotion was a route away from the coalface, from the hands-on, face-to-face, stink-in-your-nose reality of catching killers. Gill Murray never got to so much as interview a suspect or a witness any more. She went to the scene and the post-mortem and she coordinated each investigation, managing her team, thinking about loopholes and implications, complications. Assessing evidence as they delivered it to her: was it robust enough for the CPS? Would it stand up in Crown Court? At appeal, in Europe? None of that pushed any buttons for Janet. She wanted to be eyeball-to-eyeball with the people who had done it, the people who had seen what was done. Making them sing.

'Not long till retirement,' Rachel observed, pegging Janet for Mrs Average, time-server. The girl clicked her mouse, began to peer at her monitor. 'Kids?' Rachel asked.

'Two,' Janet said, a little echo of sadness inside. Happy for the newcomer to pigeonhole her: working mum, not fully committed either way, never gone for promotion, not had the drive, the vision, the brains. Mediocre. Just hanging on for her pension. Shoot me now.

The girl gave her a pitying look, then, losing interest, swivelled in her chair, scoping the room again. No one else in yet. Quarter to eight. The kid sighed, pulled her hair – glossy brown and waved (an effect that would take Janet's eldest, Elise, all morning to achieve) – up into a ponytail, let it drop.

'What about you?' Janet kept it civil.

'God no. Not the maternal type.'

She sounded almost like a teenager, that practised disdain, but she must be in her late twenties, Janet guessed. 'Where were you before?' Teeth not quite gritted.

'Sex Crimes, with Sutton,' Rachel said.

'John Sutton?'

Rachel nodded, glanced at her watch. 'I need a fag. Is there ...' She whirled a finger in the air, asking for directions.

Janet toyed with the idea of sending her the wrong way, but only because the girl had got her back up. She'd never be that petty. 'Along the corridor, down the stairs, side door on the ground floor.'

Rachel snatched her bag and swung herself to her feet.

Janet watched her go. Took a breath, lowered her shoulders and returned to her inbox.


* * *

The office was open-plan, not a large space, desks crammed together in pairs, each with its computer terminal and phone. There was a bigger meeting room off it, which they used for briefings. Gill had a room to herself, roughly two and a half paces from Janet's desk. She was generally visible through the glass partition, unless she closed her blinds. It was a bad sign when the blinds went down. The team would wait, people trying to work more quietly, waiting to see who was in for a bollocking.

Gill was in before the others and Rachel was still off having her nicotine fix so Janet went straight into Gill's office.

The DCI had barely got her coat off when Janet jumped in: 'Why me?'

Gill froze, tilted her head to one side. 'It's an interesting philosophical question, kid, but you're going to have to give me a bit more ...'

'Rachel Bailey.'

'She's here?' Gill beamed.

'I don't want her,' Janet said.

'Reason?'

'I've already got one teenager at home, and her sister's in a permanent state of revolution, I can do without it at work. Why put her with me? Put her with Mitch.'

'What's she done to you?' Gill was shifting through paperwork on her desk now, easing into her chair. 'She's only been here five minutes.'

'Five minutes too long. Who sent her?'

'I picked her.'

'You picked her,' Janet said, appalled. 'Can't you unpick her?'

'She's a bit rough around the edges,' Gill allowed.

'Dog rough,' said Janet. A pit bull bitch, she thought but that seemed too harsh. Rude. 'Give her to Pete or Lee, or any of them.'

Gill took her glasses from her case, set them down and stared at Janet for a moment, then slapped her palms on her desk. 'She stays with you. That's how I want it.'

'Gill,' Janet groaned.

'End of.' Gill held up her hands, brooking no further discussion.

'Six weeks,' Janet tried. 'If I still feel the same ...'

'We'll see.'

'We'll see!' Janet mocked, laughing. 'We'll see? That's what I say to the girls: "We'll see." It usually means, No, but I haven't got the energy to argue with you now.'

'You'll be good for her.' Gill slid her glasses on and began to open files on her computer.

'Sounds like a parasitic relationship,' Janet said.

'Symbiotic – she'll bring a bit of life into the place, shake the dust off.'

'What are you saying?' Was Gill implying she'd grown stale?

At that point, Rachel strode back into the outer room, distracted but altering her demeanour, straightening her spine, as she caught sight of Gill through the glass.

'Welcome,' Gill shouted, waved a hand but didn't get to her feet. 'Team meeting in ten. Pack drill then.'

Rachel nodded. 'Great.' She sat back at her desk.

Janet waited for a second longer, but Gill, already devouring the information on the screen, pointed a finger towards the door. Dismissed.

As Janet sat down, Rachel leaned forward and whispered, 'What's she like? Bit of a dragon?' signalling with an upward flick of her eyes that she meant Gill in the office behind her.

'Gill?' Janet moved closer, eyes narrowing, sneaky and confidential. 'She's fucking brilliant!'


(Continues...)

Excerpted from Dead To Me by Cath Staincliffe. Copyright © 2012 Transworld Publishers. Excerpted by permission of St. Martin's Press.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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