Dead People: A Mystery

Award-winning writer Ewart Hutton's Dead People provides a thrilling story and a most welcome revisit of the Welsh countryside and the fascinating character of Detective Sergeant Glyn Capaldi.

Capaldi, in disgrace and exiled from Cardiff to the deep heart of rural Wales, is called to the discovery of a human skeleton at a remote site in the hills during excavation work for a new wind farm. The body, missing its head and hands, is unidentifiable. When other bodies are uncovered, Capaldi's superiors assume that it is either the work of a hit squad or a serial killer, and that the site is just a dumping ground.

Capaldi is not convinced. To him, the remoteness of the location points to local knowledge. However, an apparent suicide in the valley, along with incriminating evidence, appears to back up his superiors' theory. Believing that they have found the killer, they move the investigation to the city to try and discover the identity of the victims. Capaldi is left in place to tidy up the loose ends. He sets about trying to discover a motive among the varied characters that inhabit the area. To achieve this he also has to try and unravel the mystery of who these dead people were and why they were buried in this particular location all those years ago.

1115382390
Dead People: A Mystery

Award-winning writer Ewart Hutton's Dead People provides a thrilling story and a most welcome revisit of the Welsh countryside and the fascinating character of Detective Sergeant Glyn Capaldi.

Capaldi, in disgrace and exiled from Cardiff to the deep heart of rural Wales, is called to the discovery of a human skeleton at a remote site in the hills during excavation work for a new wind farm. The body, missing its head and hands, is unidentifiable. When other bodies are uncovered, Capaldi's superiors assume that it is either the work of a hit squad or a serial killer, and that the site is just a dumping ground.

Capaldi is not convinced. To him, the remoteness of the location points to local knowledge. However, an apparent suicide in the valley, along with incriminating evidence, appears to back up his superiors' theory. Believing that they have found the killer, they move the investigation to the city to try and discover the identity of the victims. Capaldi is left in place to tidy up the loose ends. He sets about trying to discover a motive among the varied characters that inhabit the area. To achieve this he also has to try and unravel the mystery of who these dead people were and why they were buried in this particular location all those years ago.

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Dead People: A Mystery

Dead People: A Mystery

by Ewart Hutton
Dead People: A Mystery

Dead People: A Mystery

by Ewart Hutton

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Overview

Award-winning writer Ewart Hutton's Dead People provides a thrilling story and a most welcome revisit of the Welsh countryside and the fascinating character of Detective Sergeant Glyn Capaldi.

Capaldi, in disgrace and exiled from Cardiff to the deep heart of rural Wales, is called to the discovery of a human skeleton at a remote site in the hills during excavation work for a new wind farm. The body, missing its head and hands, is unidentifiable. When other bodies are uncovered, Capaldi's superiors assume that it is either the work of a hit squad or a serial killer, and that the site is just a dumping ground.

Capaldi is not convinced. To him, the remoteness of the location points to local knowledge. However, an apparent suicide in the valley, along with incriminating evidence, appears to back up his superiors' theory. Believing that they have found the killer, they move the investigation to the city to try and discover the identity of the victims. Capaldi is left in place to tidy up the loose ends. He sets about trying to discover a motive among the varied characters that inhabit the area. To achieve this he also has to try and unravel the mystery of who these dead people were and why they were buried in this particular location all those years ago.


Product Details

ISBN-13: 9781250019646
Publisher: St. Martin's Publishing Group
Publication date: 04/15/2014
Series: Glyn Capaldi Series , #2
Sold by: Macmillan
Format: eBook
Pages: 368
File size: 886 KB

About the Author

Ewart Hutton was born and raised in and around Glasgow before slipping south to the University of Manchester, and then on to diverse occupations in London. His first novel, Good People, was shortlisted for the Crime Writers' Association's John Creasey (New Blood) Dagger. Hutton has won numerous awards and prizes for his radio plays, which have been produced for BBC Radio 4 in London and Cardiff. He lives in southern France with his wife.


EWART HUTTON was born and raised in and around Glasgow before slipping south to university in Manchester, and then on to diverse occupations in London. He has won numerous awards and prizes for his radio plays which have been produced for BBC Radio 4. His first novel, Good People, was shortlisted for the Crime Writers’ Association’s John Creasey New Blood Dagger. He lives with his wife in France.

Read an Excerpt

Dead People


By Ewart Hutton

St. Martin's Press

Copyright © 2013 Ewart Hutton
All rights reserved.
ISBN: 978-1-250-01964-6


CHAPTER 1

Boy had my life turned glamorous since my ejection from Cardiff. Not too many cops get to start off their day trying to chase down a character who is castrating ram lambs, and end it in the company of a mutilated corpse. At that precise moment, however, I was still at the crappy midpoint of that day. And lost.

It didn't help that I knew exactly where I was lost. Pinpoint stuff. The satnav was telling me that I was deep smack bang in the middle of a conifer forest in Mid Wales. I could almost smell the resin coming off the satnav screen. The problem was that I was on a logging trail that didn't exist. It didn't surprise me. I had had enough experience of forestry tracks by now to know that they were a constantly shape-shifting and mutating phenomenon.

'Sergeant, someone's nicked a bulldozer.'

I had taken the call in a moment of reckless altruism. Helping out my local colleagues. And, admittedly, to take a break from my sheep-molesting case, which was going nowhere, and giving me the blues. A Forestry Commission operative had called in to report that they had had some plant stolen. Chainsaws, I figured, protective clothing, brush-cutters, a generator at most.

I hadn't thought big enough.

I met the guy in a large clearing where the logging tracks forked off and wound up the hill. We were both working on a Sunday, although he looked less happy about it than I was. It was voluntary on my part. I had found even the routine drudgery of updating my investigation reports preferable to the stretched-out grey static numbness that constituted the Sabbath in these parts. The prospect of chasing down a lost bulldozer had seemed positively radiant for a while.

From where we stood, I could see that rain and trucks had turned the surface into a superfine slurry of light-grey mud. Stripped branches from fir trees were strewn along the side of the tracks, as if a religious procession had suddenly taken fright and bolted off, leaving their devotional foliage behind.

'Is this where it was taken from?' I asked, making a professional show of casing the surroundings.

'No, it was further up. On a spur. We were using it to clear a new trail.'

'When did you last see it?'

'Friday.'

No one had reported a bulldozer ripping up the streets of any of the neighbouring villages. 'Are you sure it isn't still up there?' I asked.

He gave me a hurt look.

'Okay,' I relented, 'I'll go up and check it out.'

He gave me directions. 'Don't you want a description?' he shouted after me as I headed for my car.

I didn't need one. I knew it would be yellow and big, with shiny stainless-steel hydraulic shafts, and that it would smell of diesel and rust and that grim, grey, heavy clay that had never been meant to be turned over into the light of day. I also knew, in my heart of hearts, as I started my engine, that I would get lost. I always did in these places. It was the same, I reckoned, with the bulldozer. It hadn't been stolen. It had just got lost. It had succumbed to the weirdness that were forestry tracks.

I got out of the car now. The drizzle was as fine as a mist. The silence was total. No birds. I looked out into the thick, dark, matted mass of Sitka Spruce, or whatever the fuck kind of trees they were. The perspectives were tight and mesmeric. Strange and creepy. I wasn't cut out for this. Lost in Pig Wales. A real country policeman wouldn't get lost. He would find missing bulldozers, deliver lambs, and have his own pet collie. Me, I still needed buildings and corners, streetlights, signs that announced where I was.

I kicked a stone out over the edge of the track and incanted a curse on DCS Jack Galbraith. It worked to break the spell. I heard the sound of an engine approaching.

It was the Forestry Commission guy in his crew-cab pickup. 'Where the hell did you get to?' he shouted, leaning out of his window. 'I've been waiting for you for half an hour.'

'I must have missed the turning,' I confessed.

'Your people have been trying to get in touch with you.'

He let me try his radio. But the weirdness had got to it too. An earful of feedback and static.

'It could be important. I'm going to have to go down the hill to call in,' I told him, climbing back into my car.

'What about my bulldozer?' he shouted after me.

'I'll be back,' I lied. It was time to cut altruism adrift. Perhaps, I prayed as I drove, they were calling in to say that they had nailed my man. So that I could forget about him and the veterinary equivalent of pincer pliers that he was using to crimp the vasa deferentia of Badger Face Welsh Mountain tup lambs. The bastard was selective. Just that one breed, no others. And he could get close to them. He obviously knew his way around sheep, and how to handle them. I was supposed to be the good guy and they ran away from me.

I pulled off the road as soon as the signal bars on my mobile phone showed a flicker of life. I looked at the skyline. Clouds thickening and greying-up in the south-west. I never used to do this in the city. There, weather was something that trailed on in, after the television news. Out here, I had discovered that it was useful to know what degree of wetness to expect.

I called in: 'DS Glyn Capaldi. Someone's been trying to reach me.'

'Sergeant Capaldi ...' the dispatcher gasped. But it wasn't hero-worship, as I was soon to learn. It was excitement. She was making her first real dead-corpse transmission. 'Detective Chief Inspector Jones wanted us to get a message through to you.' She took in a deep, savouring breath. 'There's a possibility that human remains have been discovered. He would like you to get to the site as soon as possible, and he will call you there. I'll inform him that you are on your way now, shall I, sir?'

'Whoa, whoa, whoa,' I said, trying to rein her in before she cut me off in her eagerness to get back to Bryn Jones. 'You'd better tell me where I'm supposed to be going.'

'Sorry, sir. It's Cwm Cesty Nant —'

'Sweetheart,' I cut in over her big moment, as gently as I could, 'could you just give me the coordinates, my satnav system doesn't speak Welsh yet.'

* * *

It was the construction site for a wind farm. Not that far from Dinas. I turned off the main road into a small, level-bottomed valley, with the ubiquitous tufts of forestry plantation on the surrounding hills looking like a fungal disease. The river was shallow and wide, and looked grander than it was. The fields were peppered with moraine boulders, and the occasional sprawl of waste from old lead workings.

The track ran up a narrow cwm that curved round on itself, cutting off my view of the valley. It was of recent construction, crushed stone, professionally laid and rolled, with proper culverts and drainage. Around another bend the cwm widened and levelled out onto a small, marshy plateau below the main ridge. I had arrived at the construction site. Temporary buildings on jacks, parked cars, a couple of crew-carrier pickups with the company logo, and diggers, rollers and earthmovers standing idle. For a whimsical moment, I wondered whether my lost bulldozer could have run away from home to take up with this circus.

I drove up slowly, aiming for the knot of people and the marked police car parked above the site huts. I assessed as I got closer. Earth and stone pushed into low mounds from where they were excavating for roadways and turbine bases. Piles of fresh stone and drainage pipes waiting to go down. A lot of mud and a lot of dirty water, standing and running.

The two uniform cops were talking to a couple of civilians beside the roughly rectangular outline of one of the base excavations. One of the civilians, I noted, trying not to be surprised, was unmistakeably female. The remainder of the onlookers, all site workers by the look of them, were congregated on my side of the police car.

The big uniform with the bolt-on Stalin moustache, Emrys Hughes, was the local sergeant, an old-school up-country cop, who resented what he had taken to be my intrusion onto his parish. The fact that I had never had any choice in the matter hadn't cut any ice. I recognized his sidekick, a young constable, but couldn't put a name on him.

Emrys turned away from the two civilians and made a show of watching my approach. Not quite tapping his feet, but definitely playing a man whose patience was being stretched. He bent his head and whispered something to his partner. Both then made a point of staring at me and grinning.

They shouldn't have. Now I was going to have to overcompensate.

I got out of the car and looked slowly around, not focusing on anything. Letting the message sink in that I was not coming to Emrys. He shrugged wearily for the sake of his audience, and sauntered over with his sidekick. 'You took your time.'

I ignored the barb. 'Why haven't you taped the site off?'

He pulled a quizzical face and half spun around, as if to make sure that I was really addressing him. He spread his hands expansively. 'Where does the site end and the mud pile begin? You tell me.'

He had a point. The excavators had been hard at work; the entire area was a mess of churned soil and broken stone.

But this was political now. 'You ...?' I pointed at his sidekick.

It took him a moment to realize it was a question. 'Constable Friel, Sarge,' he answered, looking at Hughes for support, some of the humour draining.

'Go and get the incident tape.' I turned to Emrys. 'And you, Sergeant Hughes, are going to show me what we've got here.'

He stared me out for a moment. Technically, we ranked equal, but we both knew that I was the one who had been called in to do the thinking. He shrugged and led off towards the civilian couple. I approached them with my warrant card held out. 'Detective Sergeant Capaldi,' I introduced myself. The man took a pace forward. I held up my hand to stop him speaking. 'Sorry, sir, I just need a moment on this.'

I wanted to read it myself. Before anyone else's viewpoint and opinions impinged. It took me a couple of beats to focus on it, create an outline, trying to distinguish it from its surroundings. The bones were a nasty grey-green colour, the chest cavity full of earth, gravel and root filaments, the unexcavated legs still under their cover of damp soil and course grass.

For a moment it looked more like the thorax of a giant crayfish than anything human. Then I realized why. The head was missing. No skull. That's what had thrown me. I knelt down to get closer. No trace of the smell of putrefaction, but I hadn't expected it, skeletonization was too far advanced. The body was slightly twisted, the arm that was uncovered was minus a hand. I scanned around carefully. To the side was a pile of material the digger had excavated. The skull and the missing hand had probably been scooped-up with that. I took some close-up photographs with my digital camera.

I stood up and smiled at the man now, nodding, giving him his cue.

'I'm Jeff Talbot. I'm the site engineer.' He had a South Wales accent, and looked vaguely familiar. He was medium height, skinny, with an angular face and a worried expression that was accentuated by the high forehead and receding hairline. He was wearing a dark-blue quilted jacket, and, like the rest of the site crew, a yellow high-visibility tabard over it.

I stole a glance at the woman. She was prettier than I had first thought, and smiled when my eyes caught hers. She was also tall, but carried herself slightly stooped, as if to avoid drawing attention. I registered blonde hair, full cheeks, and that she was built in such a way that the duffel coat couldn't quite hide the curves. She didn't look at all shaken or disturbed to be standing beside a headless corpse.

'Has anyone touched it?' I asked him.

He shook his head gravely. 'Only to brush the surface debris off. To confirm what it was. Then we stopped everything and called you people.'

'Can I speak to the digger driver?'

'That was me. I was excavating this base.' He reacted to my surprise. 'We're short-handed, we were working on a Sunday to try to keep up to schedule.' He looked sheepish. I expect he was breaking some sort of local by-law or clause in the planning permission. I decided not to arrest him.

'Did you see the skull?'

'No. But I might have picked that up in the cut before.' He nodded at the pile of excavated material. 'It could be in there. We didn't think we should touch anything.'

I nodded my appreciation. 'It was the right decision. And you did well not to do any more damage.'

'It was luck. The light was right for me, I just managed to see it before I crushed it.'

I looked around carefully, but it was useless, the entire periphery resembled an opencast mine. 'Tell me something. I know it's difficult, but I want you to think back to just before you uncovered this section. Was there anything on the surface? Mounding? A depression? Any kind of marker?'

He thought hard, his face tight with concentration. When he eventually shook his head it was like a small spring being released. 'No. I'm sorry. If there was anything out of the ordinary, I didn't notice it,' he said apologetically.

'You said you stopped when you realized what it was.'

'That's right.'

I looked down at the remains again. I was still getting a huge insect's carapace. 'It's hard to tell.'

He looked puzzled. Wondering what I was getting at.

'That it's human,' I clarified.

'I just saw bones at first. I wasn't sure whether they were animal or human, but I knew they would have to be checked out. Tessa confirmed that they were human.'

I looked at the woman. She smiled, amused at my expression of surprise.

'Oh, I'm sorry,' Jeff said, flustered, 'I should have introduced you. This is Dr MacLean.'

'Doctor.' I nodded at her, trying to pull back my composure.

She grinned. 'Don't get too excited, Sergeant. I'm not a medical doctor. I won't be able to help you out on any forensic technicalities.' She was Scottish, a touch of east-coast inflexion in the accent.

'Dr MacLean's an archaeologist,' Jeff explained, 'she's working on a dig farther up on the ridge of the hill. I asked her to come down. In case this was in any way connected to what she's working on.'

'We've discovered a medieval grave site,' she elaborated. 'Jeff wondered whether this body could have anything to do with ours.'

'Does it?' I asked. 'Can you tell whether this is medieval?'

She hunkered down close to the remains. I dropped down beside her, our splayed-out knees almost touching. She took out a pen and used it as a pointer. 'Can you see that?' she asked, directing my eyes down to a point close to the elbow of the one uncovered arm.

I caught it. A scrap of something with a dirty-brown sheen to it, damp, a surface-texture like kelp. 'What is it?'

She turned her face to mine. 'Whatever variation on polyethylene sheet it turns out to be, Sergeant, I don't think they were making it six hundred years ago.'

'Could it have got here independently?'

'I'm not the detective, but the material does appear to be under the remains.' She smiled again, sympathetically, I thought, but before I could confirm it, she stood up. I joined her and heard Emrys Hughes smother a snort of laughter. He wouldn't have known polyethylene if it turned up on his breakfast plate, but he obviously thought that I had just had my nose caught in a hinge.

'So the plastic could have been used as a wrapping?' I asked.

She shrugged. It wasn't her business. It didn't matter. I was airing the questions for my own benefit. 'Or as a carrier? Something to stop the fluids leaking?' I turned to Jeff. 'What was here before your started your operation?'

'Nothing. Just open hill.'

'No track?'

'A pretty rudimentary one.' He pointed out a track that was little more than twin wheel ruts that ran up to the shoulder of the hill. 'That's a continuation of it. It goes up to Tessa's ... Dr MacLean's dig.'

'So you could have got a vehicle up here?'

'It would have to have been a four-wheel drive.'

The wind gusted. I felt it cold in my face. 'It's going to rain. Have you got a tarpaulin we can use to cover the body and the excavated material?'

'Sure. Are we going to be able to carry on and work round you while you do what you have to do?'

So that's why he was looking so worried. 'Not immediately, I'm afraid,' I said sympathetically, 'and then it's going to depend on what we find before we can release the site back to you.'

'Jeff ...'

We all looked round at the man at the open door of one of the site huts who had just shouted. 'There's a call come in for the cops.'

I looked at Jeff quizzically. 'There's no cellular reception up here,' he explained, 'we had to put our own landline in.'

'Jeff ...' Tessa put a hand on his arm. 'I'm going to go back up the hill now. I'll catch you soon.'

'I'll come over.' He smiled wryly. 'It looks like I'm going to have time on my hands.'

She bobbed her head at me. "Bye, Sergeant.'

'Goodbye, doctor,' I replied, feeling the formal distance. I felt an irrational twinge of loneliness and wished that I was playing in the same movie as she and Jeff.


(Continues...)

Excerpted from Dead People by Ewart Hutton. Copyright © 2013 Ewart Hutton. Excerpted by permission of St. Martin's Press.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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